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7.5/10
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Follows a 12-year-old girl who lives a closed-in life after turning into a vampire, only able to go out at night. Her father does his best to provide her with the minimal amount of human blo... Read allFollows a 12-year-old girl who lives a closed-in life after turning into a vampire, only able to go out at night. Her father does his best to provide her with the minimal amount of human blood she needs to stay alive.Follows a 12-year-old girl who lives a closed-in life after turning into a vampire, only able to go out at night. Her father does his best to provide her with the minimal amount of human blood she needs to stay alive.
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I really wanted to dislike this series. In fact, I just KNEW I would dislike it because I loved the 2008 original and in my mind, there was a measure of: 'Why mess with a good thing? Contrary to popular opinion, I also liked the 2010 remake. It was in no way comparable to the original, but for the most part, IMO, it stood on its own, and more so, brought this highly original tale to the mainstream viewing public.
"Knowing" that I would dislike it 😉, however, is quite different from not watching it. And so I did.
The first few minutes proved me right. I hated it ... right before I really, really began to like it.
To begin, both Demián Bichir (the main character's dad) and Ian Foreman (the "boy" main character) deliver stellar performances. Ian, as Isaiah, a bullied, demoralized, misunderstood outcast, brings just the right amount of feeling to every scene he is in. I think very few will not feel for him. In the same manner, Demián Bichir steals the spotlight with his portrayal of a father tormented by what lengths he is willing to go and what paths he is willing to traverse for his daughter. **Below, I have included his Episode 2 "prayer" for those who did not have an on-screen translation.**
Ato Essandoh, as Isaiah's dad, is also pretty noteworthy.
Other characters are bit less noteworthy. The acting from Madison Taylor Baez who plays the girl main character, Eleanor, is especially ... wanting. Some of her lines are delivered too crisply, too "acted". This is forgivable. She is young and there are times when she too does really well.
The other thing that bothers me a bit is how seamlessly or coincidentally all these characters just HAPPEN to tie in to each other. One HAS to set aside a measure of incredulousness and reach way down for some extra believability in order to buy into it.
Still, if one can manage to do that, the series, so far, works. I would like to know how it turns out for everyone.
7.5/10
******************************** Episode 2 - Spanish Prayer.
"Hear my words lord. We have wandered in darkness for ten long years. Enlighten us and show us the way. My God and Lord, I beg you to remove this chalice of death from Ellen's (Eleanor's) lips. Enlighten us and show us the way. Answer me when I talk to you! Merciful God, ease my sorrows. Have mercy on me. Listen to my prayers, damnit!"
"Knowing" that I would dislike it 😉, however, is quite different from not watching it. And so I did.
The first few minutes proved me right. I hated it ... right before I really, really began to like it.
To begin, both Demián Bichir (the main character's dad) and Ian Foreman (the "boy" main character) deliver stellar performances. Ian, as Isaiah, a bullied, demoralized, misunderstood outcast, brings just the right amount of feeling to every scene he is in. I think very few will not feel for him. In the same manner, Demián Bichir steals the spotlight with his portrayal of a father tormented by what lengths he is willing to go and what paths he is willing to traverse for his daughter. **Below, I have included his Episode 2 "prayer" for those who did not have an on-screen translation.**
Ato Essandoh, as Isaiah's dad, is also pretty noteworthy.
Other characters are bit less noteworthy. The acting from Madison Taylor Baez who plays the girl main character, Eleanor, is especially ... wanting. Some of her lines are delivered too crisply, too "acted". This is forgivable. She is young and there are times when she too does really well.
The other thing that bothers me a bit is how seamlessly or coincidentally all these characters just HAPPEN to tie in to each other. One HAS to set aside a measure of incredulousness and reach way down for some extra believability in order to buy into it.
Still, if one can manage to do that, the series, so far, works. I would like to know how it turns out for everyone.
7.5/10
******************************** Episode 2 - Spanish Prayer.
"Hear my words lord. We have wandered in darkness for ten long years. Enlighten us and show us the way. My God and Lord, I beg you to remove this chalice of death from Ellen's (Eleanor's) lips. Enlighten us and show us the way. Answer me when I talk to you! Merciful God, ease my sorrows. Have mercy on me. Listen to my prayers, damnit!"
