User reviews

I have just watched the movie for the first time just this past Friday, I was blown away and touched by it. i don't know if there is such a thing as a good thief, but I fell in love with Rapulano in this movie all over again, for me it had that James Bond element, except that his black and a thief, but that untouchable notion of 0007... Great story and acting. I felt sad for the white chick (grilfriend), not because of her colour, but as a women I could relate, when you think you know somebody but and realising that you don't and in such a matter is just so painful....., but on another hand....there was that element for me, of our black brothers going for white chicks... when they are loaded....even though in this movie that wasn't what brought them together.... interesting story indeed...

The big problem with the local film industry is that for too long it has relied on easy-sell toilet humour or depressing AIDS and poverty epics.

It's refreshing to finally see a competently made local flick that aims to entertain the locals rather than scoop awards at foreign film festivals with deeply serious afro-pessimistic themes (such as Yesterday and Tsotsi.

Basically the story follows 2 male characters from their high school days into their adulthood. They get involved in lives of crime and must choose their own destinies.

This is a generally good and entertaining film. Ordinarily I would point out the negatives, such as the pacing, which drags a bit, especially towards the second half, some uninspired cinematography, some poor acting (especially from the female love interest). BUT, the problem with the SA movie going public is that we compare everything local to Hollywood. I assume this was made on a very limited budget and with pretty inexperienced people so it cannot possibly come close to matching those films for production values.

This film should be judged on its accomplishments taking into account the restrictions, and it does very well.

Jerusalema is, taken in context, an excellent film with plenty of local content and in-jokes. I believe it is important for all South Africans (able to) to support the local film industry to allow more true SA films to be made.

Lucky is a young black man in South Africa, who feels the oppression of apartheid. Once the apartheid ends, though... the life for blacks gets no easier. In his own form of affirmative action, he helps grow a large, powerful gang to get ahead. Is it right or wrong, and was it necessary?

Ralph Ziman is a director from South Africa. While he started of in music video, once he came into his own, he told the tale of South Africa with a passion that no one else has yet matched. Recent films like "Invictus" or "District 9" try to capture the spirit, and in some ways do, but Ziman has it inside him and has the talent to let it out.

I must say, there was an unfortunate naming choice with "Gangster's Paradise", and this gives it a cheaper feel. The original title, "Jerusalema", was more than adequate and gives the film a mature moniker that it richly deserves. I am not sure who felt American audiences couldn't handle the original title, but they have done the film a great disservice.

We have seen our share of South Central Los Angeles gang movies. Here is a film that has parallels, but offers an interesting moral perspective on a racial, global issue. Can you empathize with a thieving thug? If you watch this film, you just might.

I don't think I can adequately put into words how enjoyable this movie was but I'll try because it's really worth your time and I want you to give it a try. This movie was a pleasant surprise. Within a few minutes of watching I realized I'd happened upon a gem. This movie is about Lucky Kunene, a smart young man who is so fun to watch as he figures out how to be a success in spite of being born in a dangerously stupid environment.

I did not expect to enjoy watching a story that includes South African apartheid, but fortunately this movie entertains us with the characters story and doesn't weigh us down with the tragedy of racism and poverty.The main character Lucky is poor and smart and that's always an interesting mix. He is portrayed by actors who are so talented that we're spoiled as an audience. Jafta Mambolo is young Kunene and Rapulana Seiphemo plays the adult Lucky Kuene and they both are effortless.

I really liked the way this movie moved quickly and yet spared nothing.I came away from this movie wanting to see more Soweto adventures because I knew there must be one,so I watched it twice.

Not a badmovie. the actingwas so good. The violence was very real and put meoff goingto south africa for the rest ofmy life.

If you thought Tsotsi was brilliant, Jerusalema will blow you away. It's about determination and hope. I've never seen such an apt depiction of township life. Big -up 2 the producers for the angle they took. I loved the music and how they tied Jerusalema with the lead characters' praying mother! A must see, for inspiration if nothing else!

Guys lets praise SA for producing such an magnificent movie in the international screens, u better start going to the cinemas to watch the awesome job did by our camera men, editors and directors etc. Big up Mzantsi Big up.

This movie was extremely good . It developed many intertwined complex characters over many years. Early on the use of humour greatly improved the audiences appeal towards the main characters. It also seriously involved the political and social aspects of South Africa at the end of apartheid from diverse perspectives. These aspects were portrayed without placing blame but just told the story as the facts of life and circumstance. Many stereotypes where dismissed when they were used unsuccessfully to gain advantage by attempting to force others to be political correct. I would have rated this movie 9/10 except for the last 20 minutes which was complete garbage. Like any B grade Hollywood movie the last part of the movie was full of impossible shoot-outs and crime does pay themes. This seriously impacted in such a negative way I changed my rating to 6/10. The movie is definitely better seen without watching the last 15 - 20 minutes.

