Echo 8

Badass indie action film from Western Sydney? Sign me up!! A solid directorial debut from action power couple Maria Tran and Takashi Hara, Echo 8 is a great case study for microbudget and fast-paced filmmaking.

Writer Elizabeth H. Vu finds unique and interesting ways to put more meat on the bones of a typical assassin plot, resulting in strong emotive performances from Maria Tran and Gabrielle Chan, and an interesting dynamic with Agent 5, portrayed by Takashi Hara. David Vuong shines bright with his charisma and likeable character, and Maria Tran proves that she is a star, showcasing her range from scenes where she is a stoic action hero, to lighter and more comedic moments.

This film wears it's humble shoe-string budget on it's sleeve, sometimes in ways that are less than ideal, but the film's smooth pacing and spectacle help distract and keeps the audience captive. It should also be noted this film was shot in a rather short time frame during the COVD-19 pandemic, and what has been achieved should really be commended, particularly towards the film's camera department. Perhaps the film could've benefited from a little more polish, but there is a particularly impressive fight sequence in an car park which really gets the blood pumping - hoping for more action sequences of this caliber from the future instalments ""FIVE BY FIVE" and "ECHO 8 BEYOND".

Ultimately, Echo 8 is yet another strong example of the amazing talent from Western Sydney, and a testament to how collaboration, talent, creativity and elbow grease can result in amazing works of art. Congrats to Maria Tran, Takashi Hara and crew!

This film is different to any other Australian film I've seen. It was refreshing to see something like this, with great, realistic action, suspense, mystery and a touch of humour. I was even more amazed at the high quality of the film when we realised the film makers created it on a micro budget. Would love to see more!

I love independent action and martial arts films like "Echo 8". Many times the cinema of these genres neglects the script and the characters in favor of the action, but sometimes they have a powerful script, well written and developed and with great characters, as is the case. Maria Tran shows that we can have an action and martial arts movie and not just for the action scenes. The story leaves you wanting to know more about all its characters and visually it has nothing to envy of projects with a bigger budget. Maria Tran exudes a lot of charisma and Takashi Hara is perfect in a character that you are not sure if he is good or bad. And we cannot forget the presence of Mike Leeder as Z12, totally mysterious. More cinema like this.

In the crowded landscape of low-budget cinema, Echo 8 emerges as a standout achievement, captivating audiences with its explosive action and heartfelt storytelling. With a budget of just $8,000 AUD, this Vietnamese-Australian film defies its financial constraints to deliver a powerful narrative that resonates on multiple levels.

The film's central plot revolves around an assassin trapped between a nightmarish dreamscape and the gritty reality of her covert operations. Her latest assignment-to eliminate a grieving mother-takes an unexpected turn when she uncovers the shocking proximity of her target. This twist not only fuels the suspense but also provides a profound exploration of personal and familial conflict.

What truly elevates Echo 8 is its dynamic action sequences. For a film with such a modest budget, the explosive scenes are nothing short of remarkable. The choreography is tight and exhilarating, clearly a result of meticulous planning and innovative execution. The sheer intensity of these moments draws viewers in, proving that high-octane action doesn't always require a blockbuster budget.

The film's casting is another notable strength. Featuring a predominantly Vietnamese cast, Echo 8 offers an authentic representation that allows Vietnamese Australians to see themselves reflected in a story of resilience and conflict. This cultural authenticity not only grounds the film in a rich, relatable context but also enhances its emotional impact. The nuances of Vietnamese family dynamics are explored with a sensitivity that resonates deeply, portraying both the strength and fragility of familial bonds.

However, while Echo 8 excels in many areas, there is room for growth. A more profound investment in character development could further enrich the viewing experience. The main character's journey is compelling, but a deeper exploration of her motivations and backstory would allow audiences to forge a stronger connection with her plight. Enhanced character depth could transform a gripping narrative into an unforgettable one.

In conclusion, Echo 8 is a triumph of resourcefulness and creativity. It demonstrates that a low budget does not preclude high-quality action or meaningful storytelling. With its thrilling sequences, culturally resonant casting, and exploration of familial themes, it stands out as a powerful film. With a bit more focus on character development, this film could easily become a modern classic in its genre. For now, it's an impressive achievement and a testament to the talent behind and in front of the camera. Excited for the next instalment in the trilogy!

Co-Directed by the films stars Maria Tran and Takashi Hara from a script written by Elizabeth H. Vu, ECHO 8 follows a secret sect of assassins whom are sent on a mission that raises many questions. In particular from Tran's character.

Echo 8 is an anomaly in Australian film. An Asian-Australian led/directed and produced martial arts film. I'm not sure if any have come before, so this is a welcome addition in Australian cinema.

The independent film has a shoestring budget which is clear, but a strong concept anchored by good performances give the film an enriched quality. It's no blockbuster, but you know blood, sweat and tears went into it, so you can certainly appreciate it.

The film sets out to showcase the talent in the film, which is surely where it succeeds. Maria Tran, whose already been in many action films, is tough as nails and I expect to see her leading more action films in the future.

The film breaks the mould of the usual Australian film. There is no long drone shots of picturesque landscapes. Rather dark alleys and driveways where the action takes place, barring an exciting sequence in a bright nightclub.

ECHO 8 recently dropped on the streaming platform TUBI, I encourage people to get out and support it so that this isn't the only Asian-Australian led martial arts film. We need more.