La reine du crime présente : La Malédiction d'Ishtar

Lyndsey Marshal has a history with Agatha Christie adaptations and I believe she was a good fit for the character of Agatha in this film. However the character itself was a bit too bland. Also the story was showing random people getting killed without telling us anything about them. Agatha's lack of emoting combined with the overall care free reaction to murder of just about everybody made the film feel implausible.

Now, the acting was decent for all, without it being stellar in any way, but it was really difficult to empathize with any of the characters or feel for the history or culture of Iraq. And to top it all off, they added the artificial character of Pearl, whose only reason for existence seemed to be being an educated and attractive Black young woman who had a few scenes to complain about not being taken seriously, then proceed to be irrelevant to the story.

Bottom line: the storytelling felt amateurish and failed to compel me in any way. Too bad, because the acting was good.

It has all the trappings of a pretty period drama, and it probably wasn't cheap to make, but the plot and the dialogue are absolute drivel. Jonah Hauer-King is a tasty piece of eye-candy but ogling him is the only pleasure to be had from wasting your time with this.

Penned by the same writer who wrote last year's surprise package Agatha and The Truth of Murders, but a different actress in the lead role. Lynsey Marshall steps in to replace Ruth Bradley, and does a fine job.

It's a very slick production, it looks great, it's well filmed, and very well written. It was a good old fashioned mystery. I love the way they penned a situation for Christie. Stunning location work.

It more then made up for the lack of Agatha Christie drama on the BBC this Christmas. If only this had been transmitted on Christmas Eve or Boxing Day.

Is this a trend? Will there be another one next year? On this evidence I hope so.

... can't cover the tackiness and silliness swirling in by the minute.

Another contrived and pretentious mess.

This, the second story to imagine authoress Agatha Christie to be caught up in a murder mystery of her own, sees her travelling to Iraq to stay with friends at an archaeological dig. Before she gets there young archaeologist, Max, finds a body. This is put down to a snake bite but it soon becomes apparent that something is afoot. When Agatha arrives she finds Max injured by a bullet wound in the head and not long afterwards when she gets to the house where those involved in the dig are staying a pet monkey is found hanged! She thinks this is more than mere animal cruelty so, with the help of Max, performs an autopsy. The results make her certain that the dead man was killed something other than a snake. In the investigation that follows she grows close to Max while exposing a plot to steal artefacts and ultimately identifying the killer.

If you can get beyond the conceit of placing a real crime writer in a fictional murder mystery this rather fun. This fictionalised Agatha is a good protagonist and the mystery provides plenty of suspects. As well as the central mystery there is a degree of romance which doesn't distract from the main story. The thing that surprised me most about this production was the degree of humour; there were laughs from start to finish. These were unforced rather than obvious gags and added to my enjoyment. The cast is solid, most notably Lyndsey Marshal who is charming as Agatha and Jonah Hauer King, who plays Max. Obviously it couldn't be filmed in Iraq but the Maltese locations used have a suitably Middle Eastern look. Overall I'd certainly recommend this to fans of classic murder mysteries.