A young hoodlum's rise from a small-time criminal to a powerful crime entrepreneur during the turbulent years before and after the fall of apartheid.A young hoodlum's rise from a small-time criminal to a powerful crime entrepreneur during the turbulent years before and after the fall of apartheid.A young hoodlum's rise from a small-time criminal to a powerful crime entrepreneur during the turbulent years before and after the fall of apartheid.
- Awards
- 6 wins & 1 nomination total
Jeffrey Sekele
- Nazareth
- (as Jeffrey Zekele)
Shelley Meskin
- Leah Friedlander
- (as Shelly Meskin)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I saw this film previewed on CNN and went to see it at the Zurich Film Festival with some American friends of mine. Being South African one could see that this film was simply a labour of love for the beloved country. Ralph Ziman, the self effacing director was on hand to talk about the film after the movie and I asked him how he got all the original footage of the Mandela inauguration etc, which he has cleverly weaved into the movie. His answer was amazing: He shot it himself over the years, which means that Ralph has single handedly created parts of a record of SA history no one else has. At the end of the day the film is broad enough and topical enough to override Tsotsi on many levels, dealing with the integral white black relationship in South Africa (the main black criminal building hijacker in the movie has an affair with a well to do white Jewish girl from the burbs) and how these parts of society interrelate. Last but not least, as it is not stuck in the modality of "Tsotsi only" it manages to look refreshingly at a broad swathe of the themes and reality affecting SA society today. Though Ralph denies it :) (correct me if I am wrong Ralph) Tsotsi has inevitably influenced the making of Jerusalema but on many levels is radically different. In a sense I missed the whimsical sadness of Tsotsi and Jerusalema pans through the skyline and scenes of our Johannesburg far too fast to really do it justice. More of that please. However, its a fast moving film that was enjoyed not just by me but by some Americans I dragged along to it. They really liked it proving that it scope and graphic talks to a worldwide audience. Bravo Ralph. Your country has cause to be very proud of you. You are a true son of South Africa.
If you thought Tsotsi was brilliant, Jerusalema will blow you away. It's about determination and hope. I've never seen such an apt depiction of township life. Big -up 2 the producers for the angle they took. I loved the music and how they tied Jerusalema with the lead characters' praying mother! A must see, for inspiration if nothing else!
Guys lets praise SA for producing such an magnificent movie in the international screens, u better start going to the cinemas to watch the awesome job did by our camera men, editors and directors etc. Big up Mzantsi Big up.
Guys lets praise SA for producing such an magnificent movie in the international screens, u better start going to the cinemas to watch the awesome job did by our camera men, editors and directors etc. Big up Mzantsi Big up.
I have just watched the movie for the first time just this past Friday, I was blown away and touched by it. i don't know if there is such a thing as a good thief, but I fell in love with Rapulano in this movie all over again, for me it had that James Bond element, except that his black and a thief, but that untouchable notion of 0007... Great story and acting. I felt sad for the white chick (grilfriend), not because of her colour, but as a women I could relate, when you think you know somebody but and realising that you don't and in such a matter is just so painful....., but on another hand....there was that element for me, of our black brothers going for white chicks... when they are loaded....even though in this movie that wasn't what brought them together.... interesting story indeed...
Saw Jerusalema last weekend. I found the film to be an engaging, moving, and important reminder that the strangest worlds are right under our noses. Fast paced, gritty and in your face
I loved Rapulana Simpiwe in the lead, a stunning young talent, Jafta Mamabolo who played the young Kunene is fantastic.
The script is excellent, reassuringly tight and Carried me effortlessly through the journey.
This is the story of how a intelligent kid with the same hopes and dreams as anyone else; an education, work hard, get a degree and live his dreams through legitimate means, succumbs, despite himself, to a life of crime because it is his only course available.
It accurately portrays the universal genesis of crime and loss of innocence and righteousness (the symbol of which of course was the mother with her hand pressed tightly on her bible).
I don't know what's happening with the film in terms of its international release, but I would sincerely hope that many others will have the memorable experience that we did.
I loved Rapulana Simpiwe in the lead, a stunning young talent, Jafta Mamabolo who played the young Kunene is fantastic.
The script is excellent, reassuringly tight and Carried me effortlessly through the journey.
This is the story of how a intelligent kid with the same hopes and dreams as anyone else; an education, work hard, get a degree and live his dreams through legitimate means, succumbs, despite himself, to a life of crime because it is his only course available.
It accurately portrays the universal genesis of crime and loss of innocence and righteousness (the symbol of which of course was the mother with her hand pressed tightly on her bible).
I don't know what's happening with the film in terms of its international release, but I would sincerely hope that many others will have the memorable experience that we did.
Lucky is a young black man in South Africa, who feels the oppression of apartheid. Once the apartheid ends, though... the life for blacks gets no easier. In his own form of affirmative action, he helps grow a large, powerful gang to get ahead. Is it right or wrong, and was it necessary?
Ralph Ziman is a director from South Africa. While he started of in music video, once he came into his own, he told the tale of South Africa with a passion that no one else has yet matched. Recent films like "Invictus" or "District 9" try to capture the spirit, and in some ways do, but Ziman has it inside him and has the talent to let it out.
I must say, there was an unfortunate naming choice with "Gangster's Paradise", and this gives it a cheaper feel. The original title, "Jerusalema", was more than adequate and gives the film a mature moniker that it richly deserves. I am not sure who felt American audiences couldn't handle the original title, but they have done the film a great disservice.
We have seen our share of South Central Los Angeles gang movies. Here is a film that has parallels, but offers an interesting moral perspective on a racial, global issue. Can you empathize with a thieving thug? If you watch this film, you just might.
Ralph Ziman is a director from South Africa. While he started of in music video, once he came into his own, he told the tale of South Africa with a passion that no one else has yet matched. Recent films like "Invictus" or "District 9" try to capture the spirit, and in some ways do, but Ziman has it inside him and has the talent to let it out.
I must say, there was an unfortunate naming choice with "Gangster's Paradise", and this gives it a cheaper feel. The original title, "Jerusalema", was more than adequate and gives the film a mature moniker that it richly deserves. I am not sure who felt American audiences couldn't handle the original title, but they have done the film a great disservice.
We have seen our share of South Central Los Angeles gang movies. Here is a film that has parallels, but offers an interesting moral perspective on a racial, global issue. Can you empathize with a thieving thug? If you watch this film, you just might.
Did you know
- TriviaThe budget was so low on the film that old cameras were used as were skateboards in place of dollies.
- GoofsWhen Kunene is on the beach in Durban at the end of the movie, the tracks made by the film crews vehicles are clearly visible.
- How long is Gangster's Paradise: Jerusalema?Powered by Alexa
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $7,294
- Opening weekend US & Canada
- $4,958
- Jun 13, 2010
- Gross worldwide
- $421,593
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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