John Rabe

"John Rabe" is a very glossy and well done film about the actions of Rabe and a few other foreigners in saving as many of the residents of Nanking as they could during the Japanese invasion. The airplane attacks and look of the film were absolutely great--and the film is well worth seeing.

I am very familiar with the story of John Rabe and used to teach my world history students about him and the Japanese destruction of Nanking (I have since retired). Much of what I'd learned were from the book "The Rape of Nanking" as well as several well made documentaries. So, I am NOT the typical person watching the story for the first time--I am a bit tougher to please. Because of this, I am much more critical that average and to me, the story was flawed because it actually seemed very sanitized. In other words, while the film DID show some of the Japanese atrocities, it didn't do much--probably because it would nauseate most viewers. BUT, by doing so, it minimized the evil that was perpetrated here--making the Japanese troops seem almost normal. It's rare, but I would have included much more blood and talked much more about the rapes and murder of children. Evil must not be minimized and here it just didn't seem as sadistic and wrong as the Rape of Nanking was.

Prior to watching this file, I have read John Rabe's diary as well as Iris Chang's The Rape of Nanking. I have also watched many documentaries and movies made about the subject from China as well as from the US. I found this film to be one of better film on this subject than most of the other ones in existence today.

The film is based primarily on the actual diary of John Rabe. Certain details were filled-in by the excellent and exhaustive work of Iris Chang's The Rape of Nanking. The importance of John Rabe's diary as opposed to the other accounts of what happened during the massacred is the fact that John Rabe was a German Nazi Party member that was working for Siemen in China. Germany was an allied of Japan at the time and there would have been no reason for John Rabe to have lied about atrocities committed by the Japanese if it did not actually happened. Also since John was mainly writing this as a personal diary for himself, there does not seem to be any reason for him to have exaggerated his description of the event. As a result, his diary is probably the credible historical account of the what actually happened in Nanking.

I found some the Chinese version of the film on the subject seemed a little removed from the complex character interactions between most of these reluctant heroes of war. As a result, those movies does not seem quite as genuine and touching as this film.

Most the events from this film seems very accurate or at least true to the overall sense of John Rabe's diary. Obviously some of the atrocities had to be consolidated to be able to fit those events into a slightly over two hour film. But one of the most puzzling inaccuracy of the film was the fictional character Valérie Dupres at the International Girls College. Why was it necessary for the film to use a fictional character's name instead of the actual courageous heroine Minnie Vaultrin from the Ginling Girls College. She had done so much during the massacred that it seems unfair to not use her real name in the film. This is my primary reason for not giving this film a perfect 10. If anyone can provide an explanation as to why Minnie Vaultrin name was not used in this film, I really would appreciate it.

An important movie that must be watched. John Rabe was a hero to the Chinese people. He saved 200,000 men, women, and children from certain hardship, probable torture, and likely death. Yet after the war, he was condemned by his country, and lived a life of poverty, slipping into obscurity until his death. There has been too little written about this man. "The Rape of Nanjing" by Iris Chang does cover him in good detail in parts of the book. It's certainly about time for a piece to have been done about his efforts in Nanjing, about his life.

The movie is masterfully paced, poignant, and at times devastatingly sad - only able to hint at the atrocities the people of Nanjing must have faced. Yet the movie is ultimately a tribute to the power of few to change the lives of many, to the ultimate goodness of humans.

