Le Livre d'Eli

The Book of Eli has the potential to be a great film or complete rubbish depending on your expectations of what is to come. If you are looking for a film with some deeper meaning then I would not recommend it. However, if you are looking for a film with beautiful cinematography, solid acting and a little bit of fun action then you will be pleased.

The key in watching the film is to not buy into the plot too much, which is where the viewer is going to be disappointed. The ending is a little far fetched and I couldn't help but roll my eyes. Although I honestly don't see a particularly good ending for the basic premise of the film.

If you are able to put the silliness with the story behind you, the film is wonderfully done. There is great camera work with interesting angles and framing; the set showcases the contrast between the stark light of the sun and the shadows where humankind is hiding; and the acting makes you want to buy into the characters and their conflicts.

I would recommend seeing the film, just don't get too involved with the story. Instead concentrate on the acting and the scene.

With the recent revival of the post-apocalyptic genre in Hollywood, it would be easy to overlook this film, and that would be a mistake. Thirty years from now the world is a barren, desolate wasteland filled with the charred remains of a civilization that destroyed itself through war. In this bleak future a lone man wanders west (Denzel Washington), guided by nothing more than faith, to deliver the last remaining copy of a book that changed the world, and will do so again. While Washington seeks to deliver the book to those who would do good with it, a local warlord (Gary Oldman), an erudite student of Mussolini, wants to possess the book so he can use the words to sway the masses and become a powerful dictator. The characters are very well acted, the action is fluid and well choreographed, and the setting seeps into your skin, immersing the viewer in a world devoid of faith but in desperate need of salvation. The final plot twist is creative, unexpected, and poetically just. The Book of Eli should shoot to the top of your Netflix queue.

I saw this when it came out in the cinema and quite liked it. Now it has come round on TV I thought it might be worth a second viewing. This film is about the quest of one man to get a book to the place it's supposed to be, to use his words. Now, I'm not a religious man but I can see the value this book might have in a world torn apart by war. It is a post-apocalyptic world, thirty years after it was destroyed. Those that were not killed scratch a living out of what's left, and many have turned to cannibalism. Many were blinded by the flashes in the sky but survived. As stated in the film, after the war people destroyed the bible blaming it for what happened, but Eli has the last remaining copy. Now you know the set-up, here's a brief summary before I give you my thoughts (summary haters please don't touch Eli… not if you want to keep your hands that is… and wait here while I write the next paragraph).

Always moving west, Eli is a loner on the road. Like everyone out there he knows it's a very dangerous place. He kills animals for food and gets clean water where he can. When set upon by hijackers but Eli is a ferocious fighter and thus far has come out on top. One day he wanders into a small town run by Carnegie, a determined man who has been sending out men in search of a particular book, the very one Eli has in his possession. Carnegie has a mother and daughter, Claudia and Solara in his entourage, Claudia was blind from birth, but Solara is sighted. In trying to persuade Eli to stay, as he can see the value of a man who can fight like him, he sends Solara to his room and she discovers the book. Carnegie finds out about the book and sends his henchman, Redridge to get it but Eli has already gone. Eli starts heading west again only to find Solara following him. Redridge wants Solara and makes a deal with Carnegie to get the book in exchange for her. And now the chase is on, will Eli and Solara escape or will they be caught? I think that's enough for now… This film was shot in a similar way to 300 (2006) with a kind of washed out comic book feel to it and, for me, it looked a bit too artificial in places. A lot of the landscapes were CGI which didn't come over too well on TV. Great performances from all of the leading cast, Denzel Washington as Eli, Gary Oldman as Carnegie, Mila Kunis as Solara, Ray Stevenson as Redridge and Jennifer Beals as Claudia. Honourable mentions also go to Frances de la Tour and Michael Gambon as Martha and George, a mad old couple who Eli and Solara find on their travels.

