Ensconced in her sprawling San Jose, California mansion, eccentric firearm heiress Sarah Winchester (Dame Helen Mirren) believes she is haunted by the souls of people killed by the Wincheste... Read allEnsconced in her sprawling San Jose, California mansion, eccentric firearm heiress Sarah Winchester (Dame Helen Mirren) believes she is haunted by the souls of people killed by the Winchester repeating rifle.Ensconced in her sprawling San Jose, California mansion, eccentric firearm heiress Sarah Winchester (Dame Helen Mirren) believes she is haunted by the souls of people killed by the Winchester repeating rifle.
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- 6 wins & 10 nominations total
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Featured reviews
I saw this during matinee it was worth the $8... Some of the spooky parts were indeed spooky. Not amazing, but not horrendous
This movie isn't bad but it doesn't seem to quite deliver on it's setup. With a few tweaks this could've been a very successful slow burn, Gothic 'ghost' story in the manner of 'The Innocents' and 'The Haunting". What those movies did was create a film with all the trappings of supernatural horror without ever letting you know whether the supernatural element is real. 'Winchester' teases with this concept through most of the movie and then goes full blown, over the top, Hollywood-Ghost-Spooktacular at the end.
The cinematography is very atmospheric. The acting is good and there's a few scary moments. A marked over-reliance on jump scares got a little tedious. I really don't think they took as much advantage of the location as they could've. They might've tried some disembodied Steadicam shots with scary music to set the mood. We needed to see more of the 'Mystery House'. We needed to feel the craziness of it. It should've felt claustrophobic and all consuming. People should've got lost in it. Well, they don't and we feel everybody could leave anytime they felt like it.
The portrayal of Sarah Winchester as the tortured, guilt ridden ghost appeaser falls short, as well. This is a woman who lost a child and husband and believes she's cursed but they don't really bring that performance out and I'm sure they could've. I mean you've got Helen F-ing Miren for cripes sake. Don't you think she could knock that out of the park?
This is one of times when I have to put it all on the director. I think this screenplay probably read very well. The thing that consistently seems to bog it down is bad decisions on where to take it. For what it was, it was entertaining. I just don't think it fulfilled it's potential.
The cinematography is very atmospheric. The acting is good and there's a few scary moments. A marked over-reliance on jump scares got a little tedious. I really don't think they took as much advantage of the location as they could've. They might've tried some disembodied Steadicam shots with scary music to set the mood. We needed to see more of the 'Mystery House'. We needed to feel the craziness of it. It should've felt claustrophobic and all consuming. People should've got lost in it. Well, they don't and we feel everybody could leave anytime they felt like it.
The portrayal of Sarah Winchester as the tortured, guilt ridden ghost appeaser falls short, as well. This is a woman who lost a child and husband and believes she's cursed but they don't really bring that performance out and I'm sure they could've. I mean you've got Helen F-ing Miren for cripes sake. Don't you think she could knock that out of the park?
This is one of times when I have to put it all on the director. I think this screenplay probably read very well. The thing that consistently seems to bog it down is bad decisions on where to take it. For what it was, it was entertaining. I just don't think it fulfilled it's potential.
I saw a trailer for this, and was instantly dying to watch it, sadly though, as is so ifyen the case, they flattered to deceive. It's not a bad film, I would go so far as to say it's a decent watch, maybe my expectations were just too high. It just fails to deliver on the excellent premise, there is subtlety, and then there's dull, and for me, Winchester languishes somewhere between the two. The scares are non existent, there are one or two good ones, but I expected so many more, they could have gone to town with these parameters. The best single element, as many would expect is the presence of Helen Mirren, who is terrific, but in all truth, slightly under used.
It looks fantastic, it's well acted, if you're looking for a horror with bite, you'll be disappointed, if you're after an intriguing, spooky tale, then you may well enjoy it. 6/10
It looks fantastic, it's well acted, if you're looking for a horror with bite, you'll be disappointed, if you're after an intriguing, spooky tale, then you may well enjoy it. 6/10
There's a decent story here about an alcoholic living in the Winchester house who can't tell if he's experiencing withdrawals or something supernatural. Jason Clarke plays Dr. Price, who is invited to live in the Winchester house to give Ms. Winchester an ongoing psychological evaluation. Thing is, he's an alcoholic and Ms. Winchester won't allow him to be intoxicated as long as he's living in her house. So when he starts seeing apparitions, are they hallucinations? Are they ghosts? Dr. Price doesn't know and neither do we. Great setup.
