Les chemins de la liberté

Having read several books about escapes from Siberia, I was interested in seeing one of them put on screen. I say this because the film is a bit slow in a number of parts so it helps to have a great interest in the subject matter. The film isn't boring - at least, to me - but I can see some people seeing it that way, especially if you're used to today's action movies.

The scenery is magnificent and some of the shots by director Peter Weir are jaw-dropping. This is Weir's first film since the 2003 "Master And Commander: The Far Side Of The World." The man does quality work.

Ed Harris one of the few, if not only, actors in here whose English you can clearly understand, so it's a good idea to play this DVD with subtitles. You get a fair of amount of subtitles with the Russian characters, anyway, but none are distracting from the scenery or story. The characters and acting in here are good, too.

If this subject matter interests you, find the book, "As Far As My Feet Will Carry Me," about a one-man escape from a Siberian Labor Camp following WWII.

I mean these men escaped a Russian gulag and WALKED 4,000 miles from Siberia to India, come on...

So this movie is based on the 1959 memoir "The Long Walk" (of which there is some debate over its validity). Regardless I really enjoyed it, the story is incredible and I'd been looking foreword to seeing what they would do in the movie version. Throw in a top notch cast as our Siberian gulag escapees (Colin Farrell, Ed Harris, Jim Sturgess) and this should have been fantastic. All I can say there is maybe my expectations were too high because honestly I came away a little disappointed, actually preferring the book.

The movie itself was very long and kind of jumped around. Granted they had a lot of material to cover as our men escape under cover of a snowstorm and undertake a treacherous journey across thousands of miles of hostile terrain. They face freezing nights, lack of food and water, injuries, mosquitoes, an endless desert, the Himalayas, and moral questions of when to leave someone behind.

The cinematography is beautiful, the scenery breathtaking and everyone does a great job. Ed Harris is excellent as the American Mr. Smith (love him) and Colin Ferrell (love him a bit more) was awesome as a tattooed gang-style prisoner, with an amazing Russian accent. As a point of interest his character is not in the book. The scenes in the blizzard and the Gobi desert stand out to me and are brutal but well done. 08.11

Six-time Academy Award nominated director Peter Weir ("Master and Commander: The Far Side of the World", "The Truman Show") directed and wrote the adaptive screenplay for "The Way Back" based on the book "The Long Walk: A True Story of a Trek to Freedom" by Slawomir Rawicz, a Polish POW from the Soviet Gulag where the story begins, and on real life accounts of the journey. The film unluckily missed a very well deserved 2010 Oscar birth telling the tale about an unthinkable journey of kinship created between a diverse group of Soviet Gulag escapees. Their journey covers 4,000 miles from Siberia to freedom in India giving meaning to the word incredible. The cinematography is used most majestically by capturing panoramas of the strikingly dangerous yet breathtakingly beautiful landscapes. The splendor of the film goes beyond the wilderness with the selection of a very accurate and diverse cast starring Jim Sturgess ("21"), Ed Harris ("The Rock"), Colin Farrel ("In Bruges"), Saoirse Ronan ("The Lovely Bones"), and Mark Strong ("Sherlock Holmes"). Together they recreate the peril and wonder of the impossible journey on foot that started with the idea of a man named Khabrov (Strong) to break out of the Godforsaken Soviet Gulag in Siberia. A Polish man named Janusz, driven by the fire to get back to his wife, puts the idea into action. An older, wise American known as Mr. Smith (Harris) joins ranks when he hears about Janusz's plans and warns him that Khabarov never had any aspiration to actually leave the place. However, the idea becomes a reality attracting an indebt prisoner named Valka (Farrel) and four other men escaping the Gulag and meeting a young girl named Irena (Ronan) on the path to freedom.

The story is synonymous with walking more than a marathon every day through harsh terrain, uncontrollable elements and lack of food and water for an open-ended amount of time. The gravity of the story is unmatched by any film released this year; told through the art of cinematography and the acting talents of the cast. Both Oscar worthy aspects of the film, however, the cinematography itself is unmatched by any 2010 film. Also, a lot can be said about the all-star cast concerning Jim Sturges, Ed Harris, Colin Farrel, Mark Strong, and Saoirse Ronan and their superb character portrayals; however, there is one other actor that stands out. A man in the group named Zoran played by Dragos Bucar is able to break through the thin layer of dramatic tension in the film with his clever social humor. The comedy he creates does not take away from the story and instead adds to the story allowing the characters to unwind and have a good time.

