Givré!

I have been rooting around for sometime now for a movie that would speak to the inertia that has settled over me in various cycles during the last decade or so. This would be a movie that would address the issue of being a potentially gifted person, but who is stunned by the oppressiveness of modern life: frightening economy, unpredictable jobs, the no-rules relational chaos of post-modernism.

The last movie I saw that got to this was "Wonder Boys," about an insightful English professor who couldn't function because of being emotionally stunned. While it is flawed and at times, forcing itself too much on you, "Numb" is that great new movie that gets into the struggle for identity.

Matthew Perry does a convincing job as Hudson Milbank, a modern LA freelance writer, trying to find meaning and connection. The film cleverly dances in and out of his early life, showing his times with fittingly remote and narcissistic parents, especially a destructive mother who is played perfectly by Helen Shaver, a great Canadian actress who masterfully conjures cold, chipper, semi-ice-queen figures.

It also has a hysterical and realistically frightening bit about a highly credentialed psychiatrist, Dr. Cheryl Blaine, played ably by Mary Steenburgen, who has her own bout with borderline syndrome and sexaholic tendencies, which she can't seem to restrain from unleashing on Hudson, who seeks her help with his condition.

The funniest line of the movie comes when she chases him out of a restaurant in a predatory moment, asking him about his family. To which Hudson, in a mid-trot, grunts to Tom, his writer sidekick played by Kevin Pollack: "uh...run." You can't decide whether Dr. Blaine is funny or terrifying, maybe the scariest female character since Sharon Stone in "Basic Instinct."

There are so many familiar handles in this movie, I can't even remember them all. Besides the out-of-control, counter-transferring female therapist, let's see...there was

-- Spending most of your leisure life in bed being hooked on one brand of inanely topical TV, in this case, The Golf Channel. Many of us have our times escaping into with some kind of nerdy TV; mine is The Weather Channel, for my ex, it is The Fishing Channel, and an old roommate couldn't live without The Military Channel.

-- Trying an unending series of anti-depressants, thinking you will find one magic pill to fix you. Hudson becomes so much a regular at the HMO pharmacy, that we see the pharmacist playfully wishing him luck with his latest prescription.

-- Being up and out at 4 a.m., insisting this is the only time you really feel good about the world.

And there are many more moments I recognize in this movie that come from the benumbing, joyless periods that seem to settle in on us. without answers, at various times in the post-modern world.

What director Harris Goldberg does that is so helpful is he makes many of the trapped moments funny and he resists offering up a trite resolution. Hudson finds hope in certain things and soon abandons them, going on to his next illusory beacon. It is a waiting game until he finds the next bit of relief, kind of like real life.

Goldberg's 'Numb' tells an intense and funny 'tale' of a writer suffering from depersonalized disorder while facing other difficulties (his kleptomania, his dysfunctional family, his love). This is no disease-of-the-weak movie that preaches about a sickness because Goldberg adds plenty of humour that is dark, satirical, subtle, dry and adult while keeping us entertained from start to finish. He also keeps us involved in Hudson's life. I wonder how much of it is based on Goldberg's own experience. The dialogues are funny, witty and clever. Though the movie does sort of mock psychologists and psychiatrists (in a hilarious way) but the problems surrounding the disorder and the central character's anguish is well depicted and people will recognize them as almost everyone has felt depersonalized at least for one moment or another. Matthew Perry's excellence in comedy is already well known and here it was great to see him act on a more intense level. The actor can definitely do more than comedy (as was also evident in 'Birds Of America'). I think it is the first time I heard him say the 'F' word. His understated performance as Hudson draws sympathy from the viewer but also laughter during the lighter moments. Of the 'Friends' lead cast, only Perry along with Lisa Kudrow and Courteney Cox seem to have 'grown' as actors. Lynn Collins holds her own and has a good screen presence. Mary Steenburgen is laugh-out-loud hilarious as the steamy 50+ psychologist who hasn't done 'it' in seven years. Thus, 'Numb' was a fun and enlightening watch. Goldberg and Perry have done a superb job and this is one movie I definitely would be revisiting soon.

Hudson Milbank, who is a screen writer, gets to knows that he has depersonalization disorder, tries to change his isolated lifestyle and starts to socialize to cure it, and the decisions that Hudson takes, whether as part of the treatment or not is all about the movie.

Having someone who loves and accepts the way that you are without proving or without showing any gimmicks to be attractive is the soul of this movie.

A small movie about accpetance, whether it's good or bad.

Overall it's a good movie which mostly driven by Mathew Perry's performance as Hudson which is the main postive of this film.

It's highly recommended.

For some reason I ended up watching 3 movies about mental disorder this week. The first was "Helen" starring Ashley Judd which was very powerful but thoroughly depressing. The second was "The Bridge", a documentary showing people jumping to their deaths off the Golden Gate Bridge. Not as morbid as it sounds, but still heavy stuff. And the third was "Numb" which was totally refreshing.

Here we get Matthew Perry's unique brand of humour (charmingly cynical) but much more laid back than you'd expect from his Chandler role on Friends. Here he plays the part of a person who is mature & basically stable yet suddenly hit with an acute case of insanity. In that respect, there's almost a childlike quality to him as he seeks to discover what went wrong. I think that's what makes this so fun to watch, even though the prospect of losing one's mind is inherently depressing.

This is no madcap comedy with witty zingers & one-liners. It's more of a situational-laugh thing. Some of the gags are really subtle, like jokes set up without any punchline (which you must infer). A lot of the gags are based on crazy awkward situations. For example, a psychiatrist starts to lose it in a restaurant, talking in a controlled whisper one minute and then yelling at the busboy to "F OFF!" the next minute for filling her water glass. Lol, no punchline required.

I think this film found the perfect balance between comedy and drama. Too much comedy, and it mocks the subject. Not enough comedy and it gets depressing. "Numb" got it just right. It has both comedy as well as some insightful, dramatic moments.

If you are among the privileged few who have... shall we say... unusual brains (interpretation: total nutcase), or if you know someone who fits the description, you should watch this movie. It'll give you a greater appreciation for the people who have psychological problems as well as those who love them. And it'll do so by giving you some laughs and a smile on your face.

Since the 'friends' era (someone was bound to bring it up), Perry's films have always shared the typical romance/comedy element, although I must nuance by saying the emphasis tended to differ, but now it seems that Matt has chosen a different path, trying to prove himself as a serious actor in drama's, although he hasn't fully abjured comedy (not that he should, as long as it remains tasteful). The recent 'The Ron Clark Story' proved to be a big hit in the rose and 'Numb' was the next logical step, providing him with a more challenging and diverse role even namely a screenwriter having to deal with a peculiar form of depression; 'depersonalization'.

Judging the authenticity of his performance is very hard, seeing that I, like most people, have never heard of the condition in question. I do believe most reviews coming from people suffering from it or having suffered from it in the past were predominantly positive. Perry's natural charm and his impression of being clumsy have to be suppressed, and having dealt with depression in real life the actor can dig into his own experience to come up with a real life character, and he does so with furore, wisely underplaying and steering away from his typical comedy style, meanwhile the film still has a lot of off beat comedy moments to lighten the material at hand a bit, certainly a welcome comical relief.

The low-key tone of the film might make it difficult for some people to access, but I would still recommend it to most people.

7.7/10