What began as a straightforward documentary about the cult rock band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to ... Read allWhat began as a straightforward documentary about the cult rock band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives. But with jokes.What began as a straightforward documentary about the cult rock band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives. But with jokes.
- Awards
- 1 nomination total
Jakko M. Jakszyk
- Self
- (as Jakko Jakszyk)
Django Jakszyk
- self, Jakko M. Jakszyk's son
- (as Django)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Greetings again from the darkness. King Crimson was founded in 1969 and to this day, no one can properly describe their music. Even co-founder and band leader Robert Fripp avoids labeling the music and instead states, "King Crimson is a way of doing things". Documentarian Toby Amies takes on the challenge of examining the band after 50 years.
While most associate guitarist Fripp as being the face of the band, he himself claims that it's an ensemble and always has been. But then he also describes the years 1969 through 2013 as "wretched", and that only with this most recent iteration has found satisfaction. At a minimum, Fripp is a perfectionist, and it's likely he is also a tortured genius who constantly strives for different, more, and better. He makes for a frustrating interview, and director Armies shows him mostly in various short clips, while letting current and former band members offer their opinions.
Co-founder Ian McDonald's zoom interview is the most touching. Taking place shortly before McDonald's passing in 2022, he breaks down and says, "I'm sorry Robert", for leaving Fripp and King Crimson after only a year. Obviously, there was some bad blood between the two men, even after so many years. McDonald went on to co-found the band Foreigner in the 1970's before taking on a solo career. Fripp remained with King Crimson and pursued his idea of what a band should be.
Former King Crimson bassist Trey Gunn explained being in the band was like "a low-grade infection", while current drummer/keyboardist Bill Rieflin thrived with the band. Rieflin was performing with Stage four colon cancer and countless other health issues, yet viewed making music as what he was meant to do, right up until his passing during filming of this documentary. Numerous other former members are interviewed and the comments range from annoyance to reverence. Current singer/guitarist Jakko is cautious about what he says so as not to cross Fripp. He cracks, "you're irreplaceable ... like the last bloke." It's a unique band playing unique music - a style where each world class musician plays their part based on what fellow band members (usually 8 including 3 drummers) are playing. The result is often a peak experience for the audience, even those who have attended many shows over the years. There is an interesting segment featuring a nun who is also a devoted fan of the band. She compares it to religion, and between the immersive music and Fripp's commentary, we can't help but put this in terms of philosophy, psychology, religion, and even a cult-like atmosphere. Always impeccably dressed like a British gentleman, Fripp's obsessive discipline and demanding ways, leave us with a better feel for the band, while being no closer to offering a label of description. This is not your parents' music documentary ... even if it happens to be your parents' favorite band.
In theaters November 3, 2023 and VOD beginning December 1, 2023.
While most associate guitarist Fripp as being the face of the band, he himself claims that it's an ensemble and always has been. But then he also describes the years 1969 through 2013 as "wretched", and that only with this most recent iteration has found satisfaction. At a minimum, Fripp is a perfectionist, and it's likely he is also a tortured genius who constantly strives for different, more, and better. He makes for a frustrating interview, and director Armies shows him mostly in various short clips, while letting current and former band members offer their opinions.
Co-founder Ian McDonald's zoom interview is the most touching. Taking place shortly before McDonald's passing in 2022, he breaks down and says, "I'm sorry Robert", for leaving Fripp and King Crimson after only a year. Obviously, there was some bad blood between the two men, even after so many years. McDonald went on to co-found the band Foreigner in the 1970's before taking on a solo career. Fripp remained with King Crimson and pursued his idea of what a band should be.
Former King Crimson bassist Trey Gunn explained being in the band was like "a low-grade infection", while current drummer/keyboardist Bill Rieflin thrived with the band. Rieflin was performing with Stage four colon cancer and countless other health issues, yet viewed making music as what he was meant to do, right up until his passing during filming of this documentary. Numerous other former members are interviewed and the comments range from annoyance to reverence. Current singer/guitarist Jakko is cautious about what he says so as not to cross Fripp. He cracks, "you're irreplaceable ... like the last bloke." It's a unique band playing unique music - a style where each world class musician plays their part based on what fellow band members (usually 8 including 3 drummers) are playing. The result is often a peak experience for the audience, even those who have attended many shows over the years. There is an interesting segment featuring a nun who is also a devoted fan of the band. She compares it to religion, and between the immersive music and Fripp's commentary, we can't help but put this in terms of philosophy, psychology, religion, and even a cult-like atmosphere. Always impeccably dressed like a British gentleman, Fripp's obsessive discipline and demanding ways, leave us with a better feel for the band, while being no closer to offering a label of description. This is not your parents' music documentary ... even if it happens to be your parents' favorite band.
In theaters November 3, 2023 and VOD beginning December 1, 2023.
As a lifelong fan I have been waiting for a good documentary about one of my favourite bands - or any documentary for that matter. Again a cliché is proven right on the (easy) money: good things come to those that wait.