But the movie chooses to go the boring route instead. It sidelines the interesting character study for a contrived ghost plot filled with every horror cliché in the book. What would a horror movie be without predictable, lame jump scares. There's not a single decent scare in the entire movie.
Winchester was a frustrating watch. The potential is right there, but it clutches onto these tired horror tropes for dear life - as if a mainstream audience wouldn't appreciate a deeper, more psychological approach to the material over a haphazardly-constructed, derivative, haunted house flick. It's the studio mentality - make it for a million bucks, we make 20 times that. They don't care about the integrity of the script or the material itself, and neither should you. By the way, this is a true story where 98% of the story is made up. Contradiction? No, marketing.
Again, Winchester is not terrible so much as it is frustrating. And boring. Don't bother with this one.
But the movie chooses to go the boring route instead. It sidelines the interesting character study for a contrived ghost plot filled with every horror cliché in the book. What would a horror movie be without predictable, lame jump scares. There's not a single decent scare in the entire movie.
Winchester was a frustrating watch. The potential is right there, but it clutches onto these tired horror tropes for dear life - as if a mainstream audience wouldn't appreciate a deeper, more psychological approach to the material over a haphazardly-constructed, derivative, haunted house flick. It's the studio mentality - make it for a million bucks, we make 20 times that. They don't care about the integrity of the script or the material itself, and neither should you. By the way, this is a true story where 98% of the story is made up. Contradiction? No, marketing.
Again, Winchester is not terrible so much as it is frustrating. And boring. Don't bother with this one.
For those who want factual history, "Captive of the Labyrinth" by Mary Jo Ignoffo is an excellent biography of Sarah Winchester, who probably was not interested in ghosts, but rather in architecture, a field that did not invite professional participation by women. Sarah Winchester's father manufactured decorative architectural features for Victorian houses, and his factory was right next door to her childhood home -- so Sarah grew up intimately exposed to the physical details of building houses. As an educated rich woman, building her house was an expensive hobby she loved and could afford to pursue. She also incorporated the newest technology - elevators, showers, etc. - into the house, and managed a productive fruit orchards and a dried fruit business, and . I thought the movie did a good job of including some factual information based on the real Sarah Winchester, and accurately portrayed her as responsible, not crazy, and deeply caring for her family, As for the lurid sensational haunted house story, this was concocted by those who bought the house after Sarah Winchester died, and turned it into a money-making tourist trap. That said, I enjoyed this fictional ghost story, which explored deeper themes than I would normally expect from a supernatural horror genre flick. There does seem to be a heavy handed message about gun violence -- however, I agree with that message; it's more than timely..
Did you know
- TriviaVery little of the filming took place in the actual mansion. The mansion's design in reality is extremely cramped, making filming very difficult. As such, most of the mansion's interior needed to be re-created on soundstages.
- GoofsA large portion of the movie has to deal with the famous Winchester lever-action rifle being used during the American Civil War. This is factually wrong. The first Winchester lever-action model did not appear until after the war, in 1866. The similar-looking Henry rifle and the Spencer rifle were the main repeaters used during the war, and even then repeating rifles were themselves rare on the average Civil War battlefield. Most troops used then-traditional single-shot weapons, primarily "rifle-muskets."
- Quotes
Marion Marriott: [to the ghost] I'm a mother. A fighter. A protector. And I am not afraid.
- SoundtracksMy Wild Irish Rose
Written by Chauncey Olcott (as C. Olcott)
Performed by John McCormack
Courtesy of Essential Media Group LLC
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Details
- Release date
- Countries of origin
- Language
- Also known as
- La maldición de la casa de Winchester
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,500,000 (estimated)
- Gross US & Canada
- $25,091,816
- Opening weekend US & Canada
- $9,307,626
- Feb 4, 2018
- Gross worldwide
- $44,019,588
- Runtime
- 1h 39m(99 min)
- Color
- Aspect ratio
- 2.35 : 1
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