The true story of a national spiritual awakening in the early 1970s and its origins within a community of teenage hippies in Southern California.The true story of a national spiritual awakening in the early 1970s and its origins within a community of teenage hippies in Southern California.The true story of a national spiritual awakening in the early 1970s and its origins within a community of teenage hippies in Southern California.
- Awards
- 1 win & 2 nominations total
Featured reviews
Like much of the Christian drama genre, Jesus Revolution suffers from lots of stilted, VERY on-the-nose dialogue that prioritises getting the message across over sounding natural.
But unlike most of the Christian drama genre, the film is shockingly well-focused, prioritising it's characters and their stories just as much as it's religious messages that do admittedly preach to the choir.
There's a lot of care put into this movie; it's shot and acted with plenty of artistic prowess, and the story is refreshing in how it is purely centred around its flawed human characters as they work on their broken lives, bad habits, and strained relationships.
The familial element of religion is what helps them find the purpose they're looking for, and it's refreshing to see a Christian film that really tries to tell a compelling story about fleshed-out characters rather than just peddle a message without a beating heart and visible soul.
Although the film is too long-burdened by repetitive scenes that don't add anything new to the story-and the dialogue is often clunky and unintentionally silly, I was impressed with how much this does right when it comes to filmmaking and storytelling. It's infinitely better than most in this subgenre.
But unlike most of the Christian drama genre, the film is shockingly well-focused, prioritising it's characters and their stories just as much as it's religious messages that do admittedly preach to the choir.
There's a lot of care put into this movie; it's shot and acted with plenty of artistic prowess, and the story is refreshing in how it is purely centred around its flawed human characters as they work on their broken lives, bad habits, and strained relationships.
The familial element of religion is what helps them find the purpose they're looking for, and it's refreshing to see a Christian film that really tries to tell a compelling story about fleshed-out characters rather than just peddle a message without a beating heart and visible soul.
Although the film is too long-burdened by repetitive scenes that don't add anything new to the story-and the dialogue is often clunky and unintentionally silly, I was impressed with how much this does right when it comes to filmmaking and storytelling. It's infinitely better than most in this subgenre.
Nostalgic and relevant! Love the way the people are portrayed. This is not just good Christian filmmaking it's just good filmmaking. The people are flawed, real and multi dimensional. The story is well worth watching. And it is a true story. Times were so similar to today. The Holy Spirit is thriving. Even if you are not a Christian, you'll like the film. Young people will be able to see what their grandparents were like. As in the movie, we can still learn from each other and we all need acceptance and love. It's better than the competition this weekend (Cocaine Bear. Really?) Give it a shot you won't be disappointed.
I was pleasantly surprised by this film; it was a Faith-based Christian film that didn't feel like it was trying to get me to drink the Kool-Aid (and I say this as a devout Christian myself). And although the Christian Faith is central to the film's plot, you absolutely do not need to be a Christian to enjoy it. The movie centers more on how we all are imperfect - broken - and it's up to us to believe in Jesus or not. Great quote from the film: "Don't be so arrogant that you think God can't work through your mistakes." That, in a nutshell, is the core meaning of this movie; it's not so much about who Jesus is, but rather, who people are (or can be) with Jesus.
It's a religious revival drama set from 1969 to 1973 in Costa Mesa, California. It recounts the early history of the Christian Jesus Freak movement from the perspective of one of its early leaders.
The movie begins on two tracks that gradually merge. Chuck Smith (Kelsey Grammer) is the middle-aged pastor of a small non-denominational Calvary Chapel composed chiefly of elderly parishioners. He's out of touch with his daughter, Janette (Ally Ioannides). One day Janette brings home a hippie, Lonnie Frisbee (Jonathan Roumie), who has struggled with drugs but is now a fiery charismatic Christian with a strong Pentecostal bent. The film follows Smith's gradual integration of Frisbee and his friends into his church, which gradually explodes with non-traditional young people searching for a more long-lasting truth than drugs.
The parallel story follows Greg Laurie (Joel Courtney), the teenage son of a dysfunctional alcoholic mother (Kimberly Williams-Paisley). Greg goes through his own druggie period, during which he meets Cathe Martin (Anna Grace Barlow). Cathe leaves the drug culture first, and eventually, both are attracted to Calvary Chapel because of the charismatic Lonnie Frisbee.
"Jesus Revolution" follows some of the conflict and rupture between Chuck Smith and Lonnie Frisbee and takes us to the beginning of Greg Laurie's ministry at age 20.
"Jesus Revolution" was better than I anticipated. The editing and cinematography are of good quality. However, the script is relatively narrow and avoids addressing some key questions. It paints the conflict between Smith and Frisbee as personality differences and Friebee's hogging the spotlight. In actuality, their theological perspectives were very different. Frisbee believed in miracles and speaking in tongues; Smith did not. The film also avoids controversies that arose later around Frisbee, who also helped inspire the later Vineyard movement. The film ends at the apex of the Jesus Freak movement in 1972, after which it began a relatively swift decline. Smith and Laurie remained more subdued and ended up in the Southern Baptist Convention. Unfortunately, Kelsey Grammer looks the 20-years-older than the man he is portraying; someone else should have played Chuck Smith.
