A lawyer takes on a negligent homicide case involving a priest who performed an exorcism on a young girl.A lawyer takes on a negligent homicide case involving a priest who performed an exorcism on a young girl.A lawyer takes on a negligent homicide case involving a priest who performed an exorcism on a young girl.
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It's been a while since we had a good exorcism movie – not counting that rubbishy EXORCIST sequel that came out a few years ago. When I heard about THE EXORCISM OF EMILY ROSE, I thought it sounded good – different enough to be worth a look. When I caught it on TV last night, I knew I'd been right. This takes the true-life case of a failed exorcism and turns it into a gripping John Grisham-style courtroom drama in a very intriguing, thought-provoking way.
I'm a big believer in the supernatural and I've studied it a lot in the past. What is presented here is a very believable, very frightening account of demonic possession. I honestly believe that this really happened. Although the film is lengthy and slow-moving, it's never boring and that's because somebody had the great idea of including harrowing flashbacks of the possessed Emily during the courtroom case. It really works, breaking up the courtroom tension, and adding in genuine frights and chills along the way too.
The movie is topped off with a fantastic cast working at the top of their game. I don't believe Laura Linney has ever been better than she has here, and her portrayal of a woman with integrity is fine. Tom Wilkinson makes us believe he is the disturbed priest with every drop of sweat that comes from him. As for Jennifer Carpenter, well she should be going places with her portrayal of the tormented Emily here, and I hope she doesn't suffer the same kind of career nosedive as Linda Blair did in the '80s.
I'm a big believer in the supernatural and I've studied it a lot in the past. What is presented here is a very believable, very frightening account of demonic possession. I honestly believe that this really happened. Although the film is lengthy and slow-moving, it's never boring and that's because somebody had the great idea of including harrowing flashbacks of the possessed Emily during the courtroom case. It really works, breaking up the courtroom tension, and adding in genuine frights and chills along the way too.
The movie is topped off with a fantastic cast working at the top of their game. I don't believe Laura Linney has ever been better than she has here, and her portrayal of a woman with integrity is fine. Tom Wilkinson makes us believe he is the disturbed priest with every drop of sweat that comes from him. As for Jennifer Carpenter, well she should be going places with her portrayal of the tormented Emily here, and I hope she doesn't suffer the same kind of career nosedive as Linda Blair did in the '80s.
This is an interesting film. While it's not terribly frightening, the film's juxtaposition of court room drama, and the exorcism scenes are intriguing. I found it to be less of your stereotypical demonic possession movie (ie: The Exorcist), and more of a film that leaves you pondering the possibilities and questioning our more modern perspectives and scientific rationales for things that sometimes can't be adequately explained through these means. The fact that it's based on the reported possession of Anneliese Michel (circa 1970, Germany) does make the film more unnerving. The actor's performances, while not exceptional, are at least engaging. The special effects are rather limited, but well done. All in all, It's a film that 's certainly worth watching.
Ironically enough, "The Excorcism of Emily Rose" got released in my country (Belgium) synchronously with another similar, real-life lawsuit. A self-acclaimed exorcist has to justify the death of a young girl after performing inhuman rituals and fatal exorcism tricks. It's weird having seen this movie and then follow the lawsuit on TV and in newspapers. It's so easy to deny the existence of demonic possession and to brush aside exorcism as quackery, but then as this film shows you're also questioning people's beliefs and family values. Emily Rose is the sympathetic daughter of a poor but deeply religious rural family. Shortly after her long-anticipated start at the university, her body becomes the host of no less than 6 different demons. The priest of the little town where she lives, father Moore, is doing everything he can to purify Emily's body but the demons are too strong and she doesn't survive the exorcism. What makes this film different than the obvious 70's classic "The Exorcist" (which also entirely revolves on the possession of an innocent girl) is that the story takes place after the actual exorcism and in the courtroom where father Moore is on trial for negligent homicide. His ambitious lawyer Erin Bruner goes straight for the acquittal of her client, but father Moore only cares for telling Emily's story, despite the fact that this can cost him his career as a priest. The screenplay of this film was based on a true story and director Scott Derrickson does a great job in making the extended courtroom sequences interesting and compelling. The flashbacks, showing Emily's horrible decrepit, are very atmospheric and contain multiple shock-moments. The acting is sublime, with a powerful Tom Wilkinson as the devoted priest and an enchanting Jennifer Carpenter as the poor Emily Rose. This is not a full-blooded horror film, but definitely one of the most unsettling, disturbing and thought-provoking dramas of the last few years. Highly recommended!
