IMDb RATING
7.5/10
6.9K
YOUR RATING
Meet Mara, an endearing lion cub striving to be like her mother; Sita, a cheetah and single mother of five; and Fang, a proud leader of the pride who must defend his family from a rival lion... Read allMeet Mara, an endearing lion cub striving to be like her mother; Sita, a cheetah and single mother of five; and Fang, a proud leader of the pride who must defend his family from a rival lion.Meet Mara, an endearing lion cub striving to be like her mother; Sita, a cheetah and single mother of five; and Fang, a proud leader of the pride who must defend his family from a rival lion.
- Directors
- Writers
- Stars
- Awards
- 3 nominations total
Samuel L. Jackson
- Narrator
- (USA version)
- (voice)
Patrick Stewart
- Narrator
- (UK version)
- (voice)
Featured reviews
We often think of African wildlife documentaries as being dry, reiterated, or just clips of either cute baby animals or slow motion shots of the predator striking at it's prey. All under the dry narration of Sir David Attenborough or someone trying to sound like him. This is different.
The theme of "African Cats" is one of a mother's love, the setting is on a stretch of Kenya divided by a great river where on one side we are shown a lioness and her cubs as members of the ruling pride, on the other a mother cheetah and her cubs as she attempts to raise her young as a single mother. Each situation has it's benefits and it's disadvantages.
All of this wonderful story telling occurs amidst the beautiful scenery of Africa and all under the perfect narration of Samuel L. Jackson whose voice matches the inflection and emotion of every scene reminiscent of the work of the late John Facenda of NFL Films.
The movie does not try to out-do its predecessors and be more than it is, it stays to it's story and it's themes and makes for a wonderful film for anyone. From the kid who loves animals, to the casual film goer who enjoys a good story. 6 out of 10, check it out.
The theme of "African Cats" is one of a mother's love, the setting is on a stretch of Kenya divided by a great river where on one side we are shown a lioness and her cubs as members of the ruling pride, on the other a mother cheetah and her cubs as she attempts to raise her young as a single mother. Each situation has it's benefits and it's disadvantages.
All of this wonderful story telling occurs amidst the beautiful scenery of Africa and all under the perfect narration of Samuel L. Jackson whose voice matches the inflection and emotion of every scene reminiscent of the work of the late John Facenda of NFL Films.
The movie does not try to out-do its predecessors and be more than it is, it stays to it's story and it's themes and makes for a wonderful film for anyone. From the kid who loves animals, to the casual film goer who enjoys a good story. 6 out of 10, check it out.
Disney Nature's new documentary could definitely have been more imaginatively titled, but it's still an impressively mounted experience for wildlife lovers, and feline fanatics especially. The film-makers forego an information-filled Attenborough-style narrative, instead favoring the incongruous delights of Samuel L Jackson regaling us with a 'true life adventure' like some hoary old story-teller reading from a children's tome. Some may find this non-scientific approach condescending, but there's no denying the film offers visual spectacle on an epic scale and an intimate, involving account of life for these surprisingly vulnerable killers.
Fang is an aging lion struggling to look after his pride while contending with the usurping efforts of some younger competition. His sheba is trying to do the best for her cub Mara, stuck between her loyalty to Fang and the security that the more virulent lions on the other side of the river might offer. As the two groups come to blows over food, territory and leadership, it becomes clear that Fang's days may be numbered. Meanwhile, Sita is a cheetah with five rambunctious cubs, who are prized as coveted meals for many of the animals sharing their domain. Her efforts to protect, feed and teach them put her in mortal danger not only from enemies from other species but also their own.
As the beautifully captured seasons come and go, drastically affecting the awesome landscape, we witness the cats face many hardships despite being so high up in their food chain. Motion capture and slo-mo are judiciously deployed to generate wonder and tension, with the film's narrowed focus really giving the audience time to appreciate the African countryside, while several sequences of our subjects in peril prove as heart-stopping as a well-orchestrated horror movie. The soundtrack also adds to the atmosphere despite being somewhat predictably crafted and employed. The stories of the lions and the cheetahs are nicely balanced and bring some dynamic variety to the footage; the bigger cats are as impressive and noble as you'd expect, but the cheetahs often steal the show, thanks to the cubs' undeniable cuteness and Sita's mind-boggling multi-tasking prowess and intelligence.
