IMDb RATING
7.2/10
4.2K
YOUR RATING
Venturing into the wilds of China, "Born in China" captures intimate moments with a panda and her growing cub, a young golden monkey who feels displaced by his baby sister, and a mother snow... Read allVenturing into the wilds of China, "Born in China" captures intimate moments with a panda and her growing cub, a young golden monkey who feels displaced by his baby sister, and a mother snow leopard struggling to raise her two cubs.Venturing into the wilds of China, "Born in China" captures intimate moments with a panda and her growing cub, a young golden monkey who feels displaced by his baby sister, and a mother snow leopard struggling to raise her two cubs.
- Awards
- 2 wins & 3 nominations total
John Krasinski
- Narrator
- (English version)
- (voice)
Claire Keim
- Narrator
- (voice)
Featured reviews
Born in China was a mixed bag - some spectacular footage only partially spoiled by the editing and narration Disney imposed upon it. This has a very different tone than your usual David Attenborough BBC Nature Documentary (such as Planet Earth), adopting anthropomorphizing storytelling of the characters (I initially hesitated to use the word characters to describe animals, but such was the extent of Disney's approach that it is, unfortunately, fitting here) instead of the objective, informative narration you might be expecting. I think it's likely well-suited for children, but if you're a nature documentary loving adult without children, my advice would be to pass. I'm still giving it a 6/10 for the quality of the footage itself and what I'm estimating is a decent film for its target audience, very young children.
The good: The footage itself was wonderful. The team captured some beautiful and fascinating nature scenes. The detail into which the film delved into the social life of the monkeys was interesting and new. There were lots of baby animal scenes and who doesn't love baby animals?! John Krasinski of "The Office" fame was, in my opinion, an excellent narrator *for the material given to him*. Because Disney chose a more playful, childish tone in the narration, I think an actor's touch was needed, and John Krasinski handled the material well. I just didn't care for the material (ok sorry that was a good and a bad, but it's hard to praise the narration without acknowledging the terrible writing!).
And onto...the bad: * The writing itself. While John Krasinski performed the playful tone well, I disagree with the choice for the writers to use that tone to begin with (or at the very least, if I'm to temper my criticism I'll say it's not well-suited to adults). This film was not highly informative, and most of the narration felt like it was projecting human emotions onto the animal "characters", which I found very irritating.
* Predator subjects but no successful hunting footage. With a significant portion of the film covering snow leopards, one of nature's most capable and majestic hunters, one would hope for some spectacular hunting footage! Disney omitted it, presumably as a concession to their target audience. Another thing that's not *necessarily* worse if you concede that the movie is strictly for young children, but in my opinion makes it worse for anyone *but* that small audience.
* "Dishonest" editing. I strongly suspect the filmmakers fixed a LOT in post to fit the narrative they wanted to tell, and make things "more interesting." You would think after Disney's history of this (Google "Disney Lemmings" for more, and prepare to be shocked if you don't know the story!) they would be extra vigilant to be honest in their depictions, but Born in China appeared to cheat a LOT. For example, there's a scene with the Baby Panda climbing, and the footage would cut back and forth between face shots of the baby panda and a "nearby" red panda, who they imply with the juxtaposition of shots is watching the whole ordeal. But an establishing shot with the baby panda and the red panda is never shown, and the implied perspective of the red panda remains static, even after the baby panda takes a tumble down a hill. For all we know (and I strongly suspect), the footage of the red panda was completely separate, but they chose to inject it into this scene to tell a more "interesting" story. This is just a minor example of manipulating the footage shot to support a slightly more compelling narrative, but I for one would prefer honesty. There are other examples as well, and you'll notice watching the film that the edits are more like that of a sitcom than a nature documentary - character focused rather than an objective account of the events. They try too hard to tell a story, and beyond the tone of the writing itself, it appeared that they spliced together disjointed footage to make it fit their narrative. This kind of "dishonesty" in portrayal upset me the most about the film, because it goes against what I feel a nature documentary should be.
6/10 is higher than my own enjoyment of the film (which I'd put more along the lines of 4/10, with Planet Earth being an easy 10/10), but I think for its target audience it's a bit better than my own experience so I'm giving it some benefit of doubt there, and again the footage itself was excellent. It probably deserves some real credit for that alone, as well as some adjustment for the context of its target audience.
The good: The footage itself was wonderful. The team captured some beautiful and fascinating nature scenes. The detail into which the film delved into the social life of the monkeys was interesting and new. There were lots of baby animal scenes and who doesn't love baby animals?! John Krasinski of "The Office" fame was, in my opinion, an excellent narrator *for the material given to him*. Because Disney chose a more playful, childish tone in the narration, I think an actor's touch was needed, and John Krasinski handled the material well. I just didn't care for the material (ok sorry that was a good and a bad, but it's hard to praise the narration without acknowledging the terrible writing!).