Saw Jerusalema last weekend. I found the film to be an engaging, moving, and important reminder that the strangest worlds are right under our noses. Fast paced, gritty and in your face

I loved Rapulana Simpiwe in the lead, a stunning young talent, Jafta Mamabolo who played the young Kunene is fantastic.

The script is excellent, reassuringly tight and Carried me effortlessly through the journey.

This is the story of how a intelligent kid with the same hopes and dreams as anyone else; an education, work hard, get a degree and live his dreams through legitimate means, succumbs, despite himself, to a life of crime because it is his only course available.

It accurately portrays the universal genesis of crime and loss of innocence and righteousness (the symbol of which of course was the mother with her hand pressed tightly on her bible).

I don't know what's happening with the film in terms of its international release, but I would sincerely hope that many others will have the memorable experience that we did.

If this movie were shot in America, I'd give it a 7/10 because too many things are simply formulaic and not done very well. The main guy turns to the criminal life a little too easily. What happens to sidekicks #1 and #2 could come from a McBain (Simpsons) movie. The woman's explanation for why her brother is there is embarrassingly simple - wouldn't it have been better for the brother to say, "hey, this sh*t is real" to convey the same idiot attraction? Most importantly, where did the lead's main criminal idea come from? I believe something like that really happened, but there's so little hint of it earlier in the movie that it's just confusing when it happens. How could anyone come up with such a complex scheme that relies on the actions and inactions of various government agencies simply by reading very general self-help books? I'll have it both ways - I did like this movie. The points above are nits, some bigger than others. I love the depiction of Johannesberg as this crime-ridden, divided city, like "the Wire" squared. I'll stick with the 7/10, though that's unfair given IMDb's general grade inflation.

DIRECTOR Ralph Ziman's vivid, action-packed South African gangster epic makes for exciting big screen entertainment. Highly commercial and hardly politically correct, but reeking with authenticity, the aptly and ironically titled "Jerusalema" offers cinema-goers the same sort of tough, high-energy thrills as crime epics like "Scarface", "American Gangster" and "City of God". Unlike "Tsotsi", it's not out win awards, or to preach about the struggle. It's out to please crowds. Yet, while telling a strong, funny, gripping, well-acted story of a young gangster's rise to power, it also manages to paint a devastating picture of how and why crime has spiraled out of control in the new South Africa. Telling its tale on a broad canvas, it begins in Soweto in the early 1990s, introducing the audience to two teenage boys, Lucky Kunene (Jafta Mamabolo) and his best friend Zakes (Motlatsi Mahloko). Lucky is an intelligent, ambitious youngster from a poor single parent home who is accepted into university. He doesn't, however, get a bursary, so he tries to earn money through various legitimate schemes. None of which succeed. Eventually he and Zakes are sucked into crime though their relationship with Nazareth (a potent Jeffrey Sekele), an angry disaffected, former ANC guerilla. And soon they're hijacking cars ("affirmative repossession", says Nazareth). But, after a botched robbery and a near fatal encounter with the police, the lads must flee to the "jungles" of Hillbrow. Cut to five years later. Lucky and Zakes (now played by Rapulana Seiphemo and Ronnie Nyakale) are operating a pirate Taxi and scraping by. It's a dangerous life and when armed rivals steal their taxi, Lucky decides to return to crime. "Jeruselema" might shock some middle-class viewers, but it is riveting fare and the crowd I saw it with clapped and cheered along with the action. The charismatic Seiphemo delivers a stunning performance - turning Lucky into a surprisingly sympathetic anti-hero, and he's superbly supported by Nyakale, Sekele and a devilish Malusi Skenjana, who plays a slimy Nigerian drug dealer. Then there are the great action scenes and the powerful underlying themes. This vibrant, violent, colorful, authentic crime thriller, which pays homage to Michael Mann's classic, "Heat" heralds a new dawn in South African film-making and is highly recommended to audiences looking for top notch entertainment.

If Jerusalema, the latest film about life in South Africa's underbelly of Hillbrow, can make a film like the award winning Tsotsi look like child's play, you need to ask yourself the question: "Why haven't I seen it yet?" Even more disturbing is that Jerusalema premiered at the Berlin Film Festival earlier this year, and has already been raking in the awards.

Star of the film - Lucky Kunene's motto in life is taken from an Al Capone movie "If you're going to steal ... steal big, and hope like hell you get away with it!" Like a fly on the wall, we get to watch how an innocent youth from Soweto, a victim of circumstance, turns to crime and works his way up to become the hoodlum of Hillbrow.

The acting is superb and will have you engrossed in the film in no time. The script is watertight, and quite probably the most accurate account of South Africa's criminal underworld that you're ever going to see.

