A gangster named Perrier looks to exact his revenge on a trio of fugitives responsible for the accidental death of one of his cronies.A gangster named Perrier looks to exact his revenge on a trio of fugitives responsible for the accidental death of one of his cronies.A gangster named Perrier looks to exact his revenge on a trio of fugitives responsible for the accidental death of one of his cronies.
- Awards
- 3 nominations total
- Mulligan
- (as Patrick McCabe)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
While the story as it is, is told pretty fast (so that you can't think too much about some logical errors/plot holes I guess), sometimes you'd want some time for the characters to breathe. Especially the things the female lead goes through in a short amount of time, are very improbable, not to mention her emotional journey, which is just a bit too rushed. Still lovable, but with an ending, that though planted, feels a bit off in a wrong way.
The word 'MAN' becomes very annoying through the film. It's used as much as the word 'The'. Dublin working class people use this word, but not like it is portrayed in the script.
In saying that it's better than many irish films.
"Perrier's Bounty" may sound like a good idea, but it is poorly executed. The characters are cardboard cut-outs that have no chemistry with each other. I frankly do not care about any of the characters at all, so watching them run around for 80 minutes is not so much fun.
The plot is plainly told in a mundane way. Imagine the dullest speaker telling a story with a hypnotic voice, that's how "Perrier's Bounty" tells a story. There are desperate attempts at humour, but they fall completely flat. The frequent use of 'man' is so unnecessary and is so irritating. The filmmakers try to make the film artistic and atmospheric. I admit the cinematography and scene composition is often good, but that does not enhance the enjoyment factor of a crime thriller. "Perrier's Bounty" is so dull and irritating, please do not watch it.
With the help of his beautiful, slightly crazy and suicidal neighbour Brenda (Jodie Whittaker), they accidentally kill a thug, and then with the encouragement of his might-be-dying father (Jim Broadbent), they go on a crime spree.
It's a comedy of errors where the errors lead to many murders, some accidental but some because there's nothing better to do. It's violent for the sake of being violent with a few uneasy laughs. Add Gabriel Byrne as the voice of the narrator/The Reaper expounding on the philosophical virtues of life, death and the ocean, just to make the film more well-rounded. I'm assuming that's the purpose, and also that the contradiction between philosophy and gangster crime is supposed to be hilarious.
"Perrier's Bounty" could be a brilliant fusion of all genres into a gangster crime film. But it's missing some vital cohesiveness and substance to make this more than a weirdly funny, violent crime spree through an Irish night. Which isn't all that bad, but it's no "In Bruges".
Did you know
- TriviaWhen asked what they did to prepare for the film, Brendan Gleeson said he went to find a coat and Cillian Murphy said he grew a beard.
- GoofsEarly in the movie Michael gets into a car (possibly VW Golf mk3) which was a 1995 registration, however when we see him pull in to speak to his father the car has a 2001 reg plate. A closer shot in the same scene reveals the 95 plate again.
- Quotes
[first lines]
Voice of The Reaper: The ocean, huh? Never fails to provoke a person to musing on philosophical shit. Heavy shit, like life and death, and fate, and all that bewildering shit. The fuckin' universe. The individual's seeming insignificant in it. But are we insignificant? I mean take, for example, this individual. Wears the name of Michael McCrea. Last night he imbibed to beat the band. And today he's paying the seedy price. It's evening. He's having himself a little siesta, yeah? Little catnap. Now relax yourself and pay close attention. There's a point to all this drivel.
- ConnectionsReferenced in Saturday Night Live: Brendan Gleeson/Willow (2022)
- SoundtracksNew In Town
Written by Little Boots (as Victoria Hesketh) & Greg Kurstin
Published by Universal Music Publishing Ltd/EMI Music Publishing Ltd
Performed by Little Boots
Licensed courtesy of Warner Music UK Ltd
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Details
Box office
- Gross US & Canada
- $828
- Opening weekend US & Canada
- $828
- May 23, 2010
- Gross worldwide
- $167,938
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1