IMDb RATING
6.8/10
55K
YOUR RATING
An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.
David O'Hara
- Donnchadh
- (as David Patrick O'Hara)
Hans-Martin Stier
- Kurseval
- (as Hans Martin-Stier)
Jamie Thomas King
- Anwick
- (as Jamie King)
Wolfgang Müller
- Rothgar
- (as Wolfgang Muller)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Beautiful, full of emotion and moving. The characters are portrayed skillfully and are generally believable - they fit into the legend but aren't overly heroic. Not overdone. The love between Tristan and Isolde is so powerful that it's impossible not to feel for them, but it is also impossible not to feel bad for the King, who is deeply in love with Isolde as well. The film's main departure from the traditional story is it's decision to leave out the love potion between T+I, which for modern audiences is a smart choice; it makes the whole relationship appear more 'authentic.' This is also one of Rufus Sewell's only' sympathetic roles, and it's a treat to see him play someone we don't automatically hate. The real heart-wrencher comes from watching the love grow between T+I while their obstacles grow larger. The movie also had some great battle scenes, just violent enough without going for the gross-out factor, convincing but not painful to watch (for most). And like most good dramatic movies it's not completely without humor, there are definitely some moments that make you laugh, or at least smile. Overall, it is one of the best romantic historical movies I have seen in a very long time. This movie is sure to make the entire female population fall in love with James Franco, and it's story is unforgettable.
10acts2120
I did not expect to like this film; the reviews were lackluster, and many seemed to think the leads were mediocre at best. I found the performances riveting and highly engaging. While I do not know the actual historical story, I found the storyline highly captivating.
I thought James Franco played Tristan brilliantly - broken hearted but not brooding, he seemed to only come to life during battle before meeting Isolde, and then afterward only in their stolen moments together. Many of the reviews I've read seem to think that he played the role flatly, but I thought the subtlety of expression in his eyes and body language was impressive. Confident as a warrior, but almost innocent in intimacy, I thought he walked the thin line between adult and youth effectively.
Sophia Myles captured the fire, vulnerability and desire of Isolde with fervor - and that's not easy to do. Myles delivered her lines subtly, tinting words with emotional depth -scorn, joy, passion, frustration, disappointment - that was understated and yet passionate. She, too, managed to portray a delicate balance between the innocence of idealistic youth and the realities of a woman who found her self in an unenviable position.
Rufus Sewell was fantastic. As king, he had to walk the thin line between diplomacy and his own frustrations; as a man, he came alive when with Isolde, and so her betrayal was all that more heartbreaking, a scene which he played with focus and power.
I thought the fight scenes were very well done, except for the excess of cut shots, jumping from person to person, which moved the action almost too quickly, occasionally resulting in a jagged flow of action. Overall, however, the battle scenes were very well done.
The costumes were incredible - not period realistic (especially Isolde's wedding gown) but they were beautiful and overall well designed to intimate the period but still have some glitz. The locations shots were awe-inspiring.
I LOVED these characters very shortly after they each came on screen. I rarely feel such a strong connection to characters, especially of period pieces, but each of the leads played their roles with finesse. I deeply cared about these people, seeing hope and joy rise in their eyes, only to see events quickly turn that joy to sorrow, and hope to forceful determination. Their moments of happiness are so brief, their heartbreak so complete that I found myself profoundly moved by their experiences. As deeply invested as I became with these characters, I nearly sobbed at the end of the movie. A 5-hankie tear jerker.
I eagerly await the release of the DVD, and expect to enjoy this film many times over.
I thought James Franco played Tristan brilliantly - broken hearted but not brooding, he seemed to only come to life during battle before meeting Isolde, and then afterward only in their stolen moments together. Many of the reviews I've read seem to think that he played the role flatly, but I thought the subtlety of expression in his eyes and body language was impressive. Confident as a warrior, but almost innocent in intimacy, I thought he walked the thin line between adult and youth effectively.
