American Gangster
An outcast New York City cop is charged with bringing down Harlem drug lord Frank Lucas, whose real life inspired this partly biographical film.An outcast New York City cop is charged with bringing down Harlem drug lord Frank Lucas, whose real life inspired this partly biographical film.An outcast New York City cop is charged with bringing down Harlem drug lord Frank Lucas, whose real life inspired this partly biographical film.
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- Nominated for 2 Oscars
- 12 wins & 38 nominations total
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Featured reviews
Scott managed to weave two stories together into an epic crime drama. Washington rules the screen with each scene he's in and Crowe is solid, if not spectacular.
Other than those two, this film is much more about the story that it is the characters. Still, this film is highly entertaining if not a bit lengthy.
I guess this is a fictional retelling of actual events. The character of Frank (Denzel Washington) is the story of a man, who because of his own issues with the abuse of being a black man with few prospects, driven to become "great." Unfortunately, his greatness is tied up in exporting pure heroin from Vietnam and selling it. He is a murderer, a liar, and every way a criminal. He is charming on the outside and deadly on the inside. There is no way that a thinking person could admire him. If his vendetta and his business were directed only at bad guys, we might think that it is OK. But he kills indiscriminately, many dying as innocent victims. Russell Crowe's prosecutor is determined and insightful. He is himself a loner (a role Crowe does well at in many films), but he must butt heads all the way along. He has committed a "crime." He has found and returned thousands of dollars in drug money found on a case. He is seen as a bit of an idiot and hence not on of "the guys." Everything plays out well. Two masterful actors doing what they do best. I think my most memorable scene is the one where they come upon the poppy fields in Vietnam where this stuff is being cooked and dried. It would be like going to SonyCorp or some big Asian business; but this is a factory used to make one of the most destructive substances. See this because it is a fascinating story and it is masterfully done.
American Gangster has been really hated upon in many of the former posts I have read. Yet it seems like they are all saying the same thing, that Gangster didn't have enough action and was really drawn out. Anyone who has every seen a Ridley Scott film will know that his films are long! Blade Runner, A Good Year, Matchstick Men, Hannibal, Black Hawk Down, Gladiator, G.I. Jane, Thelma and Louis, and Alien all ran for at least two hours or more, so big surprise there guys. In addition Scott didn't set out to film another scarface, he set out to tell a story not just about Frank Lucas but rather a tale of corruption and how pervasive it is. One user commented that this film had many side story lines that "bloated" the story. This is completely untrue as every "side story" is actually the overarching story about the fight against corruption in every facet of life, even Frank Lucas attempts several times to eradicate the corruption in his organization.
Over all this is a great film which really gets into every nook and cranny of an issue. Don't see this film if your just looking for cheap thrills, this is a thinking film about the pervasive dishonesty of our culture.
I gave this film 8 stars because i could find nothing solid that detracted from it, but rather a slew of minor details which gradually brought its score down. But I will put this film in my top films for the year, if only because I have been immensely unsatisfied with the bulk of releases this year.
Over all this is a great film which really gets into every nook and cranny of an issue. Don't see this film if your just looking for cheap thrills, this is a thinking film about the pervasive dishonesty of our culture.
I gave this film 8 stars because i could find nothing solid that detracted from it, but rather a slew of minor details which gradually brought its score down. But I will put this film in my top films for the year, if only because I have been immensely unsatisfied with the bulk of releases this year.
It's 1968 Harlem. Frank Lucas (Denzel Washington) is the right hand man to Robin Hood gangster Bumpy Johnson. When Bumpy dies, Frank tries to take over. He becomes a powerful gangster importing heroin directly from the South East Asian jungle source. Detective Trupo (Josh Brolin) leads a group of corrupt cops reselling seized drugs back on the street. Richie Roberts (Russell Crowe) is a rough and tumble honest cop who tracks down the source for the heroine which killed his partner. Meanwhile Lucas faces against mob boss Dominic Cattano (Armand Assante) and Trupo.
It's a vast interconnected crime drama with deep complex well-written characters played by some of the best actors around. It's gritty and dark with good flashes of the Ridley Scott style. It references the French Connection. It doesn't have quite the immediate realism of the documentary style movie. However, Scott is able to meticulously recreate it. Both Washington and Crowe are powerful in their separate sides of the story.
It's a vast interconnected crime drama with deep complex well-written characters played by some of the best actors around. It's gritty and dark with good flashes of the Ridley Scott style. It references the French Connection. It doesn't have quite the immediate realism of the documentary style movie. However, Scott is able to meticulously recreate it. Both Washington and Crowe are powerful in their separate sides of the story.
The best thing this movie had going for it - which is no surprise - is the acting duo of Denzel Washington and Russell Crowe. How many bad movies do you see with either of those guys starring in them? Not many, and neither actor disappoints here. Both play fascinating guys, Washington, a big gangster ("Frank Lucas") and Crowe, an honest cop ("Richie Roberts")
This movie reminded me a lot of the '83 "Scarface" film in which Tony Montana (Al Pacino) rises from the bottom up to be a big drug lord, only to have things crumble big-time. We see a similar tale here with "Lucas," except that his fall is sudden in this story, unlike Pacino's character.