'To the Führer of the German people. Chancellor Adolf Hitler. My Führer. As a loyal party member and upstanding German. I turn to you in a time of great need. The Japanese Imperial troops conquered the city of Nanking on December 12, 1937. Since then I have witnessed atrocious crimes against civilians. Please help to end this catastrophe and make an appeal to our Japanese allies in the name of humanity. With a German salute, John Rabe ' This is an actual letter, unheeded, that along with the diaries of John Rabe provide the story for this deeply moving film about the Japanese destruction of Nanking as gathered in the book "John Rabe: Der Gute Deutsche von Nanking" edited by Erwin Wickert and adapted for the screen and directed by the immensely gifted Florian Gallenberger. Having just seen Chuan Lu's 'City of Life and Death', a brilliant black and white Chinese epic film about this same period of history, it is doubly troubling to view this shameful piece of history. JOHN RABE is after all a biography of the man the Chinese still regard as a saint for providing shelter of thousands of victims of the rape of Nanking and as such we learn much more about the German machinations in the event than in Chuan's film. Burt there is a similarity of distinction: in both films the writer/director shows that both sides of the atrocity had heroes and champions.

The film shares the writing of the diary kept by John Rabe during this time frame and follows his diary as the story line. Rabe (Ulrich Tukur in a brilliant performance) was living with his wife Dora (Dagmar Manzell) in Nanking for 27 years as the head of the Siemens Factory, a German resource for construction in China. They were loyal to Germany, were members of the Nazi party, but lived the good life in the city: Rabe was a compassionate but focused director of the Chinese employees. He is to be retired by the Germans and replaced by a rigid, seemingly evil Werner Fliess (Mathias Herrmann). On the night of his tender farewell party the Japanese attack and it soon becomes apparent that Prince Asaka Yasuhiko (Teruyuki Kagawa) plans to decimate the city. There are others from other nations who are working Nanking - in the university, Valérie Dupres (Anne Consigny), in the hospital, Dr. Robert Wilson (Steve Buscemi), and in the German Embassy, the Jewish lawyer Dr. Georg Rosen (Daniel Brühl) - as well as Chinese aligned with Rabe, Langshu (Jingchu Zhang). When it becomes obvious that the Japanese will slaughter all the populace of the city, John Rabe gathers as many Chinese as he can into a Safety Zone where no soldiers or weapons are allowed, only the support with food and medical attention and beneficence Rabe is able to gather. The atrocities and bombings continue until the very existence of the Safety Zone is vulnerable. Rabe's gathering of the forces around him to protect as many citizens as he can, despite his own gradual physical failure due to his diabetes and lack of insulin, gains him the respect and admiration and love of the people of Nanking.

The film spares no images of the mass executions, the beheadings, and the sexual abuse and torture of the people of Nanking by the Japanese. Much of the film is difficult to watch. But even more tragic is the discovery of the information after the film is complete that John Rabe (as well as Dr. Georg Rosen) returned to Germany as undesirables in 1938 and died in poverty and abandonment by the Germans. The cast is exemplary: many fine cameo roles played by fine actors make this film as touching than the main story. This is a very fine cinematic achievement and deserves a global audience.

Grady Harp

This is the second film about the Nanking (Nanjing) massacre of 1937, to come out recently. Both feature a man whose bravery saved many thousands of lives and who was largely unknown to the wider world until very recently. John Rabe was a member of the Nazi party and had worked in Nanking as the senior executive for Siemens for many years. In the eponymous film it's suggested that he is about to return to Germany, but his departure is prevented by the sudden attack with over-powering military force, by the Japanese.

Rabe stays, and heads a committee that sets up a safety zone around the Siemens works and the main embassies. When the Japanese take Nanking, and embark on wholesale rape and slaughter, this zone keeps more than 200,000 Chinese in greater safety that elsewhere in the city.

The story is seen through Rabe's eyes mainly and focuses more on Westerners than the Japanese, although the dire impact of a member of the Imperial Family on the decisions made by the Japanese to execute unarmed soldiers, is highlighted .

Some beheadings are shown but the wide scale practice of rape and enforced prostitution is skirted around. Nevertheless, the atmosphere of menace, instant arbitrary death and fanaticism is established effectively.

The film grips and, in its own way, inspires. It is interesting to see this film and the more symbolic approach taken by Chuan Lu in 'City of Life and Death'. Both cover the same time period. Both are films that leave you pondering on human nature, its heights and its gross distortions.