wmjaho

You won't find traditional romantic comedies at Sundance. But quirky romantic comedies were in this year. And how much quirkier can you get than Adam, where the male lead (Hugh Dancy) has Asperger's Syndrome (like a mild, high-functional form of autism) and the female lead (Rose Byrne) is a hot and seemingly normal babe? And that's the movie—Adam is very nice but extremely weird, socially awkward, prone to erratic behavior and a societal misfit, and Beth is everything you'd want in a woman.

(This should provide a ray of hope for all the geeky guys fantasizing about a beautiful, charming and good-hearted woman falling in love with them one day. I can hear it now: "If Beth can fall for Adam, then why not me? After all, he has Asperger's and all I've got is this little hygiene problem, plus my two-room Star Wars collection.")

The movie opens with the death of Adam's father. We follow him to work, where he is writing microchip software for toys and fixated on creating interesting functionality while his boss simply wants to cut costs. He stays in the apartment he had shared with his dad, eating the same meals every day, sitting in the same chair, and following his established routines until Rose moves into the building. Adam falls in love, in his obsessive way. Rose is attracted to Adam, but naturally wary. And things proceed from there, as they work out their relationship while enduring painfully awkward physical contacts and even more pain and awkwardness meeting the friends and parents, and ultimately … well, you've got to see the film. But for my money, the ending was the best part.

Adam is a cute, mildly entertaining movie, with laughs and smiles despite a less than polished script. Both Dancy and Byrne give fine performances, and veteran actors Peter Gallagher and Amy Irving are quite good as Beth's parents. Written and directed by Max Mayer, it was picked up at Sundance by Fox Searchlight and will likely be released in 2009.

I'm not surprised that Push won both the Grand Jury and Audience Award at Sundance this year. Director Lee Daniels (Shadowboxer) has created a very powerful film that manages to entertain while evoking a broad spectrum of emotions, from anger and heartbreaking pity to optimism, joy and hope.

Clareece "Precious" Jones (Gabby Sidibe) is a fat 16-year-old illiterate black girl that lives in Harlem with her welfare-dependent, abusive mother (Mo'Nique). She has one autistic daughter (who lives with her grandmother) and is pregnant with another child, both from her mother's boyfriend, who is also Clareece's father. Her mother repeatedly tells her how stupid and worthless she is while other kids taunt her for her obesity. She has become hardened and heartless, lacking education and social skills. She spends her time cooking for her mother and fantasizing unrealistically about a glamorous life. She would be easy to dismiss. Based on a novel by Sapphire, this is some pretty bleak stuff.

But good things can happen in this world and Precious is blessed with an indomitable spirit that refuses to accept the negative reinforcement that bombards her. Through her efforts, and despite resistance from her mother, she finds an alternative school. It is staffed by Miss Rains, a caring teacher (Paula Patton) and classmates who, although anything but perfect, possess enough compassion to become supportive friends. It turn out that the world can be a pretty good place.

First-time actress Gabby Sidibe gives a powerful, emotive performance. Equally good is talented actresses Mo'Nique, who is almost frightening as Precious' mother, and Patton as the compassionate teacher. Lenny Kravitz and Mariah Carey also have minor roles, giving the film a little star power.

Daniels conveys a Harlem existence that is profane, hard-edged and brutal, but with rays of humanity and compassion that leave room for hope. It is at once both a message to the poor in spirit not to despair, and to the rest of us make the time and effort to reach out where we can. Push is an inspiring message that will fill you with optimism and joy.

Sundance Moment: When asked about her getting the role, Sidibe said that she had some acting experience--like a non-speaking role in a college production. Pretty funny! She said her friends encouraged her to audition because she "fit the profile." She also said she relied heavily on "Mr. Daniels" for direction. Daniels said there were parts of making the movie that were hard on him emotionally--like directing Precious to eat, or instructing her peers to bully her.

Anyone that has seen a movie by Mark and Michael Polish should come to expect something unusual. Their latest film, Manure, delivers in spades (yeah, that was a pun). Actually, this movie might best be seen under the influence of drugs. Being straight and sober, I'm not sure I appreciated it. Or understood it. Or perhaps I fell asleep and dreamt this.

Starring Billy Bob Thornton and Tea Leoni, the story is about a woman living in New York (Rosemary Rose) who inherits her father's manure company after his untimely passing. Thornton is the lead salesman (Patrick). Together they try to save the company from bankruptcy. That's the sane part.

Here's the silly stuff: Unfortunately, making Rose Manure profitable involves selling a lot of s___ (only one of maybe 200 excrement jokes and puns in the movie). And there's no better bulls____ than Patrick (trust me, they never stop).

No, no, that was the sane part. This is what's zany: Turns out there's new competition in the form of a chemical fertilizer company entering the market, actually by parachuting in countless crates of chemical fertilizers as well as black-suited salesmen who land carrying briefcases.

Hold it, that's still pretty tame compared to the psychedelic mushrooms they eat which causes them to vomit voluminously onto one another and hallucinate, or dressing up the Rose salesmen as Indians to burn at the stake, or the 48 Triple-D breasts one of the salesmen grows when he eats some fertilizer, or the vegetable masks. And there's plenty more where that came from.

The plot is as silly as you can imagine, and like all the acting (except Thornton), way over the top. The sets typically include backdrops, with everything (EVERYTHING) in various shades of brown. You could not conceive of a more ridiculous movie. Which would be perfect if you were in the right mood (know what I mean?). But passing joints is not allowed at Sundance screenings, so most of the crowd was left shaking their heads and wondering what it was they just witnessed.

Notes from Sundance The cast was all present on opening night. Thornton and Leoni were sitting right in front of me. They were both very gracious with fans, allowing their photos to be taken and being great sports. After the movie, Thornton was very funny and clever. But the Q&A quickly fizzled. The audience was too shell-shocked to think of intelligent questions. And no one had the audacity to ask Mark and Michael Polish what was on everyone's mind: "What the heck were you guys thinking?!!!"