Director Ridley Scott and photographer Harris Savides also give us a slick- looking film, very pretty spots and stylishly-directed.
The story wasn't quite as good as the people who photographed it and acted in it. It's still a good one in that it entertains. I was never bored despite the two- and-a-half-hour length of it. I was a bit confused in the first 25 minutes but things straightened out after that.
The supporting cast in here is very deep with a lot of familiar faces, going all the way back to 83-year-old Ruby Dee. A new, young face - Lamari Nadal - is a real beauty. She plays Frank's wife, who is a lot nicer character than the one Michelle Peiffer played in "Scarface."
A key to whether you enjoy this or not - if you haven't seen it - might be your expectations. Know in advance there is not a ton of action in this tough crime movie and don't listen to all the hype that this is "the best film of the year." Just expect a decent movie with good acting and instead of a lot of blood and guts, and you should enjoy it. That's how I looked at it, and it worked for me. It was entertaining enough for me that I'd watch it again.
This movie reminded me a lot of the '83 "Scarface" film in which Tony Montana (Al Pacino) rises from the bottom up to be a big drug lord, only to have things crumble big-time. We see a similar tale here with "Lucas," except that his fall is sudden in this story, unlike Pacino's character.
Director Ridley Scott and photographer Harris Savides also give us a slick- looking film, very pretty spots and stylishly-directed.
The story wasn't quite as good as the people who photographed it and acted in it. It's still a good one in that it entertains. I was never bored despite the two- and-a-half-hour length of it. I was a bit confused in the first 25 minutes but things straightened out after that.
The supporting cast in here is very deep with a lot of familiar faces, going all the way back to 83-year-old Ruby Dee. A new, young face - Lamari Nadal - is a real beauty. She plays Frank's wife, who is a lot nicer character than the one Michelle Peiffer played in "Scarface."
A key to whether you enjoy this or not - if you haven't seen it - might be your expectations. Know in advance there is not a ton of action in this tough crime movie and don't listen to all the hype that this is "the best film of the year." Just expect a decent movie with good acting and instead of a lot of blood and guts, and you should enjoy it. That's how I looked at it, and it worked for me. It was entertaining enough for me that I'd watch it again.
Did you know
- TriviaSir Ridley Scott recalls that this production was one of the most massive undertakings of his career. There were 360 scenes filmed in over 180 different locations.
- GoofsIn 1968, when Frank prepares to call his cousin in Bangkok for the first time, an Internet URL is clearly visible on a billboard across the street.
- Quotes
Frank Lucas: The loudest one in the room is the weakest one in the room.
- Crazy creditsAt the end of the closing credits, Frank Lucas approaches the camera and fires one shot from a pistol directly at the audience.
- Alternate versionsThe 175 min.-unrated extended version includes approx. 19 minutes of additional footage not seen in the theatrical release. Among the highlights are:
- A flashback with Frank Lucas and Bumpy Johnson on a boardwalk
- A short scene showing Richie Roberts acquiring office space for his new narcotics task force (this added scene follows immediately after Toback assigns Roberts to head up the federal investigation using honest cops of Roberts' choice)
- A nighttime scene where Roberts and his team tail a drug pusher with a stash of Blue Magic to an auto body shop; the next morning, Spearman strikes a deal with the shop owner "Scott" over the phone, which leads up to Roberts under disguise dropping off $20,000 to get a supply of Blue Magic
- In the Bronx, right after Spearman drops off Roberts and informs him that he'll circle the block, an extended scene takes place where Roberts sees both Scott take off in his Jeep and Spearman getting blocked by a broken-down truck, unable to reach Roberts. In desperation, Roberts stops a yellow cab and shows his badge, argues with the uncooperative cabbie to use it, and eventually decks the cabbie in the face to take control of the cab and quickly pursues the escaping drug pusher, ending with Roberts following the unsuspecting Scott on foot.
- After the Christmas visit with Charlie Williams, there's an extended scene with Frank and Eva back at their home, where Frank reminisces how Bumpy gradually stayed more and more at home towards the end of his life because of constant police surveillance. He then asks Eva if she wants to go out, nevertheless.
- An extended ending in 1991 where Lucas upon release from jail is picked up by Roberts, and the two make their way towards the intersection of 116 St. and Frederick Douglass Blvd, conversing while drinking lattes.
- ConnectionsFeatured in HBO First Look: The Making of 'American Gangster' (2007)
- SoundtracksWhy Don't We Do It in the Road
Written by John Lennon, Paul McCartney
Published by Sony/ATV Tunes LLC
Performed by Lowell Fulson
Courtesy of Jewel-Paula Recording
By arrangement with Fuel 2000 Records Inc.
Details
- Release date
- Countries of origin
- Official sites
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- Also known as
- Gánster americano
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $130,164,645
- Opening weekend US & Canada
- $43,565,135
- Nov 4, 2007
- Gross worldwide
- $269,755,430
- Runtime
- 2h 37m(157 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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