IMDb RATING
3.2/10
1.3K
YOUR RATING
A desperate criminal and a merciless posse become trapped in a remote Mexican ghost town by a vengeful demon.A desperate criminal and a merciless posse become trapped in a remote Mexican ghost town by a vengeful demon.A desperate criminal and a merciless posse become trapped in a remote Mexican ghost town by a vengeful demon.
María Alché
- Dora
- (as María Alche)
Andrés Bagg
- Lockhardt
- (as Andres Bagg)
Janet Bar Rembaum
- Mary Black
- (as Janet Bar)
Muni Seligmann
- Michelle Black
- (as Mariana Seligmann)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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I'm still going over the film in my head and I've watched the DVD twice as well. No spoilers as I just wanted to comment on the cast. I thought it was refreshing to see real women in a desperate situation unlike so many horror films which feature nubile bikini wearing females in desperate situations. The cast felt like women struggling to survive in the Mexico frontier in 1890. Hard, half daft, angry and frighteningly ruthless. They quite embodied what it must have been like and they also looked like the type that could believably survive. No cutesy starlet bimbo types, but tough, rugged women who look they live through much abuse.
The feminine anger of betrayal and being degraded was etched into each character almost painfully.
I thought the odd speech patterns worked as it revealed damaged minds and souls.
The film wasn't perfect. The special effects could've been better and the action slowed a bit too much in the middle. Very sad and filled with a great helping of pain and grief. I found it riveting and much more enjoyable on the second watching.
The feminine anger of betrayal and being degraded was etched into each character almost painfully.
I thought the odd speech patterns worked as it revealed damaged minds and souls.
The film wasn't perfect. The special effects could've been better and the action slowed a bit too much in the middle. Very sad and filled with a great helping of pain and grief. I found it riveting and much more enjoyable on the second watching.
"Left For Dead" has a dreamlike, hauntingly chilling atmosphere from the beginning to the end. There is not too much landscape, there are not too much environmental elements, but the atmosphere is so strong, so hypnotizing that I found myself re-watching "Left for Dead" again and again. "Left for Dead" is a Gothic western about the moments that decide the fates of human beings. I emphasize on "human beings" because the characters here are not only likable but believable. Victoria Maurette makes me the biggest impression, adding layers of depth to her character without even uttering a word, just her facial expressions, the way she moves, the confidence with which she acts is simply brilliant. It is incredible how Pyun achieves to create such memorable scenes. There is in "Left for Dead" one of the best uses of slow-motion (and no-motion) I have ever seen. Slow-motion that captures the darkest, saddest moment, the one thing no one would expect to happen in a western. There is something haunting and sad all over the movie. It has a very intense emotional effect on the viewer. "Left for dead" is a uniquely dark voyage into the brutal reality of human nature. Watching it has been one of the most powerful experiences I've had for a long time. The darkest and most brutal sides of human nature are here present all the time and the things get almost surreal at times. The ending of the film is so harrowingly real it becomes almost unbearable in its sadness and both mental and physical violence. The theme of violence and vengeance remember me the best spaghetti westerns, specially Corbucci's. Only a master like Pyun could break all the conventions and rules of the genre, because this film just wants to be and is so much more. The imagery is stunning for such a tiny budget. So haunting --it becomes almost a surreal element and a very creepy one. The cinematography blows with some great compositions and different angles plus some extreme close ups to make each scene look as powerful as their potential. I Think that "Left for Dead" is one of Pyun's greatest achievements. I'm sure that it will remain. The cinematic magic could not be any more fantastic. This is a 'piece of honest, raw, beautiful, mighty cinema. What we have here, is nothing less than the ultimate essence of the Gothic Western: irony, cruelty, tenderness, beauty, violence, powerful characters... and chaos. Throughout the movie is laced with the anguish of haunted souls. "Left for Dead" comes across as a powerful and beautifully constructed Greek tragedy with a cynical and almost psychological edge bound to it. Pyun's stylishly first-rate direction keeps the film sombre with a brutally inspiring tone in its dramatic images and context. The wonderful use of lighting and composition keep the viewer's attention. The inventive framing also shows the quality and uniqueness of his direction. Even the flashback sequences are positioned in the story accordingly and in a fulfilling style. The story is full of symbolic and uncanny issues. What more can I say ? "Left for dead" is an unmissable, magnificently macabre opera of death.
So, I finally got to see Albert Pyun's most recent effort. A strange western about a foreign woman (along with a bunch of local women) hunting down her ex (who happens to have impregnated the daughter of one of them) into a town haunted by a ghost who's sworn revenge over those women.
