IMDb RATING
5.5/10
8.9K
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A hitman, his boss, an art dealer and a money-laundering scheme that accidentally turns the assassin into an overnight avant-garde sensation, one that forces her to play the art world agains... Read allA hitman, his boss, an art dealer and a money-laundering scheme that accidentally turns the assassin into an overnight avant-garde sensation, one that forces her to play the art world against the underworld.A hitman, his boss, an art dealer and a money-laundering scheme that accidentally turns the assassin into an overnight avant-garde sensation, one that forces her to play the art world against the underworld.
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Was not too ardous and partially entertaining, relatively funny in parts. Not being a lover of fine art I felt the 1 hour 40ish aperture into the world of the high brow art industry to be reassuringly confirmational of my previous understanding of the type of people who inhabit that world. Pretentious and somewhat pathetically obsessed with one upmanship. So nothing new there. The Movie itself was slightly farcical which may have been the intent. But I found it hard to believe the ease at which certain characters took their introduction to the world of organised crime. Overall I didn't feel as if my time had been stolen. But its only ever going to be experienced once as there is absolutely nothing that merits a revisit. Mediocre without being Awful.
I'm not going to say that 'The Kill Room' is the greatest film even, but I did find it on a streaming service and it looks like it was made specially for that platform. In other words, compared the dross which is mere 'content' you can find there, actually coming across a film with recognisable actors really was a breath of fresh air. It's because of this that I probably enjoyed it more than it probably deserved.
Uma Thurman plays a struggling art dealer who gets a 'break' in terms of selling art when career criminal Samuel L Jackson drops by and offers her a business proposition. It starts out well and her gallery takes off, but soon she realises that she has effectively made a deal with the devil, or at least the kind of organised criminals you really don't want to invite to your high class cocktail parties.
I quite liked the dialogue. Yes, the characters themselves may be - deliberately (?) vapid and shallow - but they were at least funny. Or rather they were suitably scathing to other - equally shallow and vapid - art critics who infest the high-brown scene. Thurman's intern may be a little bit annoying, but, apart from her, the combination of Thurman and Jackson carry the film with ease.
No, it'll never be up there with their other offerings like 'Kill Bill' or 'Pulp Fiction,' but if you're a fan of either actor, you'll definitely get something out of the film. Or, if you're just tired of films on steaming services that cost about as much as a glass of milk to get made, at least this one had a budget that the film-makers bothered to spend on a script and competent actors who could make the most of it.
Uma Thurman plays a struggling art dealer who gets a 'break' in terms of selling art when career criminal Samuel L Jackson drops by and offers her a business proposition. It starts out well and her gallery takes off, but soon she realises that she has effectively made a deal with the devil, or at least the kind of organised criminals you really don't want to invite to your high class cocktail parties.
I quite liked the dialogue. Yes, the characters themselves may be - deliberately (?) vapid and shallow - but they were at least funny. Or rather they were suitably scathing to other - equally shallow and vapid - art critics who infest the high-brown scene. Thurman's intern may be a little bit annoying, but, apart from her, the combination of Thurman and Jackson carry the film with ease.
No, it'll never be up there with their other offerings like 'Kill Bill' or 'Pulp Fiction,' but if you're a fan of either actor, you'll definitely get something out of the film. Or, if you're just tired of films on steaming services that cost about as much as a glass of milk to get made, at least this one had a budget that the film-makers bothered to spend on a script and competent actors who could make the most of it.
Great to see Uma Thurman back on the screen, because she is such a wonderful actress. Where has she been all these past years? But however charming she (still) is, and however mildly amusing this movie is, it fails to become really laugh out loud funny.
Humor is personal, so perhaps others wont mind the cheap in your face jokes though, but I found them to be just a bit tiring.
The story is about Uma Thurman's money loosing art gallery. Then she meets Samuel L Jackson, who is part of a criminal enterprise with LOTS of money to launder. They start cooperating and then the story kinda tanks from there on...
Could have been better. Not bad, but defnitely not recommendable either if you are looking for a good laugh.
Humor is personal, so perhaps others wont mind the cheap in your face jokes though, but I found them to be just a bit tiring.
The story is about Uma Thurman's money loosing art gallery. Then she meets Samuel L Jackson, who is part of a criminal enterprise with LOTS of money to launder. They start cooperating and then the story kinda tanks from there on...
Could have been better. Not bad, but defnitely not recommendable either if you are looking for a good laugh.
Reading through these reviews I am once again fascinated how some people can drill down to the slightest detail and pick a movie apart. I, on the other hand, tend to watch something and rate it on my level of enjoyment.
This was OK. It didn't blow me out of the water, but it also wasn't as bad as some of these reviews either.
One thing that disappointed me a bit, was that Reggie's identity was revealed to the public so early, especially given his profession. I thought more could have been done with that. How did he think it was going to be kept a secret from his "bosses"?
Otherwise, it was a good send up of the world of the uber wealthy, all of whom seem to be arrogant and pretty thick. Not only in this movie by the way.
This was OK. It didn't blow me out of the water, but it also wasn't as bad as some of these reviews either.
One thing that disappointed me a bit, was that Reggie's identity was revealed to the public so early, especially given his profession. I thought more could have been done with that. How did he think it was going to be kept a secret from his "bosses"?
Otherwise, it was a good send up of the world of the uber wealthy, all of whom seem to be arrogant and pretty thick. Not only in this movie by the way.
The casting was remarkable, luring viewers in with excessive temptation from the start. As the story unfolds, you'll discover that the narrative and plot are indeed worth investing your time in. However, as the movie progresses, it loses momentum and ultimately, the execution falls disappointingly short.
The film explores the concept of selling something you don't desire but end up purchasing because everyone else is doing so. In essence, it delves into the notion that if you have an abundance of wealth, you become a pawn in one way or another. Uma Thurman dominates the screen throughout, delivering a performance in line with her character. Regrettably, the movie's conclusion is so devoid of meaning that it extinguishes any remaining excitement.
Whether you choose to watch it or not, hardly any difference.
The film explores the concept of selling something you don't desire but end up purchasing because everyone else is doing so. In essence, it delves into the notion that if you have an abundance of wealth, you become a pawn in one way or another. Uma Thurman dominates the screen throughout, delivering a performance in line with her character. Regrettably, the movie's conclusion is so devoid of meaning that it extinguishes any remaining excitement.
Whether you choose to watch it or not, hardly any difference.
Did you know
- TriviaMaya Hawke is the real-life daughter of Uma Thurman. They co-starred in this movie. Maya Hawke co-starred with her father Ethan Hawke in Revolver.
- GoofsThe same two women walk behind Annika at her gallery (from left to right) before disappearing from subsequent shots, three consecutive times.
- SoundtracksNeuron Enhancement
Written by Lyndn David Gauntlett
Courtesy of BMG Production Music
- How long is The Kill Room?Powered by Alexa
Details
Box office
- Budget
- $6,500,000 (estimated)
- Gross US & Canada
- $139,358
- Opening weekend US & Canada
- $82,891
- Oct 1, 2023
- Gross worldwide
- $994,105
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 2.39:1
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