The scary part about all of this? It's based on true events! (But don't be put off SA, this is a small part of a big country)

I saw this in the Pan-African Images Sidebar at the 33rd Cleveland International Film Festival.

It's an interesting mix of local South African dialect and English, with Rapulana Seiphemo extending his lead role from "Tsotsi" which is appropriate, since the story line is derivative of that film. This is about the adult Tsotsi could readily become: an ambitious gangster, a Sowetan Robin Hood whose crimes often mirror what the legal ethic endorses, but for the character Kunene it's more about his community.

A couple of historical quotes figure large in this. Although Marx is attributed as the author of the "all property is theft" line in the movie, Marx considered this statement by Proudhon as "self-refuting". But it does seem an apt theme to the story of a culture in flux after its colonial disenfranchisement. Al Capone's "the bigger the crime the bigger the payoff" summarizes the operational ethic quite well.

A somewhat raw film (which is why I gave it a 5… I grade "bell-curve") this is still an interesting movie from a developing South African market. See it if you get the chance!

This is a mix of things. One is the Italian mode about human struggle in a world of ruins and poverty, another is the gangster mode about the rise and fall of a charismatic shyster, a third is social parable on the country's fate after apartheid, with poverty giving rise to crime that is covertly redressing the social balance.

I'm generally not a big fan of either of these modes, but just as I'm about to pin it down to a certain type, it shifts again, much like the wily protagonist who moves between motivations, from genuine hurt and outrage, to capricious desire to stick it to the man. The film pulls back from simply accepting him as a Robin Hood whose only motive is to give back to the poor, or as a Tony Montana who just wants to roll in riches, and in that balance lies its charm.

I saw this together with (an attempted viewing of) Tsotsi and this seemed like the more multifaceted view of a place that is still in the process of healing itself, more self-aware about its world.

A fast moving 'coming of age' movie based firstly in the Townships of Soweto where 'Lucky' and his best friend 'Zakes' are growing up among the poorest of the poor. They are almost driven to crime once Lucky receives his exam results which include an offer to attend a good college but he then realises there is NO School Scholarship offer to go with it and he has no hope of paying for it After a short time he and Zakes find it necessary to leave and go to Jo'burg where there are richer pickings. In 15 or so years he has moved from car theft to armed robbery and he finally gravitates to fraud, theft and murder, which is usually limited to his own criminal class. Rapulana Seiphemo is in the lead roleand the film was Directed by Ralph Ziman. This film only had a 2million dollar budget yet returned less than 500k which in NO WAY is a true indication of how good the film was.

I saw this film previewed on CNN and went to see it at the Zurich Film Festival with some American friends of mine. Being South African one could see that this film was simply a labour of love for the beloved country. Ralph Ziman, the self effacing director was on hand to talk about the film after the movie and I asked him how he got all the original footage of the Mandela inauguration etc, which he has cleverly weaved into the movie. His answer was amazing: He shot it himself over the years, which means that Ralph has single handedly created parts of a record of SA history no one else has. At the end of the day the film is broad enough and topical enough to override Tsotsi on many levels, dealing with the integral white black relationship in South Africa (the main black criminal building hijacker in the movie has an affair with a well to do white Jewish girl from the burbs) and how these parts of society interrelate. Last but not least, as it is not stuck in the modality of "Tsotsi only" it manages to look refreshingly at a broad swathe of the themes and reality affecting SA society today. Though Ralph denies it :) (correct me if I am wrong Ralph) Tsotsi has inevitably influenced the making of Jerusalema but on many levels is radically different. In a sense I missed the whimsical sadness of Tsotsi and Jerusalema pans through the skyline and scenes of our Johannesburg far too fast to really do it justice. More of that please. However, its a fast moving film that was enjoyed not just by me but by some Americans I dragged along to it. They really liked it proving that it scope and graphic talks to a worldwide audience. Bravo Ralph. Your country has cause to be very proud of you. You are a true son of South Africa.

Gangster movies around the world have already carved a special territory in the world of movies for the past six decades. Hollywood movies featuring gangs from New York and LA, the cartels of Colombia, Mexico and Rio de Janeiro are world famous. The movies on Italian & Russian mafia, Chinese Triads and Japanese Yakuza are world famous. Almost every country in the world has some decent offerings on the gangster space in its movie industry. Gangster's Paradise: Jerusalema is a wonderful addition to the long running list on Gangster "Genre" movies. Thanks to the director Ralph Ziman work here, the world gets a peek at the South African gangster scene.

In comparison to the world's best gangster movies, Jerusalema does falter a bit, but the movie provides some great insights in understanding the type & style of crime in South Africa. The movie, based on some true events has the necessary bite in keeping the viewer interested with its screenplay. A semi documentary styled cinematography is a mixed bag having some good and bad bits mixed together. Editing is supportive in the storytelling and the 117 minute runtime does fatigue the viewer much as the plot is pretty well edited. Production design, costumes and makeup are par. Music and background score was ok too. Stunt scenes involving guns weren't bad at all for a movie coming out of South Africa. Though the actors have tried pretty hard, there weren't performances that I would call great.