Jackson really does attack his narration with all the relish of a new father indulging his kids at bedtime, making Daniel Craig's po-faced voice-over for the recent One Life film seem joyless and disheartening in comparison. The use of character names does actually help the audience keep track of the cats, even though the attempts to characterize them are sometimes laid on a little too thick. Keith Scholey and John Truby's script invests proceedings with even more humor and pathos than they would already have, and for the most part directors Scholey and Alastair Fothergill know just when to let the action speak for itself. There's also a cringe-worthy but amusing credit roll, where the various animals are assigned appropriate film-making roles; giraffes posing as crane operators are just the tip of the iceberg. It's something of a novelty but also represents icing on the cake for a film that has been more lovingly assembled than you might expect.
Cynics will point to the film's release coinciding with that of The Lion King to accuse Disney of trying to fleece families, while some will find the child-friendly voice-over cloyingly sentimental, but it marks a bit of a change for cinematic nature documentaries and at least they had the good sense to stick to 2D. Cat-lovers young and old will be delighted with this release, and it truly deserves to be experienced on the big screen. By concentrating so steadfastly on such a particular topic, Disney have made a wonderfully immersive and invigorating film, even if it's not particularly enlightening. The film may gloss over its stars' violent nature and assemble footage in a way that manipulates audience sympathy while slightly toning down the harsh reality, but African Cats is an unexpected pleasure to behold, coming as a breath of fresh air in an often stuffily rarefied genre.
Fang is an aging lion struggling to look after his pride while contending with the usurping efforts of some younger competition. His sheba is trying to do the best for her cub Mara, stuck between her loyalty to Fang and the security that the more virulent lions on the other side of the river might offer. As the two groups come to blows over food, territory and leadership, it becomes clear that Fang's days may be numbered. Meanwhile, Sita is a cheetah with five rambunctious cubs, who are prized as coveted meals for many of the animals sharing their domain. Her efforts to protect, feed and teach them put her in mortal danger not only from enemies from other species but also their own.
As the beautifully captured seasons come and go, drastically affecting the awesome landscape, we witness the cats face many hardships despite being so high up in their food chain. Motion capture and slo-mo are judiciously deployed to generate wonder and tension, with the film's narrowed focus really giving the audience time to appreciate the African countryside, while several sequences of our subjects in peril prove as heart-stopping as a well-orchestrated horror movie. The soundtrack also adds to the atmosphere despite being somewhat predictably crafted and employed. The stories of the lions and the cheetahs are nicely balanced and bring some dynamic variety to the footage; the bigger cats are as impressive and noble as you'd expect, but the cheetahs often steal the show, thanks to the cubs' undeniable cuteness and Sita's mind-boggling multi-tasking prowess and intelligence.
Jackson really does attack his narration with all the relish of a new father indulging his kids at bedtime, making Daniel Craig's po-faced voice-over for the recent One Life film seem joyless and disheartening in comparison. The use of character names does actually help the audience keep track of the cats, even though the attempts to characterize them are sometimes laid on a little too thick. Keith Scholey and John Truby's script invests proceedings with even more humor and pathos than they would already have, and for the most part directors Scholey and Alastair Fothergill know just when to let the action speak for itself. There's also a cringe-worthy but amusing credit roll, where the various animals are assigned appropriate film-making roles; giraffes posing as crane operators are just the tip of the iceberg. It's something of a novelty but also represents icing on the cake for a film that has been more lovingly assembled than you might expect.
Cynics will point to the film's release coinciding with that of The Lion King to accuse Disney of trying to fleece families, while some will find the child-friendly voice-over cloyingly sentimental, but it marks a bit of a change for cinematic nature documentaries and at least they had the good sense to stick to 2D. Cat-lovers young and old will be delighted with this release, and it truly deserves to be experienced on the big screen. By concentrating so steadfastly on such a particular topic, Disney have made a wonderfully immersive and invigorating film, even if it's not particularly enlightening. The film may gloss over its stars' violent nature and assemble footage in a way that manipulates audience sympathy while slightly toning down the harsh reality, but African Cats is an unexpected pleasure to behold, coming as a breath of fresh air in an often stuffily rarefied genre.
2/28/18. With great cinematography this animal documentary follows the lives of two big cat families. An aging lion, Fang, eventually must face up to Kali and his 4 sons (ok, it's no contest), and Sita, a female cheetah with 5 cubs must bravely survive the dangers of the jungle. Great movie, and worth catching with kids of all ages!