Thankfully, "Jesus Revolution" sticks to storytelling and does not try to convert the viewing audience. Persons with an evangelical background from the early 1970s might well enjoy this historical review.
The movie begins on two tracks that gradually merge. Chuck Smith (Kelsey Grammer) is the middle-aged pastor of a small non-denominational Calvary Chapel composed chiefly of elderly parishioners. He's out of touch with his daughter, Janette (Ally Ioannides). One day Janette brings home a hippie, Lonnie Frisbee (Jonathan Roumie), who has struggled with drugs but is now a fiery charismatic Christian with a strong Pentecostal bent. The film follows Smith's gradual integration of Frisbee and his friends into his church, which gradually explodes with non-traditional young people searching for a more long-lasting truth than drugs.
The parallel story follows Greg Laurie (Joel Courtney), the teenage son of a dysfunctional alcoholic mother (Kimberly Williams-Paisley). Greg goes through his own druggie period, during which he meets Cathe Martin (Anna Grace Barlow). Cathe leaves the drug culture first, and eventually, both are attracted to Calvary Chapel because of the charismatic Lonnie Frisbee.
"Jesus Revolution" follows some of the conflict and rupture between Chuck Smith and Lonnie Frisbee and takes us to the beginning of Greg Laurie's ministry at age 20.
"Jesus Revolution" was better than I anticipated. The editing and cinematography are of good quality. However, the script is relatively narrow and avoids addressing some key questions. It paints the conflict between Smith and Frisbee as personality differences and Friebee's hogging the spotlight. In actuality, their theological perspectives were very different. Frisbee believed in miracles and speaking in tongues; Smith did not. The film also avoids controversies that arose later around Frisbee, who also helped inspire the later Vineyard movement. The film ends at the apex of the Jesus Freak movement in 1972, after which it began a relatively swift decline. Smith and Laurie remained more subdued and ended up in the Southern Baptist Convention. Unfortunately, Kelsey Grammer looks the 20-years-older than the man he is portraying; someone else should have played Chuck Smith.
Thankfully, "Jesus Revolution" sticks to storytelling and does not try to convert the viewing audience. Persons with an evangelical background from the early 1970s might well enjoy this historical review.
Even if religion isn't an important part of your life this movie is spectacular in many ways. It begins with two different storylines which connect together seamlessly. The aspect of it that it excels in the most is that it shows how groups of people who appear to be pushing in two different directions can both be genuinely searching for the same goals and the good life. The movie examines the pitfalls of nihilism and absolute relativism but also how being closed minded to possibilities and ideas can be limiting. All of these themes are displayed without the movie trying to force upon its audience any particular set of religious beliefs.
Not only does the story have good pacing, it has just the right amount of humour, and the camera shots of the California coast are nostalgic and stunning. The acting is also quite good with Kelsey Grammer and Jonathan Roumie both delivering exceptional performances . The love story also feels reasonably organic and the soundtrack on its own is 10/10.
The only downside to it for me was that some scenes needed a bit more variety in their presentation. The latter half of the film seemed mostly filled with what I would call epic speech making and not so much natural dialogue. For those like myself who were fully engaged in the story this probably wouldn't be an issue, but for those not particularly enjoying themselves it could come across as rather corny and artificial.
Overall, I am a huge fan of this movie. I think it has a wonderful message of hope and love while also encouraging order and structure. I'd recommend it to anyone looking for a feel good movie that sends you away feeling optimistic.
Not only does the story have good pacing, it has just the right amount of humour, and the camera shots of the California coast are nostalgic and stunning. The acting is also quite good with Kelsey Grammer and Jonathan Roumie both delivering exceptional performances . The love story also feels reasonably organic and the soundtrack on its own is 10/10.
The only downside to it for me was that some scenes needed a bit more variety in their presentation. The latter half of the film seemed mostly filled with what I would call epic speech making and not so much natural dialogue. For those like myself who were fully engaged in the story this probably wouldn't be an issue, but for those not particularly enjoying themselves it could come across as rather corny and artificial.
Overall, I am a huge fan of this movie. I think it has a wonderful message of hope and love while also encouraging order and structure. I'd recommend it to anyone looking for a feel good movie that sends you away feeling optimistic.
Did you know
- TriviaOne of the men that Lonnie Frisbee, portrayed by Jonathan Roumie, talks to on the pier is Paras Patel who also plays Matthew in The Chosen (2017) alongside Roumie.
- GoofsLonnie lost his long walking staff when he got picked up by the side of the road.
- Quotes
Chuck Smith: So many voices, it's hard to hear the truth.
Kay: The truth is always quiet. It's the lies that are loud.
Chuck Smith: It's complicated.
Kay: The truth is simple.
- ConnectionsFeatured in The 700 Club: Episode dated 24 February 2023 (2023)
- SoundtracksI Just Want to Celebrate
Written by Dino Fekaris, Nick Zesses
Performed by Rare Earth
Courtesy of Motown Records under license from Universal Music Enterprises
- How long is Jesus Revolution?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- La revolución de Jesús
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $52,102,987
- Opening weekend US & Canada
- $15,882,067
- Feb 26, 2023
- Gross worldwide
- $54,293,684
- Runtime
- 2h(120 min)
- Color
- Sound mix
- Aspect ratio
- 2.39:1
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