A social worker fights to save a girl from her abusive parents, only to discover that the situation is more dangerous than she expected.A social worker fights to save a girl from her abusive parents, only to discover that the situation is more dangerous than she expected.A social worker fights to save a girl from her abusive parents, only to discover that the situation is more dangerous than she expected.
- Awards
- 3 nominations total
- Judge
- (as John Carroll)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm not a Zellweger fan by any means, but she was decent in this movie. Stay tuned to the very end and you will be rewarded.
But let's be frank - that's not enough to break the limits. We have to remember some major flaws: First - the movie is very predictable. Very. Second - Jodelle Ferland plays in a simple, cheap way, using far away easier acting methods, than her character needs. Third - a promise of originality made by DP and Director in the first part of the movie, is never kept because of the second half, where everything is put in WYSIWYG manner, known from shitty Hollywood.
Summing all up - You CAN watch it with a pizza and a beer, but hardly believable that you WILL manage without those. :)
Horror films in which children are the central element of the plot are nothing new. We had classics like "Village of the Damned", "The Omen" and the entire "Children of the Corn" franchise, not to mention the more recent films like "The Orphan". However, they are still delicious and appealing, when they are really well done. The film has an interesting story, which unfolds at a good pace, without twists, subterfuges or stratagems to amplify the suspense, and everything suffers from a certain degree of predictability. However, the film benefits from the good construction of the characters, especially the protagonist, a social worker who soon conquers us with her dedication and good intentions, and holds our attention until the end.
In fact, the excellent performances of Renee Zellweger and young Jodelle Ferland are essential for the quality and strength of the final product. Zellweger had already shown us, in several previous works, to be an actress of great talent and versatility, but she manages to take the film on her back, while Ferland was able to overcome her inexperience and youth to give us a colossal job. For a child actress, she even looks like an adult, as threatening and calculating as she can be. The film also features the work of Ian McShane and Bradley Cooper, safe bets on the supporting characters.
The film is not particularly remarkable in terms of production values and technical issues. Cinematography is standard, but it works quite well and is effective, adapting well and helping to build the light tension felt during the film. Some scenes in particular (such as the sinking car scene or the fire) were brilliantly shot, but there is a greater sense of danger. The sets and costumes are everything we could hope for, without surprises or major problems. The editing and the soundtrack do their job discreetly.
Though Renee Zellweger is not particularly convincing as a social worker, she conveys her feeling of threat very well, making her stressed out character vivid. The plot is good, as at first it makes you feel so sympathetic and sorry for the girl, then it slowly prepares you for something entirely different. The story is so engaging and scary, that I wanted to see more of what's going to happen, yet I wanted to see less because it's scary. "Case 39" is successful in creating a suspenseful atmosphere, full of threat and uncertainty. I don't know why "Case 39" is having trouble getting distribution and and a release date, as I find it a very scary horror film.
Did you know
- TriviaThis movie was completed in 2007, and was initially scheduled for an American release in August 2008, but was delayed twice before its final release date on October 1, 2010, three years after completing production.
- Goofs(at around 31 mins) When the cop lets Emily into the house, he hands her the key and tells her to lock up when she leaves; but the door frame is still visibly broken from being kicked in earlier, leaving the door obviously impossible to lock.
- Quotes
Douglas J. Ames: Everybody has fears... now, what scares you?
Lillith Sullivan: Me.
Douglas J. Ames: You scare yourself?
Lillith Sullivan: Sometimes.
Douglas J. Ames: Why? What about yourself scares you?
Lillith Sullivan: I have bad thoughts.
Douglas J. Ames: About what?
Lillith Sullivan: People.
Douglas J. Ames: People in general or... certain people?
Lillith Sullivan: Certain people.
Douglas J. Ames: Like who?
Lillith Sullivan: You.
Douglas J. Ames: You have bad thoughts about me? Why?
Lillith Sullivan: I just do.
Douglas J. Ames: Did I do something or say something that upset you?
Lillith Sullivan: It's just... the way you are.
Douglas J. Ames: How am I?
Lillith Sullivan: Facile.
Douglas J. Ames: Facile? Pfff... do you even know what that means?
Lillith Sullivan: Easily comprehended, often lacking sincerity or depth. You're smug too... want me to tell you what that means?
Douglas J. Ames: Uhm, If I... seem smug or facile, I want...
Lillith Sullivan: Don't apologize.
Douglas J. Ames: Why not?
Lillith Sullivan: You're a grown-up... it's embarrassing.
- ConnectionsFeatured in Phelous & the Movies: Phelous Is on Case 39 (2010)
Details
Box office
- Budget
- $26,000,000 (estimated)
- Gross US & Canada
- $13,261,851
- Opening weekend US & Canada
- $5,350,570
- Oct 3, 2010
- Gross worldwide
- $28,190,603
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1