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FilmFlaneur's profile image

FilmFlaneur

Joined Sep 2000
bb9a72c5fd8f241f59f72ee3eee7ee30
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings163

FilmFlaneur's rating
Powdersmoke Range
6.56
Powdersmoke Range
French Dressing
5.97
French Dressing
The Hoodlum
6.26
The Hoodlum
Tueur d'élite
6.06
Tueur d'élite
Le dernier des hommes
8.08
Le dernier des hommes
La rivière de nos amours
6.37
La rivière de nos amours
The Halliday Brand
6.37
The Halliday Brand
Violent Cop
7.17
Violent Cop
L'étreinte fatale
6.78
L'étreinte fatale
Forever
6.78
Forever
Orang Ikan
5.27
Orang Ikan
Jallikattu
7.38
Jallikattu
Great Day
6.48
Great Day
Dial 999
7.18
Dial 999
Portrait of Clare
6.57
Portrait of Clare
Edge of Hell
5.87
Edge of Hell
Life in Danger
6.37
Life in Danger
The Highwaymen
6.97
The Highwaymen
The Purple Gang
6.05
The Purple Gang
A Sniper's War
3.55
A Sniper's War
The Vanishing of Sidney Hall
6.88
The Vanishing of Sidney Hall
Spring Breakers
5.37
Spring Breakers
Le Chemin du pardon
6.34
Le Chemin du pardon
Four Days
5.66
Four Days
La Grande Muraille
5.97
La Grande Muraille

Reviews324

FilmFlaneur's rating
Orang Ikan

Orang Ikan

5.2
7
  • Aug 8, 2025
  • Decent enough

    Jallikattu

    Jallikattu

    7.3
    8
  • Nov 23, 2024
  • Jellykettu jolly good

    An Indian Malayalam-language independent 'action thriller survival film', In it a bull escapes from slaughter in a remote hilly village and the villagers set out to hunt it down. The hunt reveals greed in an escalating situation of violence, and hysteria. Ultimately it is not the cow which is out of control, but the absurdity of human nature shown in the pursuing and competing mob. If you enjoyed the jaw dropping crescendo of irrationality of Aronofsky's Mother! (2017) say, then this is the film for you. After seeing this I was compelled to see other of Pellissery's films that I could find. None of the two of three I have seen are as audacious as this, but the gangsterish Angamaly Diaries is very good (featuring as its conclusion a remarkable Steadycam extended single shot sequence, involving dozens of actors) although his latest Malaikottai Vaaliban Melton was a bit disappointing. But the director is one to watch - and Malayam cinema something to explore if, unheralded, it can throw up a tour-de-force like this,
    Great Day

    Great Day

    6.4
    8
  • Aug 27, 2024
  • Great Day Great Film

    A wartime film about the UK's Women's Institute and the visit of Mrs Roosevelt may seem likely a dated subject and worth passing over these days, but you'd be wrong. I would say this is possibly director Lance Comfort's greatest film and an overlooked gem of British 40's cinema. Comfort was a director who did well in melodrama but whose star faded with changing tastes and ended up in B movies and television.

    Other reviewers have covered the plot here, but more generally despite some speechifying, suffice to say that even with plenty to say, the film moves briskly along with no dull scenes, As others have also said, in its response to the English landscape, an almost mystical sense of place, and sometimes noir-ish cinematography, GREAT DAY recalls the contemporaneous Powell and Pressburger cult film A CANTERBURY TALE (reinforced by its use of two of the same actors Portman and Sim) and would make a great half of a double bill.

    Portman is outstanding as a down-at-heel ex-soldier and the large cast includes a number of women, all excellent in their roles. Part wartime propaganda piece, part feminist women's picture, and part portrait of a (it must be said) mostly middle class community GREAT DAY is one of those films I return to often, If you love the less well-trodden byways of British Cinema and want to discover one of its brightest examples look no further. There is a good copy to be seen on YouTube.
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