Master and Commander : De l'autre côté du monde

Few films manage to capture the era in which the original work was set and often rely on clichés of the particular genre at the expense of the core story. This film manages to avoid these pitfalls but more importantly serves as a worthwhile historical document. Anyone who is new to this period of history will not go far wrong keeping a copy of this movie as the attention to detail is excellent and adds to the experience as a whole (teachers take note).

This movie manages to tread a fine line between gritty realism and Boy's Own, portraying the pursuit of an elite French warship by an older embattled British frigate. The production values are very high and the dialogue and length allow the director a better than average framework for character development. The predominantly unknown British supporting cast (some aged as young as 12) are expertly handled and provide a counter balance to the excellent performances of Crowe and Bettany. Crowe's delivery is very reminiscent of Richard Burton, exuding a measured screen presence without overpowering the dialogue.

It would have been easy for the director to read through the salty notes of previous period pieces and deliver the usual tale of ocean going brutality and scurvy encrusted woe but Peter Weir's version of order through respect and camaraderie is far more believable especially when you realize that the sailor's greatest enemy was the ocean itself.

I found little to dislike and much to admire. Highly recommended.

Epic. It is the first word defining it. But , scene by scene, the nuances are more significant. For a lot of reasons. The performances could be the first. And the most seductive. The memories about adventure and historical literature from. early years is the second. Not the last - the thrill of story, remembering huge drama. And the art of a real good adaptation.

In April 1805, Napoleon rules Europe. British frigate H.M.S. Surprise under the command of Captain Jack Aubrey (Russell Crowe) is ordered to intercept French Privateer Acheron. In the first battle, Aubrey quickly discovers that Acheron is actually bigger, faster and more powerful skippered by a smart tactician. He escapes only through his skills and experience. After being soundly beaten, Aubrey decides to keep going instead of returning to base to refit. The ship's surgeon and Aubrey's friend Dr. Stephen Maturin (Paul Bettany) clash with him more and more as the far ranging battle continues.

The action is exciting and more realistic than sail seafaring battle movies before it. The most compelling are the splinters that fly everywhere. It is the CGI that pushes the envelop on this action. Realism is everywhere. It is dirty, ugly, bloody, and horrifying. Russell Crowe delivers a solid performance to anchor this movie in reality. Then there are the everyday things that happen in between the battles. This has the epic scale conflicts but the human size struggle.

There is a scene in MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD where the captain of a British Naval ship, circa 1805, debates the difference between duty and passion. Having passed on an opportunity to make wonderful new discoveries in favor of the pursuit of a massive French war ship, the scene manages to make a rather eloquent, yet subtle comment on the nature of man and his place within the world. The beauty of this film is that there are many such moments where the viewer is simultaneously bombarded with thematic musings, exciting action sequences, great acting and historical accuracy to the point where it becomes difficult to take it all in at once.

Those of you looking for something more like Pirates of the Caribbean will be disappointed as this film is short on action and long on character development. There are only two major battle sequences, separated by more than an hour and a half of time. And while they are great; violently realistic and dramatically involving, the real guts of this film lies in the human stories told along the way. The director, Peter Weir, highlights his ability to tell an intimate story amidst a grand backdrop much like he did in The Truman Show. We get to know these men, their strengths and weaknesses and we see how the long and hard voyage plays on their minds over the film's progression. In one scene, a young officer feels the pressure of his men's dismissive stares and decides to end matters in his own way, afraid of what may be in store for him should he stick it out. Weir does a good job at highlighting the many facets of seafaring life.

If you're looking for an intelligent and thought-provoking journey into the life of a 19th Century British Naval Vessell, look no further. Master and Commander has the depth of a good Discovery Channel show and the action worthy of almost any other high-seas adventure that comes to mind.

See this film NOW at the best, state of the art theater you can find. You'll know why five minutes in.

I didn't want to leave the theater when this roller coaster rhapsody to sea soldiery circa 1805 was over. It's stirring entertainment. No love interests needed. This was what it was really like. One ship, 197 men, 4500 miles from home. Chasing a French ship twice her size. No retreat.

Pirates of the Crappy Be-in was a cute romp, but Master and Commander has real ships, real crews, real cannon,convincing characters, historical accuracy and a REAL film director.

Director/ Peter Weir (Witness) has returned big time and, with this one film, revived classic Australian realism, actually surpassing the production values of Peter Jackson's Ring Trilogy. This is not a fantasy film, but history - painstakingly recreated. And rousing history it is, with plenty of action AND robust character development. The adaptation by Weir and John Colley is right on target, brimming with great characters and scenes.

And Russel Crowe? Other than "The Insider", this is his best role ever. Gladiator was just a warm-up. A Beautiful Mind? Well, nice acting from the neck up. Go see this if you want to see both his athleticism and his formidable acting chops! And he decent musical gifts as well (RC studied violin for the role).

I've always thought Weir was one of our great directors. Now he's been given all the toys Peter Jackson enjoys. And Weir uses them to great effect - recreating a nautical reality that lacks nothing except the need to wipe your face every ten seconds. The cutting of Russel Boyd's fabulous photography is perfect. You get to know every inch of the ship, topside and down below. You also get a strong sense of the social dynamics on board - how men got along with each other for so many months. I felt swept along in a perfect mix of virile action and characters I could get to know and care for. One thing I loved was the constant caring between many of the men along the rank and file. There's a strong sense of honor and decency in the film. Yet enough grog flows to keep things loose.

This is vigorous stuff and my most thrilling two hours in a theater for a while. Congratulations to everyone involved.

For now, the best director Oscar goes to Peter Weir over Clint Eastwood (Mystic River)in 2004. Master and Commander is my pick for best picture, just because it is so masterfully realized. A stunning, exhilarating, and - at last - realistic action saga.