Rusalka

Perhaps 'twee' is to Russian films what 'quirky' is to American. Either way it's a sickly confection that demands nothing from its audience other than it checks its brain at the door. One of the most narcissistically irritating heroines since the repulsive Amelie is able to do stuff for some reason. That the role is played by such an unappealing actress doesn't much help but it could have been Hepburn and it wouldn't have survived the director's insistent 'look at me' style and the archness that sucks out whatever life there might have been in the story leaving behind nothing but pretty-pretty photography.

This story was much better done in the 50s in Giraudoux's play Undine which, in fact, introduced Audrey Hepburn in the West End.

This is, as the genre indicates here, a fantasy. There is a mix of comedy and drama within, but it is essentially a fantasy story about a young girl who possesses supernatural powers – or so we are led to believe.

Life for anybody, each day, is a succession of events, is it not? So also with this film where we first see the girl, Alisa (Anastasiya Dontsova), as an eight year old, passing through various episodes of growing up at the seaside, and with dreams of being a ballerina. As the story develops in a continually episodic fashion, Alisa (now played by Masha Shalaeva), now eighteen, moves to Moscow with her mother (Mariya Sokova) and grandmother (Albina Evtushevskaya), begins the process of finding work, and discovers the good and bad sides of life in general.

So, like other movies – notably Amelie (2001) with Audrey Tautou – the viewer is treated to a series of comedic/dramatic vignettes about what can happen when a young person starts life in earnest as an adult. And, while I might compare the frenetic Tautou's acting to that of Charlie Chaplin, Masha Shalaeva, in contrast, is a female Buster Keaton par excellence: her deadpan expressions, her sly looks, the ghosts of her smiles are treats to watch and remember.

Central to the story is Alisa's belief she is prescient and can make wishes come true; central, also, is the fact she has fallen in love with a high-powered, boozy, marketing man about Moscow, Sasha (Evgeniy Tsyganov), and does her utmost to make his life more comfortable; in turn, he simple regards Alisa as his bi-weekly cleaning lady. Along the way, Alisa discovers Sasha is already hitched up with a stunning, silky, slinky blonde, Rita (Irina Skrinichenko) – a fact that simple makes Alisa try harder to make Sasha truly see her.

We all make wishes during life. Sometimes, things do come about as we hope. Most of the time, however, nothing fantastic happens. Instead, what ultimately occurs in this story brings Alisa, Sasha and the viewer back to all-too-grim reality, encapsulating, perhaps, the thought that you should be careful about what you wish for...

The production is quite professional; the photography is great, so also the editing and directing. I particularly liked the sound track. And the acting? While the supporting cast is uniformly good – notably Evgeniy Tsyganov – Masha Shaleva is not to be missed, in my opinion; I look forward to seeing her in other roles. Mention should also be made of Anastasiya Dontsova as the young Alisa.

Give this a good seven out of ten. Recommended for all.

August 25, 2012

For whatever reason, Americans rarely are treated to Russian films, which is probably a great loss... certainly seems so after seeing the film "Mermaid." With a quirky story line and a very compelling opening sequence (great graphics!), it's a combination of incredible acting by the two actresses who play the lead character at different ages as well as the supporting cast and creative directing that make this worth watching. Not wanting to give anything away, I'll just say that my family enjoyed this film very much - but nothing prepared us for the ending. Highly recommend. (I reserved one star because I would have liked to see some creative cinematography of the Russian countryside; nevertheless, seeing Moscow up close in film is a treat.)

This was a good interpretation. It's the type of movie that I hope opens the imagination to it's viewers and allows you to believe in the unbelievable -if only for a moment. Even though I only viewed this film because it relates to my career field as a mermaid, I liked the feel of the project and can tell this one might have taken a while to plan and come up with. It is more of an adult type of audience more than what you might imagine and if you are hoping for an actual mermaid like in Disney you will be sadly disappointed. Not every film needs to be a replica of the next and this goes into its own direction and interpretation of how to use the word mermaid to tie in it's storyline.

I only saw fifteen films at the Sundance Film Festival this year, but this one was my favorite film. The music was fantastic and maintained a level of intrigue and surrealism that produced a sense of mythic reality and impending urgency. Anastasiya Dontsova was phenomenal as Young Alisa and Mariya Shalayeva, who played Alisa from ages 17-18 years old, was spellbinding. The many closeups of her anxious face were a delight to the beholder. Although the pacing was a little slow at times, the story moved forward with a sense of inevitability that I imagine reflects the current circumstance in Russia today. It's always wonderful to see great films still coming out of the former Soviet Union.