Planète terreur

I've seen a fairly large segment of this film and don't understand either of the two negative reviews at all. I classed it as a zombie flick and as such found it a good addition to the genre. To say it is the sickest (notice the correct spelling) film ever made shows a complete lack of cinema knowledge to the extent of idiocy. Anyone who has seen any of Rodriquez's previous work will not be in the least bit surprised by anything in this film and will probably enjoy as such. If you like the Horror genre, especially Zombies, which are thankfully making a return to cinema, you will find a special place in your dark and twisted hearts for this. I have and can't wait to see it on the big screen. Makes a refreshing change from the horror pap that's come out of Hollywood in the last decade.

For some reason the original double feature movie of Grindhouse combining Planet Terror with Tarantino's effort was never released in the UK! Regardless, i was still curious to watch both efforts, and the first of which I've had the chance to see is Planet Terror.

It's simply about a small town that comes under attack from a virus which when it affects the town-folk makes everyone into zombie like creatures (e.g. attacking others to infect them also, appearances become inhuman etc etc). Add into this mix a Go-Go girl, her ex-boyfriend (an expert at gunslinging), a doctor with a cheating lesbian loving wife-cum-doctor and a bunch of others and you have your pulp fiction movie.

Story wise its crazy but surprisingly its still quite fun. Dialogue isn't too bad, and is very entertaining. The film never really twists but plays along for the action as that's the main gist of the whole thing. Explosions, mass shootings, more explosions, zombie pulverising and even more shooting are the order of the day.

Most importantly this has been filmed in the style of the old b-movies, with grainy pictures and a couple of homages to old b-movie filming (including a comical starting fake preview of a film called "Machete").

Overall, I very much enjoyed it. Switch off and you'll like and enjoy it. Worthy of a good night out.

Everyone who thinks Grindhouse was a mindless piece of cinema and completely useless needs to shut up.

And as for telling people who like this movie to get a real brain, get off your high horse.

These movies were supposed to trashy and gory and cheesy, that's what makes them so great. Being immature and ridiculous everyone once and a while just for the hell of it is fun, and that's the spirit these movies were made in.

get the sticks out of your you know where people. It's not like I'm putting them on a pedestal with movies like Schindler's List, I enjoy them for the pure enjoyment of it.

these movies are brilliant for what they were made for. It's not like

While Quentin Tarantino's Death Proof seems to be a much more authentic representation of 1970s grindhouse pictures, Robert Rodriguez' Planet Terror is more of a loving caricature of 1980s zombie splatter films. Nothing in the film is played straight, and virtually every scene is accompanied by a wink and a grin at the audience.

If Tarantino's effort is accused of being slow (or deliberately paced, depending on your opinion), Planet Terror never even thinks about slowing down. From the exploitative opening credits through to the final frames of the film, this is a roller coaster ride of a film that doesn't let up.

With Planet Terror, Robert Rodriguez continues his "everything and the kitchen sink" mentality when it comes to his film-making by throwing everything at the wall just to see what sticks. While it sometimes feels like this technique gets in the way of Rodriguez finding a true film-making voice, it works quite well for a film like Planet Terror where there's no room for subtlety.

The cast that Rodriguez assembled is a glorious ensemble of bygone action heroes, horror icons, and Rodriguez stock actors. They all bring their parts to life in a cartoonish sort of way that fits the tone of the movie beautifully.

While the uncut DVD edition of Planet Terror doesn't change the film drastically in any way, it definitely improves the film. It gives the film smoother transitions and fills in some gaps in the plot (though that missing reel is still there and will always remain there as one of the many comical winks at the audience). The large cast of characters are also given more beats here and there that help fill out their personas a little more. All in all, this uncut version simply allows the film to breathe a little more, rather than having to jump frantically from scene to scene in an effort to make the 84 minute running time.

At the end of the day, Planet Terror isn't going to win any awards, and it's certainly not meant to. It's simply an extremely enjoyable guilty pleasure of a film that virtually anyone with the stomach for it can probably have a good time with, especially if you're a horror fan. Take a couple of classic John Carpenter films like The Fog and Escape From New York and throw them into a blender with a couple of classic zombie splatter films like Evil Dead 2 and Dawn of the Dead and you've got a pretty good idea of what Planet Terror is like. And at the end of the day, you could definitely have a worse combination of films to pay loving homage to.

Rodriguez's half of the original 'grindhouse' double bill , which consisted of his TERROR PLANET with Tarantino's DEATH PROOF. Likely audience reactions led to the two titles being separated and issued apart. As a homage to the drive-in tradition and genres beloved by Tarantino et al, the two films are resolutely exploitative, but PLANET is the most overtly tongue in cheek, and the most enjoyable, being a good old shoot 'em up Zombie flic. Unlike SIN CITY which was inspired by good source work which led to it being rather self consciously 'cool', PLANET tries hard to mimic bad work that, by definition of its admirers is *unconsciously* cool. This reviewer at least found the results less pretentious, the trash origins not being made more of than they ever were - the sexist treatment of women for instance less insidious.

The illusion of viewing much watched, much loved bad 70's junk cinema is extended even to the point of deliberately introducing blemishes to the film, also plot holes, as well as a whole 'missing reel' which interrupts the continuity, with suitable management apologies, half way through the action. Interestingly these artifacts on screen have a vivid presence, counterpointing key words and moments with an abstract, but deliberate commentary of colours, flares, clicks and splices that practically qualifies them as a 'character' in their own right. One especially relishes the colour balance slide to red as Tarantino (in a self-directed sequence playing a rapist) works his menace, or the apt film flare or burn outs during the erotic moments. Some great lines (e.g. Bruce Willis' opening words "Where's the sh*t?") and over the top gore add to a fun mix.

Perhaps the only miscalulation is the length of the film; most cheap exploitation flicks struggled to reach the 80 min mark, which meant their weaknesses did not always outstay their welcome. Clocking in at almost 2 hours, PLANET TERROR forgets eventually that more of the 'bad' to the Nth degree is not always to the best, revealing the self indulgence common to some of the later works of the Rodriguez-Tarantino school, but this is a minor quibble and fans won't mind. Whether or not those unfamiliar with the original inspiration will get the joke for that long is a different matter, although an audio track which includes live audience reaction makes things easier. The DVD comes complete with a splendid fake trailer for MACHETE, a supposed Mexploitation revenge drama - which incidentally IMDb seems to think is actually slated for production next year!