Sophia Myles captured the fire, vulnerability and desire of Isolde with fervor - and that's not easy to do. Myles delivered her lines subtly, tinting words with emotional depth -scorn, joy, passion, frustration, disappointment - that was understated and yet passionate. She, too, managed to portray a delicate balance between the innocence of idealistic youth and the realities of a woman who found her self in an unenviable position.
Rufus Sewell was fantastic. As king, he had to walk the thin line between diplomacy and his own frustrations; as a man, he came alive when with Isolde, and so her betrayal was all that more heartbreaking, a scene which he played with focus and power.
I thought the fight scenes were very well done, except for the excess of cut shots, jumping from person to person, which moved the action almost too quickly, occasionally resulting in a jagged flow of action. Overall, however, the battle scenes were very well done.
The costumes were incredible - not period realistic (especially Isolde's wedding gown) but they were beautiful and overall well designed to intimate the period but still have some glitz. The locations shots were awe-inspiring.
I LOVED these characters very shortly after they each came on screen. I rarely feel such a strong connection to characters, especially of period pieces, but each of the leads played their roles with finesse. I deeply cared about these people, seeing hope and joy rise in their eyes, only to see events quickly turn that joy to sorrow, and hope to forceful determination. Their moments of happiness are so brief, their heartbreak so complete that I found myself profoundly moved by their experiences. As deeply invested as I became with these characters, I nearly sobbed at the end of the movie. A 5-hankie tear jerker.
I eagerly await the release of the DVD, and expect to enjoy this film many times over.
One of the great love stories from the medieval courtly romances, "Tristan and Isolde" has received many different treatments from medieval poets such as Gottfried of Strasbourg to the haunting opera by the nineteenth-century German composer Ricard Wagner. In each of the versions of the story, there are new and different plot details in this tragic love story.
In Kevin Reynolds' film adaptation, the most intriguing new twist from the traditional story is the way in which Tristan and Isolde meet. In this version, Tristan is given up for dead following a battle in Cornwall and washes ashore in Ireland in a boat only to be discovered by Isolde. She then uses her magical herbs to cure him. In Gottfried's medieval tale, the two young people drink a love potion from a goblet of wine. In this film, the young people fall instantly in love without any need of an elixir.
In two touching performances, the young lovers are played by James Franco and Sophia Myles. Their on-screen chemistry is electric, and their scenes together are filmed effectively by Reynolds in beautiful location settings. The film also explores themes of medieval chivalry and honor. Rufus Sewell delivers an excellent performance as King Mark caught in the love triangle that recalls the famous story of King Arthur, Lancelot, and Guineviere.
There are also great action sequences in "Tristan and Isolde," including battles, tournaments, and medieval siege warfare. But the most memorable scenes are the intimate moments with Tristan and Isolde. Their fateful meeting and the unfolding of their relationship make this film worthwhile for audiences both familiar with the legend and for those being introduced to this timeless love story for the first time.
In Kevin Reynolds' film adaptation, the most intriguing new twist from the traditional story is the way in which Tristan and Isolde meet. In this version, Tristan is given up for dead following a battle in Cornwall and washes ashore in Ireland in a boat only to be discovered by Isolde. She then uses her magical herbs to cure him. In Gottfried's medieval tale, the two young people drink a love potion from a goblet of wine. In this film, the young people fall instantly in love without any need of an elixir.
In two touching performances, the young lovers are played by James Franco and Sophia Myles. Their on-screen chemistry is electric, and their scenes together are filmed effectively by Reynolds in beautiful location settings. The film also explores themes of medieval chivalry and honor. Rufus Sewell delivers an excellent performance as King Mark caught in the love triangle that recalls the famous story of King Arthur, Lancelot, and Guineviere.
There are also great action sequences in "Tristan and Isolde," including battles, tournaments, and medieval siege warfare. But the most memorable scenes are the intimate moments with Tristan and Isolde. Their fateful meeting and the unfolding of their relationship make this film worthwhile for audiences both familiar with the legend and for those being introduced to this timeless love story for the first time.