I never thought I would get this close to this most hermetic of bands and especially not to the Hermit In Chief: Robert Fripp. This film proves once and for all he's not (only) a cantakarous old sod, but also a deeply funny and intensely emotional man. And as a guitarist, one can only stand in awe of his dedication to his craft.
Seeing a whole host of band members from the recent to the distant past speak of the band that in every instance changed their lives - for better, for worse or both. It is truly heartwarming that Bill Rieflin, who during the making of this documentary had stage four colon cancer, is made into a focal point all on his own. Not only the life of a band, but also the lives of the band members come to light.
Even if you have never heard of King Crimson, you will be entertained by this well constructed documentary, filmed unflinchingly up close, and the quality and hilarity of the interviews, conducted in such places as on a stage, in a dismal van and at a candlelit dinner table. Deep earnestness and light-hearted taking the piss are around every corner. Just like in life, really.
A worthy tribute: irreverent, spiky and funny. So do take a seat in this Court and bow your heads to the majesty of King Crimson.
I never thought I would get this close to this most hermetic of bands and especially not to the Hermit In Chief: Robert Fripp. This film proves once and for all he's not (only) a cantakarous old sod, but also a deeply funny and intensely emotional man. And as a guitarist, one can only stand in awe of his dedication to his craft.
Seeing a whole host of band members from the recent to the distant past speak of the band that in every instance changed their lives - for better, for worse or both. It is truly heartwarming that Bill Rieflin, who during the making of this documentary had stage four colon cancer, is made into a focal point all on his own. Not only the life of a band, but also the lives of the band members come to light.
Even if you have never heard of King Crimson, you will be entertained by this well constructed documentary, filmed unflinchingly up close, and the quality and hilarity of the interviews, conducted in such places as on a stage, in a dismal van and at a candlelit dinner table. Deep earnestness and light-hearted taking the piss are around every corner. Just like in life, really.
A worthy tribute: irreverent, spiky and funny. So do take a seat in this Court and bow your heads to the majesty of King Crimson.
Honestly, my title says it all. This truly transcends description. It's almost like after seeing this, ANY words just simply are inadequate and anything I try to say about this film and whatever I attempt to articulate would be trite and insufficient.
I know this is a VERY unusual review and not at all like any of the others that I have written. But, as I sit here typing this, I genuinely feel incapable of expressing anything even remotely approaching what I just experienced in watching this.
I rated it a '9' which is extremely rare for me and speaks for itself.
If you like the band (as it was, is, or will be...) then that speaks for itself.
And, I WILL say that if you watch this and you come to the moment where Fripp is telling about his meeting with the man who led a certain retreat, well... let's just say that unless you do not have a pulse, you will find it quite unique and unexpected...
Obviously, most highly recommended...
I know this is a VERY unusual review and not at all like any of the others that I have written. But, as I sit here typing this, I genuinely feel incapable of expressing anything even remotely approaching what I just experienced in watching this.
I rated it a '9' which is extremely rare for me and speaks for itself.
If you like the band (as it was, is, or will be...) then that speaks for itself.
And, I WILL say that if you watch this and you come to the moment where Fripp is telling about his meeting with the man who led a certain retreat, well... let's just say that unless you do not have a pulse, you will find it quite unique and unexpected...
Obviously, most highly recommended...
10mikelpcl
I knew nothing about Crimson King.
I had listened to a little bit of their music and it told me nothing, so I never paid any more attention.
After watching this film, I can proudly say I know very little about the facts, names, impact, etc of the band.
I feel I know what drives the band, what they are trying to do, what cost it comes at, and even maybe what they get out of it.
And I quite like that was the take of the film. I can learn all the data in Wikipedia if I'm so inclined; I can listen to their recordings any time I want; this film fills a different gap.
I'm still not keen on what they create and how they dress it up. But it doesn't matter. This is not a film for fans, it's a film for people who care about a craft whichever that craft might be.
I had listened to a little bit of their music and it told me nothing, so I never paid any more attention.
After watching this film, I can proudly say I know very little about the facts, names, impact, etc of the band.
I feel I know what drives the band, what they are trying to do, what cost it comes at, and even maybe what they get out of it.
And I quite like that was the take of the film. I can learn all the data in Wikipedia if I'm so inclined; I can listen to their recordings any time I want; this film fills a different gap.
I'm still not keen on what they create and how they dress it up. But it doesn't matter. This is not a film for fans, it's a film for people who care about a craft whichever that craft might be.
Ok you need to understand my personal bias . I am a fan for nearly tte entire 50 years. But it was NOT a nostalgic film looking back at the past. It was a film about the present. A snap shot of who they are and where they are at now. That was refreshing. It was done in good humor and revealed an intimate portrait of the Crims and there extended members. The quality of the cinematography and editing is superior and the entire film was assembled thoughtfully producing a genuine portrait of the band at that point in time. You don't need to be a fan to enjoy the film but it helps to understand the characters involved. It's is well worth the time spent watching if only for entertainment but I would suggest you will walk away enriched .
Did you know
- TriviaThe original title for this film was "Cosmic FuKC. Prog rock pond scums set to bum you out."
Details
Box office
- Gross worldwide
- $68,776
- Runtime
- 1h 26m(86 min)
- Color
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