Le deal

Before watching The Deal I read some positive reviews from over excited people, thought I was going to be in for a treat, certainly with William H. Macy and Meg Ryan in the cast, two actors that I appreciate, but in the end it was just disappointing. The acting was good though, but the story is just a bit boring. And it's not the couple comedy scenes that were going to save this picture. I wished I liked it more but I didn't, I was actually glad when I saw the end credits appear, felt like a three hour movie instead of half that time.

This could have been good if it were actually funny. Humor is obviously subjective, but based on the 6.1 rating on here, most viewers did not subjectively find this film funny either.

There is not remotely a believable, moving, or memorable moment to save this unfunny "comedy." Macy usually provides some human warmth to his characters, but even he could not save this terrible script. Macy's relationship with Ryan is not touching, and the two have no chemistry whatsoever.

Also, Meg Ryan, who was never good looking to begin with, now looks like a freak: gross!

Grade: F

The Deal is a wacky and frenetic Hollywood insider movie about a movie, in the spirit of Altman's The Player or Mamet's State and Main. Written by and starring the extremely talented William H. Macy and directed by his long-time friend and veteran TV movie director Steven Schachter, The Deal is part vanity piece, part industry insider self-indulgence and wholly funny.

Macy plays Charlie Berns, a one-hit wonder Hollywood producer with no money and no prospects and on the verge of suicide. Interrupting his plans is his nephew Lionel (Jason Ritter), who knocks on his door at the propitious moment, carrying his script about Benjamin Disraeli and looking for Uncle Charlie's help in Hollywood. Ignoring the script, Charlie returns to his morbid task, only to spot an article about a blockbuster action-hero movie star (L.L. Cool J) who has recently converted to Judaism and is looking for a Jewish film for his next project. Seeing a glimmer of hope, Charlie hatches an outrageous seat-of-your-pants scheme to coerce a studio into approving this preposterous pairing. Assigned to the project is Diedre Hearn, a second-tier studio exec (played by Meg Ryan, still trying to transition from her girl-next-door pedigree). Charlie is smitten, and resurrected, "Ben Disraeli – Freedom Fighter" gets green-lighted and the fun begins. There's even a role for Elliott Gould, playing a rabbi who serves as a technical adviser and "Assistant Producer" to the film! I guess Macy decided that at 57 if he was ever going to play a leading man, he was going to have to personally drive the project. And he has written himself a plum role—a multi-dimensional character with a lot of funny lines and Meg Ryan as a love interest! Charlie Berns has suffered all the indignities that Hollywood can dish out. But he's learned enough tricks, and developed enough chutzpah that with a little luck he can really work the system. Macy plays the role with unflappable charm and impeccable comic timing.

The script bounces around a bit, and probably bounces a couple of times too many. The "resolution" feels a little like an add-on, and perhaps could have been left out. So while I doubt this movie will do great things at the box office, it certainly entertained the Sundance crowd.

Sundance Moment: Macy told the long story of how difficult it was to get the project funded, which is a recurring Sundance (and Hollywood) theme. They passed out red yarmulkas to the crowd, and many wore them while watching the movie.

Bill Macy, Meg Ryan, Elliot Gould, and LL Cool J star in "The Deal" from 2008, directed by Steven Schachter and written by Macy and Schacter.

Macy plays another loser, this time Charlie Berns, who has a couple of producer credits on his resume, but they're not recent, and he can't get arrested. His nephew (Jason Ritter) gives him his script about Benjamin Disraeli to read. He's not interested in it but then he sees an article about a major star in adventure films, Bobby Mason (LL Cool J) who has converted to Judaism and wants to do a film with a Jewish theme for his next project.

Charlie manages to convince a studio that he has Bobby Mason's next kick your butt film and a studio executive, Deidre (Meg Ryan) is assigned to make it happen. Soon "Bill & Ben" is being filmed, with Berns' heartbroken nephew screaming, "There's not one word of my script in this." Then Bobby Mason is kidnapped and held for ransom, and the studio doesn't want to pay. But Deidre has an idea.

We've seen these behind the scenes getting a movie made before, and this is absurd but quite good. And how absurd is it? Probably not far off. Macy is excellent as Berns, who has been around the block a few times and knows how to talk his way into and out of trouble. This movie took a while to get made, so there's no doubt Macy knew what he was talking about when he wrote the script - I'm sure it wasn't a new experience for him.

Ryan's role could have been played by anyone, but at 47 and once the ingénue du jour (as Rene Zwelleger, Reese Witherspoon, Julia Roberts, Susan Sarandon, and Sally Field once were), she has a problem. While leading men are leading men from the time they're in their twenties until death, pert, pretty young actresses have a limited shelf life, and the transition to lead woman not only is difficult, it's often not even worth it since that doesn't last long either. Today things are much better -- at least 30 is no longer the cut-off like it was in Bette Davis' day -- but the fact remains, unless your name is Meryl Streep, you'll be in character roles by the time you're 55. If you have a job. So I can't blame her for doing this role.

Good, enjoyable movie, especially if you're a writer and know what happens to scripts in Hollywood.

It would have been nice if there are other users who commented before me, so that I can just copy paste their comments and edit it, rather than having to write it myself. Haha Kidding, it would not be nice to read comments that you know you've read it somewhere else, makes it like something kinda like deja vu, no ? My point exactly. This film is original, and a refreshing watch, after being fed by the many films Hollywood churned out that more or less have the same storyline. This film is original, one has to watch it to the end (without pressing fast forward button, I might add) and felt good that the ending is good.

I enjoyed the film very much, and even though it's not Oscar material, it's undeniably a good film. While I expect there are trolls lurking in the Internet, ready to discredit whatever good comments one make, I do not mind the least bit.

Recommended watch, especially to those who want storyline that is different than the usual ones they usually watch on their telly.