Scott Derricksen's well-executed multi-layered film works both as a psychological horror and a gripping courtroom drama. He was so inspired by the novel and intrigued by the issues presented that he ended up making this movie. It shows that he has done extensive research.
What I liked about the horror element is that even though there are a few jumps, it does not derail into ridicule. The director doesn't overdo any violence, blood, scary faces and whatever. Derricksen uses a lot of silence which leaves the viewer in a heightened state of suspense desperately wondering what will break the silence. His use of colour is clever and it sets a chilling atmosphere. You can see hints of Dario Argento and Gaspar Noé. For example the red lit corridor in Emily's dorm looks eerily like that underground subway passage in 'Irréversible'. The exorcism scenes are quite chilling (unlike the unintentionally funny ones in 'The Exorcist'). The courtroom sequences raise some interesting questions about scientific reasoning versus the unknown and unexplained. I was impressed that it didn't become one of those God versus Science movies but the Shohreh Agdashloo track left a lot to be desired.
In addition to being a well crafted film, the performances are among the highlights. Tom Wilkinson gives a phenomenal subtle performance. A ravishing Laura Linney is equally electrifying from the yuppie ambitious lawyer to one whose internal conflict makes her doubtful. Jennifer Carpenter delivers an astonishing performance. It couldn't have been an easy part to pull off and would have been easier to mess up but she does a solid job. It definitely makes Linda Blair's bad performance (in the 'Exorcist') look miserable.
I'm not much of a horror movie fan, mostly because they tend to be ridiculous and end up being funny or boring rather than having the intended effect. It will be wrong to lable 'The Exorcism of Emily Rose' is much more than just another horror flick because it does raise questions and tackles some issues without coming to a definitive conclusion (as there are simply no answers to some things that happen).
What I liked about the horror element is that even though there are a few jumps, it does not derail into ridicule. The director doesn't overdo any violence, blood, scary faces and whatever. Derricksen uses a lot of silence which leaves the viewer in a heightened state of suspense desperately wondering what will break the silence. His use of colour is clever and it sets a chilling atmosphere. You can see hints of Dario Argento and Gaspar Noé. For example the red lit corridor in Emily's dorm looks eerily like that underground subway passage in 'Irréversible'. The exorcism scenes are quite chilling (unlike the unintentionally funny ones in 'The Exorcist'). The courtroom sequences raise some interesting questions about scientific reasoning versus the unknown and unexplained. I was impressed that it didn't become one of those God versus Science movies but the Shohreh Agdashloo track left a lot to be desired.
In addition to being a well crafted film, the performances are among the highlights. Tom Wilkinson gives a phenomenal subtle performance. A ravishing Laura Linney is equally electrifying from the yuppie ambitious lawyer to one whose internal conflict makes her doubtful. Jennifer Carpenter delivers an astonishing performance. It couldn't have been an easy part to pull off and would have been easier to mess up but she does a solid job. It definitely makes Linda Blair's bad performance (in the 'Exorcist') look miserable.
I'm not much of a horror movie fan, mostly because they tend to be ridiculous and end up being funny or boring rather than having the intended effect. It will be wrong to lable 'The Exorcism of Emily Rose' is much more than just another horror flick because it does raise questions and tackles some issues without coming to a definitive conclusion (as there are simply no answers to some things that happen).
I just saw this movie today and thought it was wonderful.
The acting was excellent, from one end to the other. The scenes, the flashbacks, the drama, the horror, the faith vs doubt theme ... all were entwined in a back-and-forth web that maintained constant focus on the strongest feature of all: the Story itself.
And what a Story! I won't give it away except to say that the plots and subplots and intrigue and characterizations were all woven together to spin a simply riveting, terrifying, provocative, endearing, challenging Story.
