Ink

John has worked hard to climb the corporate ladder from his humble origins but, unless something changes, his ambitions and grudges will destroy his relationship with his daughter Emma. At the same time, while the world sleeps at night, it is visited by Storytellers (who give people good dreams) and Incubi (who give people nightmares). When an interloper named Ink kidnaps Emma to hand her over to the Incubi, the Storytellers unite with a Pathfinder (who can influence what people do during their waking hours) to make things right.

I think I first saw this one with my brother around the time it was released. The fantasy world in its well-crafted story is very engaging. A few times the dialog felt a little off to me, but the characters are interesting and the actors do a good job of bringing them to life.

The description on the back of the DVD says its been compared to The Matrix, Brazil, and Dark City, which I sensed especially through the excellent camera work and cinematography. One scene in particular of the Pathfinder "stopping the flow" is very masterfully executed!

While I have stood idly by and read others comments on so many movies, I feel compelled to say something about this one. Truly a work of art, and it's an injustice that it is not more well known for I stumbled across this movie by chance and had heard nothing of it. This is far better than anything at the theaters now a days and was so well done in every aspect of it. A must see movie for anyone who gets a chance, like an escape away from the usual routine we are accustomed to.

From the beginning this movie will grab your attention. From the subtle effects that are done just right, to the acting from all parties of the cast. A very wholesome experience. Perhaps the rest of the film industry could take a lesson or two and make a decent movie like this and not waste millions of dollars on the junk they crank out on a daily basis.

I admit, for the first 20 minutes or so of the film I did not enjoy it, and was thinking to myself, "oh, this is going to be one of those movies that no one understands with gaping plot holes and a messed up timeline that is nearly impossible to follow." It quickly turned around. The film is absolutely outstanding for an independent production, with solid acting from the whole cast, BEAUTIFUL cinematography, a good script, and excellent music. The only thing that really bothered me were a few sections of dialogue that seemed to spell out the plot a little too much, and they felt a little out of place. Though it is very difficult to explain the plot, everything makes sense when you see it.

Ink is a unique film that has a very professional feel for just a $250,000 project. It feels almost like a hybrid of The Matrix, What Dreams May Come, and Eternal Sunshine of the Spotless Mind. I sincerely hope that you have a chance to see Ink, and hopefully it gets a proper theatrical release. It deserves it.

A bold, rich and very remarkable film. This is art, not entertainment. Story: This little movie defies easy categorization; there is nothing quite like it that I am aware of. For students of literature, you will find connection to the work of Dante -- in particular, The Inferno -- and other works that portray a human being losing his/her soul, for that is what this movie is about. There are philosophers (Rudolf Steiner) who believe that the world is literally divided into overlapping, parallel worlds populated by forces of dark and light (not good and evil) where each side works continuously to influence human beings leaning in one direction or the other -- the demon lying upon us as we sleep, feeding us nightmares; the angel gently stroking our forehead, comforting us as we face our deepest fears. This is an epic and continual battle in which the darkness in the world comes from those of us who have committed treasonous acts against our own humanity and suffer, in proportion, consequences for having done so. In film, I would group this with movies like Renee Missel's Resurrection or Blatty's totally brilliant Ninth Configuration. But bear in mind that you are watching an INDIE, which means limited money to make the film. Therefore, production values suffer at times: there are weak special effects, low budget costuming, limits to cinematography, etc. These should be easy to overlook given the scope and depth of this work. Jamin Winans has crafted a minor masterpiece. The ensemble acting is uniformly superb, but Mr. Kelly carries this film with a deeply felt and gifted performance. Though the story may be difficult to follow because of its unique and complex subject matter; in fact, it is tight as a drum with virtually every shot and edit building on those that preceded it, but it will take a second viewing to discover this. The direction is very fine: the film absolutely has a look and feel expressive of its content. The use of off-color green was effective and quietly disturbing, as was the black ink-like flow covering the protagonist at specific moments throughout the film. At a time when our entire culture is in danger of losing it's soul, when so many are seeking insight into something deeper and truer, this film could not be more appropriate. INK is what Independent films are supposed to be: intelligent, deep, inspired, rich, genuine, quirky, imperfect expressions that Hollywood could never make or would simply ruin because of commercial pressures. Mr. Winans -- thank you.

This movie is a gem. A very ambitious project for such a low budget, it has a large cast, many locations and very effective visual effects. More importantly, it has an interesting and inventive story line, memorable characters inhabited by capable performances and a great pace to the editing. It takes us on a surreal journey back and forth between our world, and that of the title character, Ink. Ink is a neophyte Incubus, part of a race of beings that bring us bad dreams and are invisible to humans. When a Storyteller (part of the race of people who bring us good dreams) encounters Ink trying take the last step to becoming a full-fledged Incubus by kidnapping a little girl, a great battle ensues. We are carried between realities, through time and along a great ride that I know I won't soon forget.

There are a few relevant twists that I wont mention here, which unfold effectively along the way. They never seem forced to me, but act as a slow realization. This is one of the things that was most impressive about the film: It was made by a confident and capable director who lets the story reveal itself as it should, trusting the audience to make the necessary connections. A rare trait among independent filmmakers who are either too obtuse and obscure in the delivery of their art, or who err on the other side, dumbing down their story to ensure the audience "gets it". Winans does neither and lets you feel a part of the process with his confidence in your abilities as the viewer. The ending is satisfying without being overplayed, and there was enough going on through out making me want to see it again to look for more.

It's not a perfect film, but my quibbles are as much my personal taste as anything else. And those critiques are too small to mention here.

Ink has proved to me what can be done on a low-budget and with limited resources when you have a great script and take the time to do it right. I don't know what the budget was, but I'm pretty sure it was ridiculously small for the type of production value Winans delivers. He wrings good performances from the unknown cast through out. And while none were quite Oscar-worthy to me, the large cast blends well together and a few performances are really good. More importantly, none are that red flag you almost always see in an indie film. You know the one. It reminds you that this is being made by a low budget cast and crew somewhere. The action sequences are very effective, interestingly shot and edited without looking like they are the focus of the film.

Ink looks, sounds and feel like what we all hope for when going to see an indie: a "real" movie.

Folks, you are going to be hearing about this one. I guarantee it.