Broken
- 2012
- Tous publics
- 1h 31m
IMDb RATING
7.2/10
16K
YOUR RATING
Three suburban English families' lives intertwine with tragic consequences.Three suburban English families' lives intertwine with tragic consequences.Three suburban English families' lives intertwine with tragic consequences.
- Awards
- 10 wins & 19 nominations total
Lukas Fernandes-Pendse
- Harry Barlow
- (as Lucas Fernandes-Pendse)
Rosie Kosky-Hensman
- Susan
- (as Rosalie Kosky-Hensman)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
So simple and yet so complicated, as often life can be. Normal houses and plain faces on your block often conceal mini dramas. A cul de sac, to be precise, symbolic perhaps of the impasse that certain characters in "Broken" have reached.
Hats off to the director (and editor?) for the way certain sequences were handled. You would see a scene - the conclusion of certain events - and at the right moment (when you'd start wondering "when and how did this happen?"), the action would rewind itself and everything would make sense. From effect to cause...
I guess this movie is not for the "Batman" crowd. No jumping off roofs, no wild chases, no gunshots, just bleeding. The real kind that could happen to your sister or brother or parent or child. Or to your neighbour. The kind that you might read about in the newspaper the next day. Bleeding external and bleeding internal. Of the lip and of the heart.
The acting was very convincing. Not the kind that sticks in your mind forever, but that's exactly what I consider to be one of the film's main assets: the lack of exaggeration in the delivery of the lines is what makes the story plausible, real, as if though you're witnessing events unfold outside your window.
And hats off to the new kid on the block. Eloise Laurence is a natural. I'd love to have her for my daughter too! Or sister. Or neighbour. I have a feeling we'll be hearing more from her. And from director Rufus Norris. The chain must not be broken.
Hats off to the director (and editor?) for the way certain sequences were handled. You would see a scene - the conclusion of certain events - and at the right moment (when you'd start wondering "when and how did this happen?"), the action would rewind itself and everything would make sense. From effect to cause...
I guess this movie is not for the "Batman" crowd. No jumping off roofs, no wild chases, no gunshots, just bleeding. The real kind that could happen to your sister or brother or parent or child. Or to your neighbour. The kind that you might read about in the newspaper the next day. Bleeding external and bleeding internal. Of the lip and of the heart.
The acting was very convincing. Not the kind that sticks in your mind forever, but that's exactly what I consider to be one of the film's main assets: the lack of exaggeration in the delivery of the lines is what makes the story plausible, real, as if though you're witnessing events unfold outside your window.
And hats off to the new kid on the block. Eloise Laurence is a natural. I'd love to have her for my daughter too! Or sister. Or neighbour. I have a feeling we'll be hearing more from her. And from director Rufus Norris. The chain must not be broken.
'Broken' is an excellent example of just how good British drama films/series can be when they are done right. The film is straight to the point and develops at a good pace with lots of different things going on between the various characters.
There is a lot of characters in this film (3 different families who are all neighbours) and we see how their lives are affected by various going ons. This film really doesn't hold back, some of the scenes and subjects will be uncomfortable for some viewers. I really didn't like the Oswald family but the story really wouldn't have worked without them.
I really liked how parts of this film where done, we would see something happen unexpectedly and then it would flashback to show the build up to it from a different perspective. The story linked together really well. It is very engaging although some parts are unrealistic.
The acting in this film was nothing short of superb from everyone. There was a lot of familiar faces but the star of the show has to be Eloise Laurence who made her acting debut in the lead role as Skunk.
It's a shame this film probably won't get the recognition it deserves due to it being relatively unheard of. I would recommend this to anyone who loves a good dram film, you won't be disappointed.
8/10.
There is a lot of characters in this film (3 different families who are all neighbours) and we see how their lives are affected by various going ons. This film really doesn't hold back, some of the scenes and subjects will be uncomfortable for some viewers. I really didn't like the Oswald family but the story really wouldn't have worked without them.
I really liked how parts of this film where done, we would see something happen unexpectedly and then it would flashback to show the build up to it from a different perspective. The story linked together really well. It is very engaging although some parts are unrealistic.
The acting in this film was nothing short of superb from everyone. There was a lot of familiar faces but the star of the show has to be Eloise Laurence who made her acting debut in the lead role as Skunk.
It's a shame this film probably won't get the recognition it deserves due to it being relatively unheard of. I would recommend this to anyone who loves a good dram film, you won't be disappointed.
8/10.
From the very beginning of the film, I got hooked by the beautiful cinematography and style, by the choice of characters and the accuracy of the details and by the visual storytelling that reminded me again and again why I fell in love with cinema in the first place.
The subject treated in this movie may not be something new for the viewers but what I am certain of is that director "Ruffus Norris" really has a great vision and an amazing ability to capture the audience's complete attention every single second of the film, allowing the movie to drive them.
You'll definitely enjoy watching this movie and I assure you, it will be quite an experience. Few movies have succeeded in capturing me to the last frame but Broken is one of them, again, a courtesy of the amazing cinema of England.
