IMDb RATING
6.1/10
2.7K
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While traveling by train, a young socialite is befriended by a charming yet enigmatic older woman. However, when the woman disappears, the other passengers deny she ever existed.While traveling by train, a young socialite is befriended by a charming yet enigmatic older woman. However, when the woman disappears, the other passengers deny she ever existed.While traveling by train, a young socialite is befriended by a charming yet enigmatic older woman. However, when the woman disappears, the other passengers deny she ever existed.
- Director
- Writers
- Stars
Paolo Antonio Simioni
- Border Guard
- (as Paolo Antonio)
Marta Bolfan
- Blonde Woman
- (as Marta Bolfan Ugljen)
Vilmos Cservenák
- Ticket Master
- (as Vilmos Csevernák)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I was almost put off watching this movie by some of the reviews here. I'm very glad I persevered.
This is one of the most nervy, energetic mystery-thrillers I have ever had the pleasure to watch. It has a fantastic cast, all of whom are at the top of their game here, and a plot which kept me on the edge of my seat until the last minute.
I think that a lot of the negative reviews here have come from Hitchcock fans who were expecting a remastering of the original. Having never seen it, I can't comment. It may be even better. Nevertheless, this stands up very well as a separate entity. Don't be put off.
The reason it's not 10 stars is that it does have a slightly slow start. It requires some small perseverance. Still, one of the best movies I've seen this year. I'm very glad I caught it.
This is one of the most nervy, energetic mystery-thrillers I have ever had the pleasure to watch. It has a fantastic cast, all of whom are at the top of their game here, and a plot which kept me on the edge of my seat until the last minute.
I think that a lot of the negative reviews here have come from Hitchcock fans who were expecting a remastering of the original. Having never seen it, I can't comment. It may be even better. Nevertheless, this stands up very well as a separate entity. Don't be put off.
The reason it's not 10 stars is that it does have a slightly slow start. It requires some small perseverance. Still, one of the best movies I've seen this year. I'm very glad I caught it.
There are several versions of the movie and then there is the book it is based on "The Wheel Spins" by Ethel Lina White.
The most popular and the stick by which all others are measured is the Alfred Hitchcock version Une femme disparaît (1938) (The Criterion Collection).
This rendition has quite a few TV actors of the time playing the various characters. One you will recognize right off is Selina Cadell. She plays Miss Froy. She has (102 credits) to her name.
This (2013) version was adjusted to be politically correct so you cannot "fast forward" as the clues and conclusion are different. The politics of the time are not mentioned but the flu is.
One may be put off by the main character being a snot. However, that is necessary to show how she reforms in adversity.
The basic story is of course a lady traveling on a train vanishes. When our heroine inquires as to her whereabouts everyone denies that the lady ever existed.
The most popular and the stick by which all others are measured is the Alfred Hitchcock version Une femme disparaît (1938) (The Criterion Collection).
This rendition has quite a few TV actors of the time playing the various characters. One you will recognize right off is Selina Cadell. She plays Miss Froy. She has (102 credits) to her name.
This (2013) version was adjusted to be politically correct so you cannot "fast forward" as the clues and conclusion are different. The politics of the time are not mentioned but the flu is.
One may be put off by the main character being a snot. However, that is necessary to show how she reforms in adversity.
The basic story is of course a lady traveling on a train vanishes. When our heroine inquires as to her whereabouts everyone denies that the lady ever existed.
Based on the 1938 Hitchcock thriller of the same name (which I haven't seen), this looked like rather a good whodunnit. The cast if full of young up-comers and old stalwarts, many of whom seem to be doing the rounds in British TV at the moment.
The premise: a beautiful young socialite, Iris Carr, is making her way back to England by train after a Balkans holiday and finds herself befriended by a kind older lady who calls herself Mrs Froy. Disorientated by a fall at the station earlier, Iris drifts off to sleep, only to find on awakening that Mrs Froy has disappeared and nobody else seems to have seen her - in fact they don't believe she existed in the first place. Of course there are only two possible outcomes: the woman isn't real and Iris is barking mad, or she has genuinely disappeared and there's some sort of conspiracy going on.
