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Rafe promises a dying friend to look after his wife and 40,000 acre ranch in Wyoming. A powerful businessman wants the ranch and widow by whatever means necessary.

Jesse Stone (Selleck) is a New England police chief investigating a series of murders, in an adaptation of Robert B. Parker's novel.

Wyoming, 1892: Monte's been cowboy for ranchers all his life but he's no longer young and big business is taking over the ranches.

After his involuntary retirement, Jesse Stone investigates the suspicious death of a young friend while the Paradise police force deals with the arrogant new chief, who is the son-in-law of a town councilman.

Jesse Stone comes out of involuntary retirement after the new chief who replaced him was blown up, along with another officer in their police car. Jesse is forced to solve the crime on his own since all the other officers have quit.

In this prequel to 'Stone Cold,' Tom Selleck reprises his role as Jesse Stone, an L.A. cop who relocates to a small town only to find himself immersed in one mystery after the other.

Police Chief Jesse Stone's shrink recommends looking into old, unsolved cases to reduce drinking by staying busy. Of 3 cases before his time, he starts on the killing of a bank teller. He's also investigating an alleged rape.

A body's found on the shore of a lake. Police Chief Jesse Stone starts an investigation. It turns out to be a pregnant high school student. There's also a case of a persistent wife beater. Jesse starts seeing a shrink and dating.

Jesse Stone and Captain Healy are shot during an unauthorized stake-out in Boston. Meanwhile, a cryptic letter sent from Paradise leads the mother of a kidnapped child to Stone. Though her son was declared dead, she hopes he will reopen the case.

Police Chief Jesse Stone's suspended in Paradise. He helps a friend as "temp" with a serial killer in Boston. He gets his first cellphone to avoid calls from his ex. Paradise PD's way over its head with a convenience store robbery/murder.

A rich and famous writer of trash novels is shot and the killer suicides. A golden boy reporter gets the story 30 minutes later. He investigates the disturbed killer, his cute sister and rich parents for a "why".

In the 1930s, Charles Lang invents an engine that runs using water for fuel. But when he tries to get it patented, he is first offered a ridiculously low amount. When he refuses, he is suddenly pressured to sell. The big oil companies don't want the competition. Now he has to try and keep them from getting his idea, and somehow get it published.

Two young couples take a swing at handling their relationship problems through psychologist-prescribed partner-swapping.

Rita Fiore hires Spenser to determine if two-time loser Ellis Alves really did kill a college coed. Soon everybody wants him off the case, from the investigating officer to the parents of the dead girl's boyfriend; and a professional hitman named Rugar is trying to kill him.

Two brothers of totally different natures live in a small town in Texas. Since the death of their father they confront one another all the time for all kind of major and minor problems.

As a favor to his longtime lover Dr. Susan Silverman, Spenser agrees to investigate the stalking of a theater company director, pro bono. But before he can get started, an actor is killed by an arrow in the middle of a play. Now that there's a real-life murder to investigate, Spenser and Hawk, get to do what they do best--even if it means death threats from the Chinese underworld, being ordered out of town by the tough local police chief, and dodging bullets and crossbows at every turn. By the time they leave the quaint ocean front community, the population has decreased by three, and live theater will never be the same.

You're worried about your family, friends, animals, possessions, money, health, environment, country, spirituality...so am I. What's really worth being worried about?

Dick Cavett meets famous magicians.

Video production of the Pulitzer-prize winning musical stage production. In the first act, "George", a fictionalized Georges Seurat paints his lover, Dot, and "A Sunday Afternoon on the Island of Le Grande Jatte." Characters who become figures and vice versa walk through the story. In Act 2, George's descendant, a sculptor, comes to terms with his grandmother, Life, and Art.

Zoo attendant Artie Shaughnessy dreams of being a successful songwriter. What his mistress, Bunny Flingus, who lives downstairs from his Queens apartment won't tell him -- and what his insane wife, Bananas, tries to get through to him -- is that Artie's songs stink. On Oct. 4, 1965, the day Pope Paul visits New York City, Bunny convinces Artie to call his old school buddy Billy Einhorn, a famous film director from Los Angeles, to finagle a job writing music for Billy's movies. (After all, Bunny feels that with the Pope here, there must be "miracles in the air.") But before Artie can reach out to Billy, Artie's son, Ronnie, goes AWOL from Fort Dix, secretly preparing to blow up His Holiness at Yankee Stadium. Instead, when the bomb explodes prematurely, the victims include a deaf film starlet and two Sisters of Charity ... but no Pope.

This classic American play, performed on an almost-bare stage, is about the mundane but rather pleasant lives of the Gibbs family, the Webb family, and their neighbors in Grover's Corners, New Hampshire, early in the 20th century. Act 1 presents an ordinary day in the life of the town. Act 2 carries the story forward with the courtship and marriage of George Gibbs and Emily Webb. Act 3 makes everything that has gone before seem pointless, but at the same time, ironically, it validates the earlier scenes. Emily has died while giving birth to her second child. During and after her funeral, she converses with other dead persons in the cemetery. She then gets permission to return briefly to life but finds it's not what she thought it would be. It goes too fast, and people don't have time to look at one another. "This is the way we were: in our growing up and in our marrying and in our living and in our dying." That's how the Stage Manager, an all-knowing character who serves as the narrator, sums up the play at one point. The Stage Manager knows that Our Town is about a lot more than one particular place at one particular time, and the audience soon begins to sense the mythological dimensions of Our Town.

In this Tony Award-winning musical by Stephen Sondheim, several fairy tale characters learn the hard way that the 'Happily Ever After' they sought isn't necessarily so happy after all.