And onto...the bad: * The writing itself. While John Krasinski performed the playful tone well, I disagree with the choice for the writers to use that tone to begin with (or at the very least, if I'm to temper my criticism I'll say it's not well-suited to adults). This film was not highly informative, and most of the narration felt like it was projecting human emotions onto the animal "characters", which I found very irritating.
* Predator subjects but no successful hunting footage. With a significant portion of the film covering snow leopards, one of nature's most capable and majestic hunters, one would hope for some spectacular hunting footage! Disney omitted it, presumably as a concession to their target audience. Another thing that's not *necessarily* worse if you concede that the movie is strictly for young children, but in my opinion makes it worse for anyone *but* that small audience.
* "Dishonest" editing. I strongly suspect the filmmakers fixed a LOT in post to fit the narrative they wanted to tell, and make things "more interesting." You would think after Disney's history of this (Google "Disney Lemmings" for more, and prepare to be shocked if you don't know the story!) they would be extra vigilant to be honest in their depictions, but Born in China appeared to cheat a LOT. For example, there's a scene with the Baby Panda climbing, and the footage would cut back and forth between face shots of the baby panda and a "nearby" red panda, who they imply with the juxtaposition of shots is watching the whole ordeal. But an establishing shot with the baby panda and the red panda is never shown, and the implied perspective of the red panda remains static, even after the baby panda takes a tumble down a hill. For all we know (and I strongly suspect), the footage of the red panda was completely separate, but they chose to inject it into this scene to tell a more "interesting" story. This is just a minor example of manipulating the footage shot to support a slightly more compelling narrative, but I for one would prefer honesty. There are other examples as well, and you'll notice watching the film that the edits are more like that of a sitcom than a nature documentary - character focused rather than an objective account of the events. They try too hard to tell a story, and beyond the tone of the writing itself, it appeared that they spliced together disjointed footage to make it fit their narrative. This kind of "dishonesty" in portrayal upset me the most about the film, because it goes against what I feel a nature documentary should be.
6/10 is higher than my own enjoyment of the film (which I'd put more along the lines of 4/10, with Planet Earth being an easy 10/10), but I think for its target audience it's a bit better than my own experience so I'm giving it some benefit of doubt there, and again the footage itself was excellent. It probably deserves some real credit for that alone, as well as some adjustment for the context of its target audience.
The cinematics were beautiful, but that was the movie's only good part. The rest just focused on the made up struggles of cubs and parents. This was so stupid though, since they made the cubs super angsty and the parents super mean. The worst part was the parts where they gruesomely focused on the deaths of the animals and then went on to recite some stupid saying about Chinese yin and yang and then that's it. Overall absolutely terrible, there are much better nature movies.
The story of the animals is very touching and the scenery is beautiful.
Disney: Nobody does it better, capturing nature seen for the first time by the general public. In Born in China, cuddly Pandas are featured along with a sleek snow leopard, young monkeys' business, and yak moms. Not to forget an occasional goshawk picking off careless youngun's even though more often than not the babies get away.
Yep, that's Disneyfied reality, keeping things sweet until it's necessary to do a reality check that is nonetheless about as sanitized as a Mormon cathedral. None of this visual manipulation is as distracting as the verbal honey director Chaun Lu and writers spread on John Krasinski's grade-school narration.
Touching moments abound, especially the family play and eat times. Making this documentary acceptable for the whole family are benign Darwinian search-for-food segments that may mislead children to think Tennyson was a blowhard when he called Nature "red in tooth and claw." The narration couches the rough moments in the usual Disney circle-of-life motif. It's beautifully- photographed propaganda for Mother Nature.
Regardless, it is gorgeous in a Disney way, bereft of the trauma the world faces every day. Go, if you will, just for the Chinese landscapes—they're impressive. Otherwise, it's a feel good date
Yep, that's Disneyfied reality, keeping things sweet until it's necessary to do a reality check that is nonetheless about as sanitized as a Mormon cathedral. None of this visual manipulation is as distracting as the verbal honey director Chaun Lu and writers spread on John Krasinski's grade-school narration.
Touching moments abound, especially the family play and eat times. Making this documentary acceptable for the whole family are benign Darwinian search-for-food segments that may mislead children to think Tennyson was a blowhard when he called Nature "red in tooth and claw." The narration couches the rough moments in the usual Disney circle-of-life motif. It's beautifully- photographed propaganda for Mother Nature.
Regardless, it is gorgeous in a Disney way, bereft of the trauma the world faces every day. Go, if you will, just for the Chinese landscapes—they're impressive. Otherwise, it's a feel good date
The real shame with Disney's nature documentary "Born in China" is that the potential was there for a remarkable film. The imagery captured of both the landscapes and of the beautiful and elusive animals on which it is centered is completely awe-inspiring and never less than completely engrossing and compelling. And it tells the oft-poignant story of what it is like for families and packs of animals in the vast reaches of China, including adorable pandas and stunning snow leopards. Unfortunately, the film's failing is a complete and utter lack of any real substance or information regarding these subjects, which is instead traded for often contrived schmaltz and "jokey" narration. For all it does right with the stunning visuals... all else seems forced and a tad bit trite.