Unfortunately the final hour dedicated to resolving the mystery is slow-paced, boring and ultimately all a bit predictable. Apart from Sandy McDade and Tuppence Middleton, all the other characters are stereotypes who get to do very little with their screen time. Middleton is superb, tackling Iris's transition from petulant snobbery to concern and brave determination with aplomb, but the plodding script can't keep up with her enthusiasm. It's definitely a Sunday afternoon movie, and one you can watch with Grandma - just don't expect edge-of-your-seat thrills.
The premise: a beautiful young socialite, Iris Carr, is making her way back to England by train after a Balkans holiday and finds herself befriended by a kind older lady who calls herself Mrs Froy. Disorientated by a fall at the station earlier, Iris drifts off to sleep, only to find on awakening that Mrs Froy has disappeared and nobody else seems to have seen her - in fact they don't believe she existed in the first place. Of course there are only two possible outcomes: the woman isn't real and Iris is barking mad, or she has genuinely disappeared and there's some sort of conspiracy going on.
Unfortunately the final hour dedicated to resolving the mystery is slow-paced, boring and ultimately all a bit predictable. Apart from Sandy McDade and Tuppence Middleton, all the other characters are stereotypes who get to do very little with their screen time. Middleton is superb, tackling Iris's transition from petulant snobbery to concern and brave determination with aplomb, but the plodding script can't keep up with her enthusiasm. It's definitely a Sunday afternoon movie, and one you can watch with Grandma - just don't expect edge-of-your-seat thrills.
I'm writing this review because I really enjoyed this remake of "The Lady Vanishes" When I looked it up on IMB it had a low rating and not very kind reviews,after watching it i wanted to let others know Its very good. British TV at its best with an excellent performance from Tuppence Middleton as the socialite Ms Carr and the wonderful Tom Hughes. The Vicar and his wife were also very convincing and very real performers. This is my favorite period in history, just before the war, the clothes are wonderful with the young people rich and glamorous seemingly having it all with there frivolous fun filled holiday in Italy, with the other hotel members frowning on there loose morals, Ms Carr the rudest of them. This is all very well set up as the train journey begins the story twists and turns with everyone playing there part so well as the suspense is building. Its a top notch remake of a great story with the best ending! Very well done by all the actors involved.
10d.e.katz
I find myself to be utterly annoyed with reviewers who compare this excellent BBC adaptation with Alfred Hitchcock's 1938 masterpiece. This version is a faithful adaptation of Ethel Lena White's psychological mystery novel, The Wheel Spins; Hitchcock used only the premise of the novel and added his own brilliant (often comedic) touches to make the story cinematically appealing for contemporary movie audiences. This approach is similar to what Hitchcock did in many of his other adaptations, including Rebecca and Suspicion, in which he changed the ending of the story or altered the presentation due to such considerations as audiences unwilling to accept stars like Laurence Olivier and Cary Grant being guilty of murder.
As for this 2013 version of The Lady Vanishes, directed by Diarmuid Lawrence, it is a straight drama, like the original novel. Although many contemporary readers may have overlooked the novel, I highly recommend it, as I do this adaptation.
As for this 2013 version of The Lady Vanishes, directed by Diarmuid Lawrence, it is a straight drama, like the original novel. Although many contemporary readers may have overlooked the novel, I highly recommend it, as I do this adaptation.
Did you know
- TriviaDespite being set in Croatia, Italy and England, the film was entirely shot in Hungary.
- Crazy creditsIf you look carefully, there are red letters in some of the crew's names. In order, they spell out "The Wheel Spins," the novel by Ethel Lena White on which this movie is based.
- ConnectionsVersion of Une femme disparaît (1938)
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Леді зникає
- Filming locations
- Budapest, Hungary(Keleti Railway Station)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 26m(86 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
- 16:9 HD
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