The movie is based on the concept of causes and consequences that lead to certain actions and results that may be good or bad depending on the situation. It is set in a small neighborhood where the stories of the characters living there intertwine in a beautiful way.
It is a story about the loss of innocence, childhood, unfortunate events and people trying to do "good", and forced to do "bad".
Enough said, this film is definitely a must-watch this year.
The subject treated in this movie may not be something new for the viewers but what I am certain of is that director "Ruffus Norris" really has a great vision and an amazing ability to capture the audience's complete attention every single second of the film, allowing the movie to drive them.
You'll definitely enjoy watching this movie and I assure you, it will be quite an experience. Few movies have succeeded in capturing me to the last frame but Broken is one of them, again, a courtesy of the amazing cinema of England.
The movie is based on the concept of causes and consequences that lead to certain actions and results that may be good or bad depending on the situation. It is set in a small neighborhood where the stories of the characters living there intertwine in a beautiful way.
It is a story about the loss of innocence, childhood, unfortunate events and people trying to do "good", and forced to do "bad".
Enough said, this film is definitely a must-watch this year.
Broken (2012)
A high stakes middle class melodrama that gets more and more intense—and improbable —as it goes. Well done stuff, with some disturbing insights into contemporary British suburbia.
Besides all the tense thrills of watching some rivalries between kids and parents in this world, and a couple of love affairs blossom, what is the takeaway? I've been wondering that for two days after watching it. And in a way I think there isn't any "message" or large point here. It's a slice of life kind of approach even though the "slice" here is an unrealistic bit of hyper-drama.
In a way this kind of interwoven tale of ordinary people experiencing extraordinary things (like murder) is a justification in itself. It's a high-drama movie, nothing less. That it is well made and well acted is a bonus. And the fact it manages to touch on issues of intolerance and misunderstanding in our current world is valuable. In all, well done, and well meant.
It also avoids what you might call insight, for lack of a better word. That is, there are all these horrible events (and some lovely ones) and we don't quite know why that are happening, or why not, other than because of circumstance. The underlying psychology, and social fabric, is supplied only sparingly, though it is implied often. What results is still quite dramatic, but why do I feel drained and incomplete by it all?
See this? Yes, absolutely. But knowing its deeper limitations.
A high stakes middle class melodrama that gets more and more intense—and improbable —as it goes. Well done stuff, with some disturbing insights into contemporary British suburbia.
Besides all the tense thrills of watching some rivalries between kids and parents in this world, and a couple of love affairs blossom, what is the takeaway? I've been wondering that for two days after watching it. And in a way I think there isn't any "message" or large point here. It's a slice of life kind of approach even though the "slice" here is an unrealistic bit of hyper-drama.
In a way this kind of interwoven tale of ordinary people experiencing extraordinary things (like murder) is a justification in itself. It's a high-drama movie, nothing less. That it is well made and well acted is a bonus. And the fact it manages to touch on issues of intolerance and misunderstanding in our current world is valuable. In all, well done, and well meant.
It also avoids what you might call insight, for lack of a better word. That is, there are all these horrible events (and some lovely ones) and we don't quite know why that are happening, or why not, other than because of circumstance. The underlying psychology, and social fabric, is supplied only sparingly, though it is implied often. What results is still quite dramatic, but why do I feel drained and incomplete by it all?
See this? Yes, absolutely. But knowing its deeper limitations.
While watching this movie i was thinking about some concepts, specially the appearances and the truth behind any person, any event, any story, and also the power of sex as source of problems. These concepts have a very good case study in this British film, I want to underline "British" because I think it is important and it really gives a particular identity, those streets, accents, looks, school uniforms, habits, etc. are so heavy that it is definitely not a random feature.
What I really want to stand out is the performance of Eloise Laurence as "Skunk", she gives her character a tremendous freshness, she is very natural and convincing and above all, her face keep us under a beautiful spell. The rest of the cast is also excellent, and everything combines to give a quality film we can really enjoy despite of the drama.
What I really want to stand out is the performance of Eloise Laurence as "Skunk", she gives her character a tremendous freshness, she is very natural and convincing and above all, her face keep us under a beautiful spell. The rest of the cast is also excellent, and everything combines to give a quality film we can really enjoy despite of the drama.
Did you know
- TriviaLead Eloise Laurence sings the song in the beginning and at the end herself.
- GoofsIn the first few minutes, when one of the twins throw a bag with an unknown substance at Skunk, it misses her and lands beside a cyclist. From the angle of the throw and the position of the various people, the cyclist should have run right into the twins, and at the very least scolded them. Yet there are no consequences to their action.
- ConnectionsFeatured in WatchMojo: Top 10 Father and Daughter Movies (2014)
- SoundtracksColours
Written by Damon Albarn (as Albarn), Alex James (as James) and Dave Rowntree (as Rowntree)
Additional lyrics by Rufus Norris
Performed by Electric Wave Bureau
Produced by Electric Wave Bureau
Vocals by Eloise Laurence
- How long is Broken?Powered by Alexa
Details
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content