Morse

Let the right one in is a crime drama horror film about a boy named Oscar living in a small Swedish town who's bullied by his classmates while his mother works nights. One night,a young girl moves next door named Eli. The two become friends and Oscar discovers how intelligent Eli is but she has a secret,all of the grisly murders in the town have lead up to Eli and soon Oscar discovers her dark,dark secret. Let the right one in was a originally a Swedish book written by a John something something. The book spawned a sequel called 'Let The Old Dreams Die' and it also become an American remake named 'Let Me In' starring Chloe Grace Mortez,I didn't like the remake cause I thought it wasn't realistic at all. This film was absolutely stunning that it became one of my favourite vampire movies. The book I bought before and I read a few pages but it wasn't as good as the film. From two young Swedish actors who you'd expect to be bad but they were actually brilliant as if they had acted before. Please watch this film!!

Tomas Alfredson's "Let The Right One In" is an original, dark, twisted and gory horror fantasy, one of those special films that are hard to classify. Not merely an exercise in style, his film is a brilliant piece of amoral storytelling, and even if some characters' actions defy any logic or common sense (I don't wanna spoil any moment here, but you'll know what I mean when the first revenge moment of the story happens), they seem to be there just to remind you that this is just a fantasy tale (but not for the little ones!). Oskar (Kåre Hedebrant) is a 12 year-old bullied boy that befriends and develops an innocent crush on his new neighbor, Eli (Lina Leandersson), who happens to be a vampire. What comes next is a twisted tale of revenge and pubescent love, made with visual flair (the swimming pool scene is already classic), creative directing and impressive performances by the young pair of protagonists.

Hollywood, of course, didn't waste time and already announced an upcoming remake for those who are too lazy to read subtitles. Most likely, the remake will turn out to be PG-13 in order to make more money, and be filled with moral values so the prudish parents will let their kids watch the movie (don't they know "The Little Vampire" was made years ago?). Ignore the future bomb and enjoy the original - you're in for a treat! 10/10.

Twelve year old Oskar (Kare Hedebrant) lives with his mother in an apartment block, at school he is called Piggy and is relentlessly bullied by three other boys. Then he meets his neighour Eli (Lina Leandersson), who tells him "I am twelve, but I have been twelve for a long time" - brilliant! Oskar is a bright kid, a series of murders in which victims are drained of blood and Eli's ability to climb walls combined with her nocturnal lifestyle leads him to ask if she is a vampire. Let the Right One In is a vampire movie, but it is more than just horror, it is also a coming of age drama and indeed a love story. The two leads are amazing, two of the best child performances that I have seen. One other thing that impressed me was the snow covered Swedish landscape, not only does it look wonderful but it gives the film a cold, bleak look.Red blood on snow, very effective. This movie isn't for everyone - if you don't speak fluent Swedish then it means subtitles, and at almost two hours it may prove too long for viewers who become impatient with slow burners. This was my second viewing, both times during Winter as I think watching it during warmer months may lessen the impact. Essential viewing for lovers of European horror and contemporary vampires.

I read the book and loved it. Now, I had the chance to see the movie version at the Gothenburg International Filmfestival 2008, as the movie won the "Nordiska filmpriset". I saw it at a really big screen (700 seats), happy that it delivered fine acting and quality cinema.

Having said that, I'd also agree with what's been said (e.g. above) that the music is a bit over the top. The movie itself is a study in the small: tiny nuances in the classroom and schoolyard, the almost forgotten suburb, the hiding qualities of snow, ice and winter (not to mention the, at least partly, neglected kids). To score such small details with grand strings makes for a bit of a mismatch. Enough on that, some parts have only piano and those work perfectly.

Witout spoiling anything it's safe to say that this first and foremost is a story of friendship. Second, it's a story of revenge. Either way, this is a truly original tale and in many parts a beautiful piece of cinema. Original (and sometimes quite gory) still even the violence seems subdued (at least in comparison to the vampire genre as it has evolved from subtle romance flick to full blown war movie). This movie, however, is about loneliness, friendship and loyalty --- and it's really worth watching. Recommended.

What would you do, if you just couldn't change, so set in your ways, with habits quite strange; how would you live, in a divisive world, when the city's awake, while you're hidden and furled; would you hold out your hand, to stave off the brink, would you stake all you've got, just float and not sink; when you look in the mirror and nothing is there, in the darkness of night, only pain and despair; then a saviour appears, with their own set of fears, an innocent soul, undefiled, sincere; someone to trust, a protector by day, who'll carry your secret and promise to stay; unaware of the pact that you've drawn them into, endeavours they'll end up performing for you; until the time comes, to repeat and replay, like a school game of tag, I think it's called, child's play.