As Episode 1 of "Let the Right One In" (2022 release; 10 episodes of about an hour each) opens, we are introduced to Mark as he is on a train, with a large box next to him, later revealed as containing his young-looking vampire daughter Ellie. Mark and Ellie are returning to New York for reasons unknown. Neighboring their apartment is a single mom and her 11 or 12 yo son. AS it happens, the mom is a police detective and at the start of a grizzly investigation into a suspicious death,,, At this point we are 10 minutes into Episode 1.
Couple of comments: you may recall that on 2008 a brilliant Swedish film "Let the Right One In" (based on the Swedish novel of the same name) was released, which in turn led to the 2010 Hollywood remake "Let Me In", quite good but not the sensation that was the Swedish original (and it bombed at the US box office). Now a decade+ Andrew Hinderaker ("Away") brings us this TV series, "inspired" by the Swedish novel. Based solely on the opening episode (the only one available at this time), I can't help but wonder what the point of it is. The premise is of course the same as before: a man and his vampire daughter who looks like a 12 yo girl but in reality we don't know how old she really is, try to survive the best they can (the opening episode is tellingly titled "Anything For Blood"), while in a parallel story the vampire girl befriends the neighboring boy. If you've seen the original Swedish movie or even the Hollywood remake, chances are that you will ponder one thought: "why this TV series?". That certainly is my sense at this point. It's not that Episode 1 was "bad" but it feels unnecessary. I'll certainly give it a couple of additional episodes before making up my mind whether to stick with it or whether to bail.
I'm not sure why IMDb has this listed as Episode 1 premiering on October 9. I saw Episode 1 three days ago (October 6) when it started streaming on Showtime. Future episodes will be released on a weekly basis. If you are curious about the latest re-imagining of one of the best and most original vampire stories in the last 20 years, I'd readily suggest you check this out, and draw your own conclusion.
*UPDATE* I've now seen the next 2 episodes. And I've upgraded my rating to 7 stars, even to my own surprise. Really liking the flow of this mini-series.
*UPDATE* 11/21/22 We are now 7 episodes into this, and after a so-so start, this mini-series has really found its own groove. Episode 7 in particular in very strong, as it finally reveals the origin story of whatever happened to Ellie some 10 years ago, and also what happened to her mom.
Couple of comments: you may recall that on 2008 a brilliant Swedish film "Let the Right One In" (based on the Swedish novel of the same name) was released, which in turn led to the 2010 Hollywood remake "Let Me In", quite good but not the sensation that was the Swedish original (and it bombed at the US box office). Now a decade+ Andrew Hinderaker ("Away") brings us this TV series, "inspired" by the Swedish novel. Based solely on the opening episode (the only one available at this time), I can't help but wonder what the point of it is. The premise is of course the same as before: a man and his vampire daughter who looks like a 12 yo girl but in reality we don't know how old she really is, try to survive the best they can (the opening episode is tellingly titled "Anything For Blood"), while in a parallel story the vampire girl befriends the neighboring boy. If you've seen the original Swedish movie or even the Hollywood remake, chances are that you will ponder one thought: "why this TV series?". That certainly is my sense at this point. It's not that Episode 1 was "bad" but it feels unnecessary. I'll certainly give it a couple of additional episodes before making up my mind whether to stick with it or whether to bail.
I'm not sure why IMDb has this listed as Episode 1 premiering on October 9. I saw Episode 1 three days ago (October 6) when it started streaming on Showtime. Future episodes will be released on a weekly basis. If you are curious about the latest re-imagining of one of the best and most original vampire stories in the last 20 years, I'd readily suggest you check this out, and draw your own conclusion.
*UPDATE* I've now seen the next 2 episodes. And I've upgraded my rating to 7 stars, even to my own surprise. Really liking the flow of this mini-series.
*UPDATE* 11/21/22 We are now 7 episodes into this, and after a so-so start, this mini-series has really found its own groove. Episode 7 in particular in very strong, as it finally reveals the origin story of whatever happened to Ellie some 10 years ago, and also what happened to her mom.
Both the original Swedish and its American counterpart borrow the Stephen King theme of making the horrors of adolescence into real monsters. The lead characters, Oskar and Ellie, are latchkey kids in a dismal blue collar town. Oskar lives and unhappy life of being bullied at school and making his own dinner alone at night. Ellie spends all her life looking out a window and hoping for a friend. They cure their loneliness by befriending each other.
