When I found this film, I thought it would be a cinematic approach to Lazarus Syndrome, which is the apparently spontaneous reactivation of the heartbeat after all attempts to resuscitate a patient in cardiac arrest have failed. This is a very rare situation to happen, and I thought the movie would be about that. I was wrong.
The film's script follows a small group of young scientists who are carrying out a controversial and eventually revolutionary study: the creation of a serum that allows the dead to be reanimated. They are testing it on animals, but a bureaucratic twist ends up denying them the possibility of continuing the study. However, they decide to continue secretly, even though the results of tests on animals have revealed that there are dangerous brain changes, resulting from the application of the serum, in the resuscitated animals. After breaking into the lab at night, the group has an accident and one of the group's scientists dies. They then decide to use the serum to bring her back to life.
The film has an interesting base premise and one that will draw some inspiration from the source of "Frankenstein" and other mad or amoral scientists. These are fascinating and frightening topics, because we naturally fear those men who use their genius and wisdom without any moral concern to guide them. However, the film fails to develop this in the best way: the whole question that leads to the expulsion of the scientists from that laboratory is, to say the least, unconvincing, and any minimally serious scientist would be incapable of performing an experiment on human beings without solid positive results in the previous stages. It is a huge nonsense that tramples everything we consider as a "scientific method".
The cast has its good moments. Olivia Wilde does a really good job, she's convincing, and it's not difficult to sympathize with her character, for her stubbornness and sympathy. Mark Duplass didn't seem so committed or believable to me, but he has some very good moments, particularly in the second half of the film. Sarah Bolger (who I only knew from her role in the "Tudors" series) is beautiful, but in addition to her feminine beauty, she also gives us a mature and interesting interpretation, particularly in the final scenes of the film.
On a technical level, the film doesn't have much to offer us. The cinematography is fairly generic, and the editing appears to have been harsh, with mangled subplots and a total runtime reduced to just over an hour. The sets are good enough, especially the labs used in the filming, and the soundtrack is good enough, though not remarkable.