The outcomes to films within the "jailbreak" genre are inevitably easy to predict, therefore, causing films like "The Way Back" to work hard in order to be original. "The Way Back" does a very good job by differentiating the way it is captured on film through its beautiful cinematography; however, great films such as "The Shawshank Redemption" and "The Great Escape" will always be on top of the genre. "The Way Back" isn't far off though with its main shortcoming stemming from the ending relying on a storyline tangent not fully developed (not the montage, the montage is great).

This is the most underrated movie of 2010 with its limited advertising exposure, release and lack of award fulfillment with only one Oscar nomination for Best Make Up (well deserved as the group of survivors' skin is torn apart by the elements). A 4,000-mile true story taking place in the World War II era with excellent cinematography and great acting seems like the ideal candidate for the Oscars. So why was this must see film left in the shadows?

The story of a small group of people escaping from a Siberian Soviet prison, part of the "Gulag" in wartime and walking 4000 miles to freedom looked a trifle grim in the trailer, but Peter Weir has managed to produce a rather beautiful film out of it, using Bulgaria and Morocco as locales rather than Siberia and the Gobi desert. Only Darjeeling in India plays itself. My only trouble with it is the rather uneven character development. The story lends itself to ensemble playing but we learn little about two or three of the walkers. In the case of the lead character Janusz (Jim Sturgess) who is the source of the story this is explicable as we are seeing the others though his eyes, but it has to be said that both "Mr Smith" (the excellent Ed Harris) and the Girl (Saiorse Ronan) leave a lasting impression.

I know there is some doubt as to the authenticity of the story, taken from a 1955 book by Slavimir Rawicz a former Polish army officer, and indeed what the group are supposed to have done looks impossible but that's not a problem, because the relationships ring true. It is remarkable how an almost random collection of individuals, including one with a very unsavoury past, can, driven by sheer necessity, wind up functioning as a team. Partly this is due to the leader actually having some navigational knowledge and therefore inspiring confidence in the others. Mr Smith remarks early on that the Janusz has a serious weakness; he is kind, but when the chips are down we see that even the hard-bitten Mr Smith is capable of compassion.

Strangely enough, after the initial scenes in the prison camp, and the escape, there is not a lot of drama. The group encounter very few people on their travels and those they do meet take little interest in them (perhaps they had not heard about the bounty for escapees). Obtaining food and water is obviously a big issue, so mind out for the messy hunting scenes. I was astounded at how well their footwear stood up to the punishment; my hiking boots are not good for 400 miles let alone 4000. Actually they must have wandered around a bit - the northern end of Lake Baikal and Lhasa in Tibet are about 1800 miles apart, though the prison camp was somewhere north of the lake. It's also not clear how long the walk took, but at times it seemed like years. Weir's great achievement is to keep us watching a very drawn out tale. Personally I think I would have died of boredom if I had been in this particular walk, if starvation hadn't got me first.

Peter Weir's first film in seven years is another exercise in sturdy direction with strong social themes running through it - recalling many of his previous works in style and content. It follows a group of escaped prisoners from a Siberian gulag in 1940 as they brave the treacherous wilderness of Asia for freedom from the Soviet regime. It's tough viewing for the most part but there is a surprising amount of comic relief along the way, provided chiefly by Colin Farrell's salty character. The group scavenge for food, even fighting off wolves for the carcass of an animal at one point - but the constant bickering and relentless doom and gloom does begin to wear. The film picks up however once Saoirse Ronan enters the picture and her youthful feminine presence brings an interesting dynamic. Emoting with a flawless Polish accent (almost like a mini-Streep) her character is one of the more compelling and layered and gives this emerging young actress a chance to display her skills. The cinematography is serviceable but hardly spectacular - capturing a harsh, arid landscape as opposed to Malick-like celebration of nature.

As the film wears on, the struggle to survive intensifies, particular when they reach the Ghobi desert - the scenes are very well done but viewing becomes quite grueling. Harris bring a certain integrity to his role in a rather unshowy performance with not much character introspection (I can see why his Oscar buzz has disappeared). In fact character development across the board is quite lacking, and watching the plot unfold, with the knowledge of the outcome of the story already provided in the opening titles - the narrative becomes quite arbitrary and the story doesn't always sustain interest. The final leg of the journey through the Himalayas almost seems rushed compared to the bloated second act. Still, it's a very well-made film with good acting and visuals - just don't expect to be inspired.