Returning to her childhood home in Louisiana to recuperate from a horrific car accident, Jessabelle comes face to face with a long-tormented spirit that has been seeking her return -- and ha... Read allReturning to her childhood home in Louisiana to recuperate from a horrific car accident, Jessabelle comes face to face with a long-tormented spirit that has been seeking her return -- and has no intention of letting her escape.Returning to her childhood home in Louisiana to recuperate from a horrific car accident, Jessabelle comes face to face with a long-tormented spirit that has been seeking her return -- and has no intention of letting her escape.
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Another aspect of the story is that, while it's not overly complicated or confusing, you do need to pay attention to what is happening because if you don't then the ending will make no sense whatsoever. In saying that however, even when paying attention, one part of the story still didn't make sense, but I won't say anything for very obvious reasons.
Some of the scare scenes in the movie were actually quite good (especially considering that this film is only a PG-13) even if they were the good old fashioned jump/scare's. Sometimes the old tried and tested methods are the best and they were done well for this film. The atmosphere generated through the film is very decent as well, especially when it is working alongside the more scarier parts of the story. I know it's a given that atmosphere usually works well with creepy moments, but here it is nicely done throughout the movie.
The cast do a pretty solid job too and the film is well acted. I mean there are no stand out performances that are Oscar worthy (no offense to the cast), but they all do a fine job with the script that they are working with.
Given all of that, it does go a bit slow in places like I say, and I think that's really the only thing stopping me from giving it a slightly higher rating than what I have.
Overall, Jessabelle is a decent, well acted out supernatural horror with some nice creepy moments that is just a bit slow. It's nowhere near to being the best out there but at the same time I've seen much worse.
While Jessabelle is light-years away from competing with the sub- genres best like The Grudge or Dead Silence, it completes the task it unofficially took upon itself, as it obviously had no intentions of being profound or in any way great. Sarah Snook, while definitely not painful to look at to say the least, is far more than your usual Horror Eye-Candy made famous in classic Slashers. Trust me, this professional knows a hell of a lot more than screaming convincingly and looking fine in a bathing suite. This was my first encounter with her, and I must say she just might be the best thing about Jessabelle. Apparently she's been making quite a name for herself since 2012, and I can definitely see why. Even though her character is stuck in a wheel-chair, the empathy towards its desperation and helplessness is greatly created by Snook's acting skills.
As for the story, it suffers from one of the known banes of Horror - a mediocre plot twist leading to an anticlimactic ending, after a finely made build-up. At least there is a plot twist, true, as Horror films are highly upgraded by these in my opinion, but the one in Jessabelle simply feels unfulfilled. I find it difficult putting my finger on what should have been better about it, I just know it didn't create the sensation we expect from such twists. I believe that was the main reason for the ending being slightly wanting.
All in all, I found Jessabelle to be quite average, meaning anyone who doesn't expect to have their mind blown and being swept off their feet by a masterpiece could enjoy it quite a bit, as I did. Snook's acting and the sufficiently smart plot make it even slightly above average. As always, I would recommend that you ignore my humble opinion, watch it and judge for yourselves. If you ask me - as far as this one is concerned, it's definitely worth it.
Director Kevin Greutert offers an interesting deep south Louisiana chiller, in the vein of Angel Heart and the Skeleton Key to name a few. The slow burning mystery's special effects are excellently executed and there are plenty of jump scares. Notable are Mark Webber and Sarah Snook as Jessabelle. Chris Ellis gives a strong cameo as Sheriff Pruitt and David Andrews (Terminator 3: Rise of the Machines) gives a solid performance as Jessabelle's Dad Leon.
Even with some surprise deaths those familiar with the genre will have guessed writer Ben Garant's twist by the third act. But the novel idea of a mother making video tapes for her unborn child Jessabelle, then Jessabelle now a grown up watching them with her mother (who has since passed away) giving her daughter information via the tapes is a creepy and emotional idea.
With an abrupt tagged on closing the meat of Jessabelle has been seen before and it loses its originality and scare factor by the ends reveal. That said, Greutert's film is great looking with an eerie atmosphere that is lacking in so many horrors of late.
Did you know
- TriviaAlthough the film is set in Louisiana, filming took place in Wilmington, North Carolina because an appropriate place for filming couldn't be found.
- GoofsWhen Jessabelle's father picks her up and takes her to his home, the father pushes a large hutch out from in front of the room's door - suggesting that he shut the room up when her mother (Dad's wife) died early in her life. The bed coverings would be decades dirty as well as everything in the room.
- Quotes
Title Card: We will cast a shadow over you that cannot be distinguished from Fate. -"Legends of Haiti"
- Crazy creditsWe will cast a shadow over you that can't be distinguished from Fate. - "Legends of Haiti"
- ConnectionsReferenced in On Cinema: 'The November Man' and 'Jessabelle' (2014)
- SoundtracksThe Upper Peninsula
Written and Performed by Sufjan Stevens
Courtesy of Asthmatic Kitty Records
By Arrangement with Mixtape Music
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Details
- Release date
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- Also known as
- Tê Xác
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Box office
- Gross worldwide
- $6,998,359
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1