Jesse Stone: L'empreinte du passé

If some archaeologist is digging around some 200 years from now and happens upon a copy of this film I only hope he's able to find a DVD player that will play it. Sea Change is that good! And unlike the usual junk passing for cinema these days this movie (and others in the series) displays a range of talent that will speak well of the 21st Century movie industry. Wonderful writing, wonderful directing, wonderful acting, wonderful sound track! But perhaps most impressive of all is the photography. In fact as a professional photographer specializing in landscape stills I was time and time again blown away by the powerful composition of the scenes, the originality of the camera work, the blending of subtle tone and color. As masterful piece of cinema-photography as I've ever had the pleasure of experiencing and memories of the most powerful shots shall inform my own work for years to come.

Tom Sellewck, (Chief Jesse Stone) assumes the role as Police Chief in a small local town in Mass. and finds himself getting bored with talking to his ex-wife and drinking a entire bottle of scotch during the evening while his companion, the dog keeps him company and watches every move Jesse makes. Jesse gets himself involved with a Cold Case of a woman who was killed during a robbery in 1992 and finds out there was a great deal of money involved with this robbery and some big time mob bosses were laundering money. While this investigation is going on, Jesse solves a rape case that happened to a young girl on a schooner in the harbor. There are many twists and turns to this film and it will keep you guessing right to the very end of the film. Great entertaining film with a cast of great actors.

While some may find the pace plodding and grow impatient, real enjoyment follows for those who focus on the subtleties of character development through facial gestures, incremental relationship growth between characters, and the economical dialogue. All the Jesse Stone movies provide refreshing change from movies relying excessively on frenetic car chases, lengthy foot pursuits, protracted shoot-outs, high body counts, sixteen camera views of the same explosion, badly contrived conflict between partners, and tiring vocabulary abuse (profanity). Watch these in order because there are larger story threads that connect from movie to movie especially concerning the central characters. When you find yourself able to relax and have a story with depth gradually and carefully laid out before you, you'll be in the right frame of mind to enjoy this. As a peripheral character in Sea Change tells Jesse, "listen to Brahms."

Selleck does not get enough credit for this series.

On the one hand this whole series can be dismissed as the efforts of yet one more "older" actor to keep stirring the pot, to stay in the game, and at the same time get to play in his favorite sandbox on the planet (Nova Scotia, standing in for Maine).

But if you dig deeper and consider the series as a whole what you find is remarkable control, and craftsmanship.

The same people appear in every movie, both in front of and behind the camera. Ignoring the regional Canadian accents, they are not bad.

Selleck is brilliant. Stone could be the best work of his career. He has trumped Clint Eastwood in his mastery of the two-word piece of dialog. He stands a fragile but unwavering force for law enforcement. There is minimal violence or action in these entries but they hold interest nonetheless.

And that damn dog with the stoic face steals every scene he is in.

The music in "Sea Change" from 2007 I believe is Brahms piano music, and it's lovely and sets the mood beautifully. As with the last Jesse Stone film I saw, the mood is depression.

I actually am seeing these out of order -- in the other one I saw, Jesse was off the police force. Here he is the Police Chief and talking to his ex-wife on the phone all the time. Afraid of going back to his alcoholic ways, he consults a psychiatrist (William Devane).

He also dives into two cases: an old bank robbery case where a teller was killed, and an alleged rape. The town council isn't crazy about that one because of the tourist trade.

I thought the script was very good, as were the production values. Unlike many on this board, I am not sold on Tom Selleck in this role. Yes, he looks weathered. This is a complicated, multilayered role and I don't see the layers in Selleck. I see him being very serious and looking miserable.

Also, it plays against the qualities that made him a star, a special presence, charm for days, and a flair for comedy. And let's not forget the dimpled smile. Here he's morose. Frankly, it makes the character kind of boring even though he's obviously very smart.

The other major problem for me in this episode was Sean Young, whom I never could stand.

The rest of the cast is very good and top-notch: Kathy Baker, Stephen McHattie, William Devane, and Kohl Sudduth.

I just wish these movies had a little more spark.