I was drawn by this film. Firstly, because it's Albert Pyun, and no matter how bizarre the film is, there's always something I find cool in his film. Secondly, the movie was shot in my country, and now checking with IMDb, it has an almost completely local cast.
Pyun abuses of the slow-motion effect in this movie. That and an excess of cutting during the "action" scenes produces annoyance. Other than that, the story was good, and it could have been improved with a better budget (no, I didn't say director). THere're tons of blood, deaths and gore too, which will please fans of horror/slasher movies.
Victoria Maurette, of whom I've noticed in stupid teen flicks, has left me stunned. I didn't know she could actually act, and matter of fact, I didn't even recognise her (again, thanks IMDb). The rest of the actors are OK too, especially the one playing Moebius Lockwood (who looks terrific), but she delivered quite a good performance. Too good actually.
This film should be held in the same light as Pyun's "Omega Doom". It has its resemblances and differences, some more noticeable than others. But they're both unusual, peculiar movies, which depart from standards.
Overall, it's watchable. Not a film to watch again, though. So much for a film which was supposedly the second part of a trilogy started with "Mean Guns", which is a film that I personally have watched at least 20 times, and I'd watch it 20 times more if I had the opportunity.
Albie, get back to that sort of flicks!
I was drawn by this film. Firstly, because it's Albert Pyun, and no matter how bizarre the film is, there's always something I find cool in his film. Secondly, the movie was shot in my country, and now checking with IMDb, it has an almost completely local cast.
Pyun abuses of the slow-motion effect in this movie. That and an excess of cutting during the "action" scenes produces annoyance. Other than that, the story was good, and it could have been improved with a better budget (no, I didn't say director). THere're tons of blood, deaths and gore too, which will please fans of horror/slasher movies.
Victoria Maurette, of whom I've noticed in stupid teen flicks, has left me stunned. I didn't know she could actually act, and matter of fact, I didn't even recognise her (again, thanks IMDb). The rest of the actors are OK too, especially the one playing Moebius Lockwood (who looks terrific), but she delivered quite a good performance. Too good actually.
This film should be held in the same light as Pyun's "Omega Doom". It has its resemblances and differences, some more noticeable than others. But they're both unusual, peculiar movies, which depart from standards.
Overall, it's watchable. Not a film to watch again, though. So much for a film which was supposedly the second part of a trilogy started with "Mean Guns", which is a film that I personally have watched at least 20 times, and I'd watch it 20 times more if I had the opportunity.
Albie, get back to that sort of flicks!
Saw an advance copy of this film which comes out next month. Good lord what a mind trip. It's both beautifully affecting and horribly shocking. I haven't seen a film with so much intense pain and love in a long time. It just gets under your skin then chews into your heart. The story is a ghost story and as it is with most ghost stories, tragedy is at it's core. The actors in this film are so vivid that they didn't seem to be acting, especially the main one Victoria Maurete. Her acting is so powerful that I could feel what she was going through. I haven't seen her before but damn was she moving and beautiful. Those eyes of hers are unreal. I won't give away much because surprising revelations is what pushes this story forward. But be forewarned that this is a very intense and original western. I loved it.
Not a bad film, unlike other reviews I have seen for it I believe that this film is a perfect example of a B-Film. The story line isn't too deep and the actors are not unbelievably gripping.
This being said the reasons most don't seem to like it are the exact reason it is an okay film, and an excellent example of a b-movie. Like all b-films it can be a mini-cult classic like almost every Bruce Campbell film and a background noise film, entertaining enough to be on in the background and for you to have focus every now and again.
If you want to watch an okay film I would recommend this for the sheer novelty, if you want to insult a b-film I would recommend another one like, erm, I know how many runs you scored last summer.
This being said the reasons most don't seem to like it are the exact reason it is an okay film, and an excellent example of a b-movie. Like all b-films it can be a mini-cult classic like almost every Bruce Campbell film and a background noise film, entertaining enough to be on in the background and for you to have focus every now and again.
If you want to watch an okay film I would recommend this for the sheer novelty, if you want to insult a b-film I would recommend another one like, erm, I know how many runs you scored last summer.
Did you know
- TriviaVictoria Maurette's debut.
- GoofsGoldie impales Lockhart with her pick and leaves the pick buried him. However, when she runs outside to tell the others, the pick is slung across her back. When she returns to check on Lockhart, her back is bare and the pick is still in Lockhart.
- Quotes
Mary Black: If I have to, I will baptize this baby in your blood.
Details
Box office
- Budget
- $98,000 (estimated)
- Runtime
- 1h 24m(84 min)
- Color
- Aspect ratio
- 2.35 : 1
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