"African Cats", despite its name is NOT about all African cats. Instead of showing cats like leopards and servals, the film focuses exclusively on a pride of lions and a mother cheetah raising their young in the Masai Mara region of Kenya.
So why did I give this one a 10? Well, because it is among the most perfect nature documentaries you can find. The narration (by Samuel L. Jackson) is intelligently written and informative. But the real stars are the cinematographers...who get some of the best nature footage you could ever see. In many ways, it feels like you've been transported to the plains with these creatures....and the gorgeous music work together with the footage to produce an amazing film.
By the way, although the animals make some kills in the films and the animals occasionally fight, the film is pretty easy to watch and the most gruesome footage hasn't been included in the movie. So, the tender of heart can relax and enjoy.
So why did I give this one a 10? Well, because it is among the most perfect nature documentaries you can find. The narration (by Samuel L. Jackson) is intelligently written and informative. But the real stars are the cinematographers...who get some of the best nature footage you could ever see. In many ways, it feels like you've been transported to the plains with these creatures....and the gorgeous music work together with the footage to produce an amazing film.
By the way, although the animals make some kills in the films and the animals occasionally fight, the film is pretty easy to watch and the most gruesome footage hasn't been included in the movie. So, the tender of heart can relax and enjoy.
African cats are as dangerous as they are majestic, and one runs the risk of forgetting that when watching this documentary. Cheetahs, lions, and hyenas are lethal killing machines, that is how they live, that is their role in nature. The pictures speak for themselves; narration may not even be necessary. Watching a lion chase down a gazelle or a cheetah face down a lion requires no commentary. This is life or death. Here the narration becomes a distraction. The animals are not acting for the audience's amusement. They are doing what animals do to survive. Do lions have a sense of family? Who knows. But one thing is for certain: this documentary provides a spectacular glimpse of the brute strength and incredible agility of these creatures. Technically, this documentary is superb. But anthropomorphizing these animals for dramatic effect really trivializes what the documentary is showing. These animals are not cuddly playthings; they can and do kill, which is an aspect of their nature that cannot be played down.
Did you know
- TriviaMara is kicked by a zebra, which causes serious injury. One of the most common injuries is a broken jaw, which causes the lion to starve.
- Crazy creditsDuring the entire run of the end credits, animals (shown in short clips) have been "credited" for being part of the production stuff, including, but not limited to:
- Wildebeest: A Supporting Cast of Thousands
- Topi: Extras Coordinator
- Aardvark: Fight Choreography
- Jackson's Widowbird: Dance Choreography
- Masai Ostrich: Costume Design
- Male Cheetahs: Best Boys
- Warthog: Hair and Make Up
- Masai Giraffe: Crane Operators
- Kori Bustard: Stylist
- Additional Memory Provided by African Elephant
- Bohor Reedbuck: Motion Control Unit
- Secretary Bird: Script Supervisor
- Ground Hornbill: Prosthetics
- Yellow-billed Stork: Set Dresser
- Underwater Photography by Hippopotamus
- Tawny Eagle: Aerial Unit
- Impala: Location Alarm Systems
- Acting Stripes Earned by Burchell's Zebra
- Cape Buffalo: Lion Producers
- Hooded Vulture: Carrion Baggage Coordinator
- Laughter Track Provided by Spotted Hyena
- Hearts Stolen by Baby Elephant
- Cattle Egret: Heron Make Up
- Nile Crocodile: Catering Services
- Black Rhinoceros: Security Patrol Unit
- Ruppell's Griffon Vulture: Assistant to Mr Fang
- Thomson's Gazelle: Assistant to Ms Sita
- Serval: Ms Sita's Stunt Double
- Leopard Tortoise: Fall Guy
- Alternate versionsIn the U.S. version Samuel L. Jackson narrates while Patrick Stewart narrates the U.K. version.
- ConnectionsEdited into Growing Up Wild (2015)
- SoundtracksThe World I Knew
Written and produced by Ryan Tedder and Dean Josiah (as Dean 'Inflo' Wynton Josiah)
Performed by Jordin Sparks
JORDIN SPARKS performs courtesy of 19 RECORDINGS LIMITED/JIVE RECORDS
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- African Cats
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $15,428,747
- Opening weekend US & Canada
- $6,003,200
- Apr 24, 2011
- Gross worldwide
- $30,857,747
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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