Le passé retrouvé

Greetings again from the darkness. A tale as old as time. No, this first feature film from writer-director Matthew J Seville is not a new spin on 'Beauty and the Beast', however it is a story that has a familiar feel, and one made more meaningful through terrific acting and expert cinematography. We are engaged through characters rather than plot, and in fact, we grow to care about two of these people after initially finding both a bit abrasive.

Charlotte Rampling stars as Ruth, aging mom to Robert (an underutilized Marton Csokas). The two have never been especially close as Ruth's career as a war photographer allowed her to escape traditional parental duties. With a recent broken leg set in a cast and brace, Ruth finds her wings clipped and Robert senses an opportunity. By moving Ruth into the house during recovery, he can have his son, Sam (George Ferrier), help Nurse Sarah (Edith Poor). Sam is a party boy recently expelled from his boarding school and wants nothing to do with the convalescing grandmother he barely knows.

Dad's ulterior motive gets off to a rough start. Both Ruth and Sam are hard-headed and rebellious. In fact, it's these traits that end up drawing them closer. Ruth seems to survive on her all day gin-binges as her vile vocal spewings are those of a woman whose world has shrunk to the point of feeling captive. Sam is one who doesn't take direction well as he tries to hide his depression and grief driven by the death of his mother. Adding to this mess is Nurse Sarah's consistent attempts to inject some religion into Ruth before the bell tolls.

What we have is self-destruction times two. Ruth and Sam are rude and self-centered, and those shared traits end up thawing the icy relationship and improving their much different circumstances. George Ferrier is a relative newcomer from New Zealand, and he has the looks and on-screen charm to build a nice career. Of course, Charlotte Rampling is in her seventh decade of acting, and she instinctively knows how far she can push this character and still keep us engaged. It's a terrific performance that probably deserved an Oscar nomination. The cinematography of Marty Williams works in the enclosed spaces of the house, as well as the beautiful landscape when the characters head outdoors. Some of the scenes may be a bit too much 'on the nose', but the humor and acting allows for the desired impact.

Opens February 24, 2023.

A little gem with a good script and good acting. The star is the great Charlotte Rampling as Ruth the grandmother and young actor George Ferrier is the grandson Sam. Ruth and Sam have some funny interactions and dramatic ones too.

It's the story of an unresolved emotional loss by a father (Robert) and son (Sam) and then the father's mother (Ruth) shows up. Ruth is an alcoholic addicted to gin, which I think gives the movie it's title, juniper berries are the main flavoring in gin.

There have probably been movies with similar plots, but this one set In New Zealand is well acted. A real treat to see Charlotte Rampling in a movie.

Juniper is a film about the unlikely bond between a troubled teenager and his estranged grandmother, set in rural New Zealand in the 1990s. The film is driven by the superb performance of Charlotte Rampling as Ruth, a former war photographer who has become an alcoholic recluse with a sharp tongue and a dark past. George Ferrier plays Sam, her grandson who is sent to live with her after being suspended from school for self-harm. The two clash at first, but gradually find solace and healing in each other's company.

The film is not without flaws. The plot relies on some contrived devices and coincidences, and some of the supporting characters are underdeveloped. The tone shifts between comedy and tragedy, sometimes awkwardly. However, the film also has moments of beauty and poignancy, especially when it explores Ruth's backstory and Sam's inner turmoil. The cinematography captures the stunning landscapes of New Zealand, creating a contrast between nature and human suffering.

Juniper is both a coming-of-age film and an end-of-the-line film. It shows how life can be cruel and unpredictable, but also worth living. It may not be a masterpiece, but it is worth watching for Rampling's captivating presence.

Matthew J. Saville's "Juniper" is probably not a movie that you'll be able to find easily, but you should try. It's a perceptive look at a teenager (George Ferrier) who has to take care of his grandmother (Charlotte Rampling) when she comes to live with the family in 1992 New Zealand.

Rampling has the perfect face for the role of the ornery grandma. Of course, the movie makes sure to flesh her out enough to understand her behavior, so that the viewer appreciates her more as the movie progresses.

In conclusion, having seen this movie, I hope that Saville continues to make movies. These sorts of movies give one a far deeper appreciation of cinema than do all these movies where Tom Cruise does a bunch of stunts.

A slow moving film,more a study in character and acting.charlotte rampling the sixties icon not afraid to show her age.her study in age and truth,things lost roads not taken is dealt with great aplomb.the small but valuable supporting cast is very good.her vinegary put downs and side swipes hide a very brittle person.very reminiscent of Mrs havisham the way she manipulates people around her like chess pieces.death is also dealt with in the physical and mental acceptance of it.the choice of music good but not intrusive.an overall small independent film that deserves a better release.well worth an hour and half of your time.