Although it's a fairly straightforward story I found it a very entertaining and compelling film to watch, the 107 minutes went by pretty quickly, which is always a good sign. It did get a bit bogged down in the middle, but redeemed itself with a totally unexpected twist at the end. Don't worry; I'm not going give that away here. Also a haunting soundtrack backs up the visuals to great effect. Over all, although it's not been well received everywhere and although not perfect, it's a good effort… Recommended.

My score: 7.3/10

In a very short space of time two post-apocalyptic films have been release, the brilliant The Road which is aiming for Oscar glory, and the action packed The Book of Eli which is appealing for the mass audience.

30 years after a massive war which blow a hole in the sky, possibly a nuclear war, Eli (Denzel Washington) is a lone traveller heading to the West Coast of America. He is a skilled martial artist, armed with guns, a long knife and a bow and is carrying the last King James Bible. On the way he has to avoid and kill hijackers and cannibals. On his travel Eli has to stop off in a ramshackle of a town to buy water and recharge his gear. The town itself run on a barter economy. The leader of the town, Carnegie (Gary Oldman), was impressed by Eli's skill and even more impressed when he found out he can read. Carnegie offer's the traveller a place in his gang. But when Carnegie finds out Eli has the Bible he ends up searching for Eli. The Bible would give Carnegie the ideological based to strengthen his position and expand his power base. Eli goes on the run, hoping to go West and is joined by a young girl Solara (Mila Kunis). He teaches Solara about the Bible and religion and why it is important he goes west.

The best thing about the film is the action. It was slick, stylist, well-edited and at times a fine long fixed shots. There are brilliant moments with the way the camera goes through buildings, and follows the action. The Hughes Brothers have good style as action directors, better then say Michael Bay or McG who throw everything at the camera.

The story is not that original, there are elements of likes like Mad Max 2 and 3, The Road and the Man With No Name trilogy. But there are interesting ideas, the use of religion as political ideology, the use of religion as political control and showing both the good and bad sides of faith. Most films only show one side of the other: but this does both and I can praise it for that. I think given a bit of fine tuning then this could have been a really good script.

As mentioned, the Hughes brothers have style as action directors, but they also filmed in a slightly washed out look, giving the film a more given a gritty, earthy feel. It doesn't camp it up like the third Max Mad film did. They pacing was good for the most part and allow you to get to the character as well as seeing the action. However some moments did drag the film and could have been sped up. Others just didn't fit, like the slightly comical scene with an elderly couple played by Frances de la Tour and Michael Gambon. 10 to 15 minutes could have been cut.

Denzel Washington is possibly one of the coolest actors in the world. He was well cast as the protagonist, and since the character is a bit older then usual action hero Washington was the right age for the film. Gary Oldman does his use villainous role he is normally good at, look at his roles in True Romance, Leon, the Fifth Element and Air Force One. He gives his character a young Jack Nicholoson quality, though my brother said he reminded him of Bill the Butcher from Gangs of New York. He was good as he normally is. However whilst Mila Kunis is easy on the eye, her performance was weak and wooden. She wasn't believable as a young girl looking for a way out and able to grow as a character. At least she has Family Guy to fall back on. Other smaller roles were also not as convincing as the lead roles.

This was a decent film, but there was room for improvement.

Thirty years after a man-made apocalypse, Eli (Denzel Washington) hikes westward on a quest across the vast American interior--a dark and dusty scape. He encounters a number of people who survive at the expense of others. In a small town, he is captured by a local despot named Carnegie (Gary Oldman) who makes him an offer. Being a loner, Eli prefers to go his own way, but he may not have a choice.

"The Book of Eli" is a stylish film that is reminiscent of "I Am Legend" and other post-apocalyptic stories, though it carves out a niche for itself due to its strong characters and its central theme.

The film presents some religious sub-themes, which might find differing interpretations by different viewers.

I found the ending a little disappointing, but I think others may enjoy the twists in the final scenes. Mila Kunis plays a strong character--a young woman whose life undergoes a transition under the influence of Eli.