Overall, though not in the same league as Totsi, Jerusalema is good enough to have a look in. If you like movies of the gangster genre, this movie is definitely worth a try and it will not disappoint you. The movie has a stereotyped rags to riches story but will keep you interested with some cool elements throughout. The cast & crew have definitely put in a genuine effort to garner 6.8 stars out of 10 in my books.

Tsotsi is nothing compared to Jerusalema. Finally a real South African movie that can hold its head up high. Totally authentic, all respect to those involved. A mirror on Jozi and what our lives are really like. I hope other film makers will take note and pull their sox up. It's time to stop being embarrassed about being South African and take pride in our local industry. I strongly recommend all South Africans and go and see it on the big screen as the producers intended. I'm gonna spread the word. And please, do not by pirated DVD's; help enable the local movie industry to grow... I loved this movie. I cannot say it enough times. I am speechless. KUDOS MZANSI.

A movie that speaks to the core of the human spirit. As much as the movie is South African, anyone who has been faced with hardship will relate. Our dreams, when they shatter and fade painfully silently and the dark talents we discover in desperation for a moment to live the life we once aspired to. Seiphemo, Zekele and the supporting cast are brilliant on a script that pulls no punches, with impeccable direction. The overall execution leaves no vague on what goes wrong and how it becomes celebrated as fruits of crime are reaped and shared by even the most moral in our lives. South African cinema has moved to the next stage in evolution i.e. reflection on some of the darker sides of the new South Africa. A masterpiece.

JERUSALEMA investigates the spirit of the individual to assert himself against both the system ad poverty. This film explores concepts of law enforcement in a country whose people have suffered oppression at the hands of police. The film tells the story of a self made entrepreneur from the slums of Soweto, his motto, crime really pays in the new South Africa. Freedom is slavery now, revolutions bring new order and they also bring opportunity. Might is right and possession is none tenths of the law. Welcome to the promised land, a new Jerusalem! The film by Ralph Ziman is based on real events and goes against what has become predictable. Ziman offers us an unusual insight into what has often been called the crime capital of the world. Hillbrow, inner city Johannesburg, demonstrates the beauty and barbarity of a new paradise. The director gives an unbiased view of the contemporary landscape, which most South Africans are aware of, but turn a blind eye. The director remains neutral, impartial, without resorting to stereotypes or over simplifications. He describes a city as it is, without no attempt to gloss over the grit. This is a complex, multi layered view of South Africa post apartheid. It casts a fresh eye on the recent manifestations of xenophobia. Beautiful photography, haunting music and excellent acting by a cast of unknowns. Recommend.

Gangster's Paradise Jerusalema is a crime/action movie from South Africa. Subtitles will be needed as the English wasn't easy to understand, let alone the South African which was actually more a dialect from the suburbs than anything else. Normally as a Dutch speaking you can understand it a little bit but this was far from what I'm used to. The story is easy to follow, with loads of action scenes so you never have slow moments. A good movie if you like gangster flicks. Overall the acting was good, but some were more convincing than others. The quality of the images could have been better but that's if you start too look at the small details. Inspired by true event, which is always a bonus, but then again they can do whatever with it as it's only inspired.

I don't care about who produces a movie or how old it is, for me its just about entertainment. One minute into the movie it starts with a guy in the prison talking about his past....very creative. So I realized "this is just a copycat of all the other random gangster movies". And I was damn right.

There are lots of scenes that are just dull and unrealistic, without being funny or cool at all. The whole story is too predictable, boring and also kind of nonsensical.

Don't watch this, if you like clever, funny or realistic gangster movies. This movie has a 2 point bonus for being from Africa. If this had been a Hollywood flick, it would have reached a 6 at max. So be warned.

A South African Scarface but with a far more likable lead who does whine constantly when he doesn't get his way like Tony Montana did, and overall less of an a-hole lol.

Anyway it's a definitely above average gangster-epos amazingly enough done with just 2 million dollars, it doesn't look cheap by any means.

Compare that with for instance 'PUBLIC ENEMIES (2009)' which cost 50 times more at 100 million dollars, sure that was filmed in the US and had a all star Hollywood cast but this movie is still a bit better on most levels and if it is that cheap to make movies in South Africa then more people should do it.

Good performances all around, yeah nothing to really complain about.

The movie mixes English with Afrikaans, about 50/50 each or a stronger lenience towards English.

It didn't blow me away in the same way 'TSOTSI (2005)' did when it came out but considering that that is one of my favorite movies it would be surprising if it did, still more than well worth a watch though.