I really liked the multiple depictions of What Happens and How the Characters React. You see Something Happen; and then feel Fear; and then watch the Face of the Character on hand experience Fear; and then perhaps the order is slightly changed: you see the Face of the Character experience Fear as the Character gazes in terror over the viewer's shoulder. Then you see What the Character is looking at. And experience Fear.
I also really liked the legal conflict ... and the way the Story honored both sides. There's no doubt, ever, where our sympathies lie: with the Laura Linney character. Yet, the prosecutor is not at all a "straw man." He is give a great opening, and is effective and believable throughout. This enhanced greatly the Doubt vs Faith conflict that reinforced the Story throughout.
And through all this, the Priest's insistence that the Story should be told, is what really drove the action above all. This gave a feeling of authenticity to the Story that both made it appealing, and frightening.
A wonderful, wonderful, movie ... !
The acting was excellent, from one end to the other. The scenes, the flashbacks, the drama, the horror, the faith vs doubt theme ... all were entwined in a back-and-forth web that maintained constant focus on the strongest feature of all: the Story itself.
And what a Story! I won't give it away except to say that the plots and subplots and intrigue and characterizations were all woven together to spin a simply riveting, terrifying, provocative, endearing, challenging Story.
I really liked the multiple depictions of What Happens and How the Characters React. You see Something Happen; and then feel Fear; and then watch the Face of the Character on hand experience Fear; and then perhaps the order is slightly changed: you see the Face of the Character experience Fear as the Character gazes in terror over the viewer's shoulder. Then you see What the Character is looking at. And experience Fear.
I also really liked the legal conflict ... and the way the Story honored both sides. There's no doubt, ever, where our sympathies lie: with the Laura Linney character. Yet, the prosecutor is not at all a "straw man." He is give a great opening, and is effective and believable throughout. This enhanced greatly the Doubt vs Faith conflict that reinforced the Story throughout.
And through all this, the Priest's insistence that the Story should be told, is what really drove the action above all. This gave a feeling of authenticity to the Story that both made it appealing, and frightening.
A wonderful, wonderful, movie ... !
Did you know
- TriviaJennifer Carpenter's audition was so convincing and scary that the director decided to cast her right then.
- GoofsThe prosecutor is only partially correct in that humans have two sets of vocal cords (they are properly known as vocal "folds"). He calls them "duel sets," consisting of the "superior vocal cords" and the "primary ones." They are correctly known colloquially as "true vocal folds" and "false vocal folds." The FVF are called "false" because they are made up of membrane, whereas the true folds have a deep layer of muscle tissue and can be controlled. The FVF can be recruited by powerful airflow and/or by disciplined muscular movements by the muscles surrounding them. However, they cannot be "activated" in the sense that a muscle can, and would not produce a different "voice." At most, some harmonic overtones or vibratory interference (such as that heard in Tibetan chanting) might be heard. The prosecutor uses the term "dual voices" as if it means two separate actual voices, as if "voice" was being produced by two distinct sets of vocal folds, which is not possible in humans. The writers confused it with some individuals' ability to produce two different fundamental frequencies by vibrating each of the true vocal folds at different rates, but the act of forming words is not determined at the vocal fold level, but by resonances created by the positions of the articulators in the vocal tract.
- Quotes
Father Moore: Tell me your six names!
Emily Rose: [possessed] We are the ones who dwell within.
Emily Rose: [in Hebrew] I am the one who dwelt within CAIN!
Emily Rose: [in Latin] I am the one who dwelt within NERO!
Emily Rose: [in Greek] I once dwelt within JUDAS!
Emily Rose: [in German] I was with Legion!
Emily Rose: [in Assyrian Neo-Aramaic] I am Belial!
Emily Rose: [in English] And I am Lucifer, the devil in the flesh.
- Crazy creditsOpening statement: This film is based on a true story.
- Alternate versionsTheatrical version 119 min. and the unrated version 122 min.
- ConnectionsFeatured in 2006 MTV Movie Awards (2006)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- El exorcismo de Emily Rose
- Filming locations
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- See more company credits at IMDbPro
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $75,072,454
- Opening weekend US & Canada
- $30,054,300
- Sep 11, 2005
- Gross worldwide
- $145,166,804
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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