The book on which the movies is based is much more horrifying that either movie suggests. The relationship between Ellie (or Abby) and her father is not wholesome. Ellie's history is truly brutal. The ending is more graphic and gothic than hopeful.
Each movie gets further from the original novel.
So far, the series follows the path taken by the movies. It doesn't ask why. It doesn't care why. Instead, it wants to cure Ellie, when those of us who saw the movie know that Ellie doesn't want a cure.
Whether or not the search of the "original" monster can sustain the series yet, I can't tell. It seems to meander, has way too many characters, and so far does little to develop the two principal characters. Since they are the heart of both the book and the films, that may be a problem as time goes on.
Still, given the current state of drek when it comes to originality in Hollywood, I would rather watch the remake of remake of the film version of a novel than about 90% of programming.
The actors are good. The story is interesting. And i hope the show continues to expand the story.
Let's give it a chance.
The book on which the movies is based is much more horrifying that either movie suggests. The relationship between Ellie (or Abby) and her father is not wholesome. Ellie's history is truly brutal. The ending is more graphic and gothic than hopeful.
Each movie gets further from the original novel.
So far, the series follows the path taken by the movies. It doesn't ask why. It doesn't care why. Instead, it wants to cure Ellie, when those of us who saw the movie know that Ellie doesn't want a cure.
Whether or not the search of the "original" monster can sustain the series yet, I can't tell. It seems to meander, has way too many characters, and so far does little to develop the two principal characters. Since they are the heart of both the book and the films, that may be a problem as time goes on.
Still, given the current state of drek when it comes to originality in Hollywood, I would rather watch the remake of remake of the film version of a novel than about 90% of programming.
The actors are good. The story is interesting. And i hope the show continues to expand the story.
Let's give it a chance.
After 'The Passage', a too brilliant series, another super bright and full of potential show bites the dust due to the incommensurable dinosaur-brain quality of the related Network's executives who just lick at the Viewers-Cash_Performance chart.
'Let the Right One In' is so superb, so enthralling, so well-acted that most viewers are aghast and in shock at the cancellation.
I enjoyed it tremendously, loved the screenplay and plots, the cute, emotional and tender friendship between the two teenagers, the atmosphere and pace of the show and above all, the more than marvelous acting of Madison Taylor Baez who at such tender age, is already a force to reckon with. Loved her serious, powerful and very charismatic play.
One of the better ending to date, opening new horizons, just wasted.
'Let the Right One In' is so superb, so enthralling, so well-acted that most viewers are aghast and in shock at the cancellation.
I enjoyed it tremendously, loved the screenplay and plots, the cute, emotional and tender friendship between the two teenagers, the atmosphere and pace of the show and above all, the more than marvelous acting of Madison Taylor Baez who at such tender age, is already a force to reckon with. Loved her serious, powerful and very charismatic play.
One of the better ending to date, opening new horizons, just wasted.
- Screenplay/storyline/plots: 7.5
- Development: 8
- Realism: 7
- Entertainment: 8.5
- Acting: 8
- Filming/photography/cinematography: 8
- VFX: 8.5
- Music/score/sound: 7
- Depth: 7.5
- Logic: 6.5
- Flow: 8.5
- Drama/horror: 7.5
- Ending: 8.5.
I've seen both the original movie and the US adaptation. And always felt like it deserved a part two. This tv-series puts a nice twist on the original story by expanding the setting, introducing new characters and more. I really like what they did with it, honestly. I enjoy the fact that they are trying to give more details about the vampire virus while also focusing on what it's like for those suffering from it and their daily struggle to keep up appearances. I am glad that they changed some things and not just remake the movie into a tv-series. The casting is pretty good and after finishing the second episode, I am really hooked. I am curious to see where they will take the show. The reason why it's not so popular is because it's not on a major streaming service like "Netflix". But give it a try and you'll be surprised.
Did you know
- TriviaSusan Santiago played Elizabeth Kane in the unaired pilot but was replaced by Fernanda Andrade.
- ConnectionsReferenced in Decoding the Unknown: Vampires: A Disturbing History of the Bloodthirsty (2022)
- How many seasons does Let the Right One In have?Powered by Alexa
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