Hirondelles et Amazones

How sad that someone's sensitivities (who's?) were considered so important that Titania's original name was changed to 'Tatty' for this film. The character's name is Titty, and has been since 1930 - a very long time - and I consider that the producers should be ashamed of themselves for giving in on such an insignificant matter. Do they not know the expression 'to Roger someone'? Do they not know what a 'John' is in certain societies? Where does all this lunacy stop?

Perhaps the film lacks the intensity of modern, CGI, 'shoot 'em up' films, but the pleasure should lie in the bucolic idealism that Ransome illustrated in all his books. Oh, and the basics of how to sail, alongside other matters naval and historical. Fortunately interest in such activities remains high and will probably remain so for the next few centuries, unlike passing fads passed off as 'entertainment' but actually merely being another vehicle for profit.

It takes guts to remake a classic film. Unfortunately it takes talent too, and from the "writer" downwards the bunch behind this particular remake are sadly lacking in talent.

Honestly, it makes you wonder if they ever read the original stories. Sure, they're perhaps a little dated now, but I'm convinced it would have been possible to update them without ignoring everything that was good. They certainly did *not* need to rename poor old itty, or make the teenagers a bunch of inept yobs.

Ignore this, go watch the original 1974 version, then hunt out Sophie Neville's beautiful diaries of "The Making of Swallows and Amazons" (it's on Amazon) and let the love and respect for Arthur Ransome's work envelop you.

It is this reviewer's humble opinion that British children's literature, with its whimsical nature and picturesque settings, is the best of its kind. It is also this reviewer's opinion that British filmmaking best capitalises on these elements, making for full-length features that are every bit as captivating as their source material.

Set against the backdrop of the 1930s English Lake District (shot on location and realised here in breathtaking aerial views), Swallows and Amazons sees an innocent childhood sailing adventure become embroiled in a sinister conflict of interest between two mysterious parties. Though it preceded Enid Blyton's Famous Five stories it is strikingly similar in tone, and reinforces the notion that childhood detective fiction has been consistently appealing to us from Arthur Ransome's classic novel through to the television adventures of Scooby Doo.

Held up by a veteran supporting cast including Harry Enfield and Kelly McDonald, the young Walker children are all an enthusiastic delight, chiefly responsible for rendering this particular adaptation so cheerily playful for the majority of its running time. Even when the atmosphere shifts and the film must briefly cease to reminisce on the carefree pleasures of our youths, the focus adapts accordingly to challenge the audience's perspective on responsibility; as Rafe Spall's cryptic Jim Turner tells an accountable John Walker, this is not (always) a game.

While the topic of childhood privileges is one which the film has no obligation to comment on directly - the source material predating the advent of smart electronics by a great length of time - there are subtle nods to taking the great outdoors for granted which director Philippa Lowthorpe delivers as contemplative gestures, rather than heavy-handed sermons. Swallows and Amazons is precisely the film that family audiences need in 2016; a reminder that a summer spent outdoors, rather than five inches from a screen, is the most memorable of all.

...we're adding a whole new plot"

That's always a sign that a production is heading for disaster. If you think the book isn't exciting, don't use it; find some other material. If you think you don't have the ability to convey to an audience what you find exciting about it, find another career.

'Swallows and Amazons' works as a book - and still does, nearly 90 years after it was written - precisely because it is concerned only with the children and their doings. No adult POV is included to give us a perspective on the children's outlook, their emotions and imaginative world; we only see what matters to them and we see it with their eyes. This makes perfect sense to children, and it takes adults back to our own childhood when we too found our own fantasy games far more important and meaningful than anything adults did. I couldn't see how a subplot about 'real' 1930s Soviet spies could possibly be introduced into the plot without making the children's pirate adventures and sea battles seem suddenly trivial and, well, childish.

And sadly, that's exactly what happens. Philippa Lowthorpe works hard to create a sense of danger and excitement in the childhood adventure of unaccompanied sailing, and camping on an island, and very nice too. But the effort is pointless when you throw in real gun-toting nasties kidnapping people and chasing them along trains; that just makes the children's 'pirate wars' fantasy look piffling and tiresome.

A real pity. You wonder why they bothered, and why anybody didn't advise them not to.

This rainy day emergency activity last weekend turned out to be the best decision of the holidays. Based on the Arthur Ransome classic with a slightly altered plot, it was a bit slow to get started, but once the main family arrive in the lakes the kids' adventure begins and my two were on the edge of their seats.

The scenery is breathtaking (without any special effects) and for the kids the sense of a REAL adventure must be inspiring. The Walker family children (Swallows) are allowed to go and camp on an island in the middle of a lake and basically fend for themselves. Once on the island it becomes clear that they're not alone and soon war is declared with two local pirate girls (Amazons). The kids catch fish, play with fire, shoot bows and arrows. There is no need to add superheroes or special effects, real life is adventurous enough.

There are some great funny moments, a couple of which had the whole audience in stitches.

Thoroughly recommended, even if it's not raining!!