The footage itself is incredible. Especially when viewed on the big screen. Director Lu Chuan and his team of cinematographers and cameramen truly do capture some compelling and beautiful looks into the lives of these animals, and it's a pleasure seeing what it's like for them as they struggle to thrive and survive over the course of just over a year. The most outstanding of course being the snow leopard referred to as "Dawa" and her cups, simply because they are such stunning creatures and they face the most adversity and tragedy throughout the film. Chuan and the rest of the crew feverishly document these wonderful creatures to the greatest of extents.
The problem is that through editing and over-written narration delivered by comedic actor John Krasinski, the entire message seems a bit undermined. I know that it wouldn't work for some, but in my mind, simply showing the footage over music or with only minimal information carefully doled out through brief bits of narration would have worked best. But you get the feeling that Disney's nature department felt they needed to add more of a "message" to the film, and it feels tacky and silly. The film starts out promising with some actual key information about China and a pleasant explanation of the symbology involving cranes taking flight... but it quickly becomes an "Ohh, so cutesy!" affair with Krasinski "speaking" for the animals and inserting odd random jokes while never doling out more than the most basic and bland of facts. This was an opportunity for education, but instead it places too much focus on talking about how much animal-mommies love their animal-babies, and throwing in some really odd references to appease the young children in the audience. (The film likes to constantly remind us that it refers to a clan of Snub-Nose monkeys as the "Lost Boys" about once every 30 seconds in certain scenes.) It's borderline condescending. I remember when I was a child watching nature documentaries in school or on television... I wanted to learn. This film instead feels the need to talk down.
Still, I can't say that this fact ruined the film as a whole. Because it didn't. There's still so much to take in through the 76- minute run-time that I'd definitely give it a mild recommendation, especially to families with young children or general nature enthusiasts. While critical facts are few and far in-between and the over-done narration does drag it down a bit, the footage enclosed is constantly and consistently enthralling and exquisitely captured. And it did save the film for me, and make it an enjoyable watch as an entire cumulative experience. Seeing pandas, snub-nosed monkeys and of course the snow leopards in their natural habitats, living and breathing is just too magical to dismiss over my squabbles with the production.
I give it a slightly above average 6 out of 10. It could have been better, but there's still just enough to make it worth a watch at least once.
The footage itself is incredible. Especially when viewed on the big screen. Director Lu Chuan and his team of cinematographers and cameramen truly do capture some compelling and beautiful looks into the lives of these animals, and it's a pleasure seeing what it's like for them as they struggle to thrive and survive over the course of just over a year. The most outstanding of course being the snow leopard referred to as "Dawa" and her cups, simply because they are such stunning creatures and they face the most adversity and tragedy throughout the film. Chuan and the rest of the crew feverishly document these wonderful creatures to the greatest of extents.
The problem is that through editing and over-written narration delivered by comedic actor John Krasinski, the entire message seems a bit undermined. I know that it wouldn't work for some, but in my mind, simply showing the footage over music or with only minimal information carefully doled out through brief bits of narration would have worked best. But you get the feeling that Disney's nature department felt they needed to add more of a "message" to the film, and it feels tacky and silly. The film starts out promising with some actual key information about China and a pleasant explanation of the symbology involving cranes taking flight... but it quickly becomes an "Ohh, so cutesy!" affair with Krasinski "speaking" for the animals and inserting odd random jokes while never doling out more than the most basic and bland of facts. This was an opportunity for education, but instead it places too much focus on talking about how much animal-mommies love their animal-babies, and throwing in some really odd references to appease the young children in the audience. (The film likes to constantly remind us that it refers to a clan of Snub-Nose monkeys as the "Lost Boys" about once every 30 seconds in certain scenes.) It's borderline condescending. I remember when I was a child watching nature documentaries in school or on television... I wanted to learn. This film instead feels the need to talk down.
Still, I can't say that this fact ruined the film as a whole. Because it didn't. There's still so much to take in through the 76- minute run-time that I'd definitely give it a mild recommendation, especially to families with young children or general nature enthusiasts. While critical facts are few and far in-between and the over-done narration does drag it down a bit, the footage enclosed is constantly and consistently enthralling and exquisitely captured. And it did save the film for me, and make it an enjoyable watch as an entire cumulative experience. Seeing pandas, snub-nosed monkeys and of course the snow leopards in their natural habitats, living and breathing is just too magical to dismiss over my squabbles with the production.
I give it a slightly above average 6 out of 10. It could have been better, but there's still just enough to make it worth a watch at least once.
Did you know
- ConnectionsFeatured in Nés en Chine: Histoires d'un tournage (2017)
- How long is Born in China?Powered by Alexa
Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $13,873,211
- Opening weekend US & Canada
- $4,790,367
- Apr 23, 2017
- Gross worldwide
- $25,081,168
- Runtime
- 1h 19m(79 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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