Pathology

"Pathology," the 2008 film directed by Marc Schoelermann from a screenplay by Neveldine & Taylor (the writing team behind "Crank") is not a bad film, but is a fairly gripping and entertaining thriller once you get used to it. (At the very least, it makes great late-night TV fanfare.) Though you should be warned, the graphic autopsy sequences and disturbing subject matter may turn off some viewers not yet accustomed to extreme violence and gore and drug-induced, abhorrent sexual behavior.

Ted Grey (Milo Ventimiglia, of television's "Heroes") graduates at the top of his medical school class and soon finds himself enrolled at one of the nation's top pathology programs. He is noticed by Dr. Jake Gallo (Michael Weston), the leader of a group of brilliant and privileged but elite band of interns who are engaged in a rather dangerous and deadly anti-social past-time: they test each other to see who can commit the perfect murder. Ted is eventually seduced into the joining the group and participating in their shadowy extracurricular activities, but eventually comes to realize just how high the stakes really are and the extreme measures he must take to stay one step ahead of their game to keep from being their next victim.

Pathology, in case you don't know, is the "the science or the study of the origin, nature, and course of diseases" (source: Dictionary.com). So of course, such studies are taken to an illogical extreme in "Pathology," which is a rather worthwhile late-night medical thriller.

You shouldn't look for any Oscar-winning performances here, but the movie's shining light does just happen to be Milo Ventimiglia. Ventimiglia, who plays my favorite character Peter Petrelli from TV's "Heroes," is able to effectively show off a radically different side of his personality here that we have never seen from the actor before. "Pathology" is one example of how his pretty-boy looks can be overlooked because we can now concentrate on the character. He is no longer a pretty boy here, but is instead a dangerous, morally gray anti-hero who realizes how high the stakes really are and what he must do to survive.

"Pathology" is an all right thriller for the late-night movie crowd. It has its faults, yes, but Milo Ventimiglia and the disturbingly fascinating subject matter are able to make it slightly better-than-average late-night TV fanfare.

7/10

Apparently, pathology students gravitate towards psychosis and meth induced orgies. At least these ones do. This is an entertaining, suspenseful movie with a fresh premise. It has a few good surprise turns and is thrilling without excessive gore or jump scare tactics. There are definitely some holes though. Most notably, imperfect murders and free for all access to the facilities so our gang can party til they puke. I also found it hard to swallow that our hero fell into the craziness so effortlessly. I would have liked to have seen a little more resistance on his part. It's a good flick though. Give it a watch.

A group of pathologists kill people in unique ways and see if the others can determine how the victims were done in. Their fun and games are threatened when they invite a newbie into their little fold.

This is damn fine entertainment. Sure, the film often stretches one's suspension of disbelief pretty thin, but this is one of those films I didn't expect to enjoy as much as I did. I rented it on a whim and had a good time with it. It's a pretty nasty piece of work too. I personally find this kind of thing more disgusting than the typical hack and slash. Lauren Lee Smith has a sizable role, so that's a plus, and Larry Drake pops up briefly, though I didn't realize it was him until I saw his name in the credits. Weird since he's so recognizable. Oh, and Alyssa Milano is here as well.

"Pathology" may be too clinical for some, and may be too out there for others. Personally, I thought it was a good deal of fun. I must add, I found the main character to be the least likable person in the movie. He's one of those guys who you just long to see get cut up.

When brilliant Doctor Ted Grey gets a job working in a University Pathology lab, he falls in with a group of young brilliant doctors led by Doctor Jake Gallo. Grey discovers that the others are playing a game where one doctor kills a person and the others have to work out how it was done. As Grey gets caught up in this, can he find a way out, or is he in too deep....

Pathology is written by Mark Neveldine & Brian Taylor. They wrote the insane and fun action movie CRANK. This movie while not as funny as Crank is still insane! The plot is quite daft, and it has to be said full of plot-holes. This could be the result of scenes being cut from the movie, but this didn't bother me at all.

Simply put, this movie was fun.

The cast led by Milo Ventimiglia as Grey and Michael Weston as Gallo are all good. The direction by Marc Schoelermann keeps things moving at a brisk pace. As befits a movie about Pathology doctors, it is quite gory and bloody, but it is never over the top.

Although not a movie that will win many awards, for it's running time, it is very enjoyable and worth watching if you don't take it seriously. One thing though... it may put you off doctors for life!!

After seeing an advanced screening, this film honestly delivered more than expected. Not being a fan of the gruesome torture-porn films so wide-spread in recent years, nor of the writers previous film (utterly ridiculous, in my opinion), I had reservations going in. Not in regards to the abilities of the cast, but as to how the concept of the film would be handled on the screen. The first 10 minutes, while well done, gave me pause as to whether the filmmakers would get beyond showing how extreme and outrageous they could be to an actually engaging story. In the end, I found the graphic and brutal nature of some of the scenes to support the development of the story and it's well drawn characters as well as the effective exploration of the darker potentials of the human psyche. My final impressions were of the solid performances of the cast and how the film was able to accomplish making the outrageous and often twisted ways of its characters seem both natural and plausible given the context of the story. I highly recommend giving this film a shot, even if it isn't a genre you'd typically see.