Tristan (James Franco) was orphaned as a boy. Irish warriors interrupted a dinner in Cornwall, which his parents were attending, and killed many, including the lad's father and mother. Brave Uncle Marke (Rufus Sewell) saved his nephew, losing a hand in the process. Now, Tristan is grown and a fine swordsman himself. Yet, the Irish and the clans of Britain are still at odds. In another skirmish, after a valiant fight, Tristan is wounded by a poisonous sword. Thinking him dead, his grieving uncle and other men put him in a boat and release him to the waves. This is the burial ceremony of the times. But, by a twist of fate, the boat crosses the sea and lands in Ireland. Spying the vessel is beautiful Isolde (Sophia Miles), the daughter of the king. Realizing the man is alive but gravely, sickened, this beautiful princess and her lady in waiting nurse Tristan back to health in a secret cove. Before long, Isolde is deeply in love with her patient, although she gives him a false name for herself, and he is in love with her. But, danger lurks, due to his heritage. Just as the Irish are about to discover the secrets, Isolde releases Tristan in his boat, telling him their love can never be. Both are shattered inside. When Tristan arrives back in Cornwall, his uncle is overjoyed. Before long, the Irish king offers his daughter to the knight who can defeat all others in a tournament. Tristan vows to win a wife for the never married Marke. Sure enough, Tristan wins the contest. But, horror indeed when the lady's veil is lifted and it is his dear love. No matter, Isolde must marry Marke, for all parties are bound by honor. Yet, can Tristan really forget his love for Isolde or can she truly love her husband? In addition, if they give into their past feelings, what will be the consequences in the near future? This timeless tale of a love triangle is a legend that came before King Arthur himself. One could probably say it influenced the later story. As such, it is just as beautiful and tragic. Franco, Sewell, and Miles are a most lovely and talented threesome while the lesser actors are equally well chosen. The sets and costumes, which depict a time long ago, are wonderful to behold while the script and direction fulfill the story's telling well. Yes, there is some violence but it is muted; even so, those who shiver at sword fights and such should be advised accordingly. Nevertheless, this is a stellar two hours of entertainment.
I have to admit that I do not remember much about this story from my college Western Civ class, but I enjoyed this director's work in other films, so I took a chance. What a lovely film! The story is well told, paced well, and full of thought provoking moments. I found the leads, particularly Sophie Myles, who plays Isolde, to be mesmerizing in their roles. The supporting cast is also terrific. I know this won't be for everyone, but it's also not strictly a chick flick. There's plenty of war scenes, adventure, action, etc. to keep those action film fans happy, and yet there's a lot of good love stories, and not just between the two leads as you might expect. I recommend this one!
Did you know
- TriviaThe first known written version of the Tristan and Isolde story was done in France around 1235 by two men calling themselves Luce de Gat and Helie de Boron. Scattered references have been found to a lost older source, brought to France by English exiles. In some versions of the story, Tristan is called Tristram, and Isolde is called Iseult or Yseult, among other spellings.
- GoofsIn the scene when the barons are gathered, Marke addresses one group as the group from York. Since this movie is set just after the Roman withdrawal from England, York would have still been known as Eboracum.
- Quotes
[repeated lines]
Isolde: [reading] My face in thine eyes, thine in mine appears, And true plain hearts do in the faces rest; Where can we find two better hemispheres Without sharp north, without declining west? Whatever dies, was not mixed equally; If our two loves be one, or thou and I love so alike - that none can slacken, none can die.
- SoundtracksDark Moon, High Tide
Written by Simon Emmerson / Martin Russell / Davy Spillane
Performed by Afro Celt Sound System
Courtesy of Real World Records Ltd./Virgin Records Ltd.
- How long is Tristan + Isolde?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- The Red Sword
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $14,734,633
- Opening weekend US & Canada
- $6,583,135
- Jan 15, 2006
- Gross worldwide
- $28,047,963
- Runtime
- 2h 5m(125 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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