33
- Episode aired Dec 2, 2005
- TV-14
- 43m
The Galactica and the other remaining ships - with about 50,000 people aboard them all - are being pursued by the Cylons. They are forced to jump into hyper space every 33 minutes. Somehow, ... Read allThe Galactica and the other remaining ships - with about 50,000 people aboard them all - are being pursued by the Cylons. They are forced to jump into hyper space every 33 minutes. Somehow, the Cylons know where they are going and appear exactly 33 minutes after the Galactica arr... Read allThe Galactica and the other remaining ships - with about 50,000 people aboard them all - are being pursued by the Cylons. They are forced to jump into hyper space every 33 minutes. Somehow, the Cylons know where they are going and appear exactly 33 minutes after the Galactica arrives. The crew hasn't slept for over 130 hours now and everyone is exhausted. They rejoice... Read all
Featured reviews
Additionally, one should also be aware that this is not a traditional sci-fi. If you're looking for blinking lights and transporters and long-winded conversation about fancy futuristic technology... look somewhere else. This show is about human behavior and the human condition. It's about people first and foremost; it just happens to take place in space. In the same way that a show taking place in the western United States doesn't automatically make it a Western genre series about the Wild West. Do Battlestar fans consider it sci-fi? Absolutely. But it's a reinvention of sci-fi.
Those who take issue with the mention of god/gods have clearly missed the point of the underlying social commentary. They've also overlooked the obvious possibility for sci-fi to put science and reason to the concept of gods and higher powers, or to view all of these concepts from a philosophical view, which is where Battlestar differs from sci-fi of the past. While previous shows in this genre took a more literal approach with "cool technology" and gimmicks, Battlestar sets the stage with how people react emotionally to fear, and war, and loss, and trauma, and all of the flaws in the human condition. It makes us think about our own humanity-and what makes us human. One needs only to look at present day sci-fi to see how Battlestar influenced the genre and changed everything (even current Stark Trek incarnations) to embrace serialized dramatic storytelling with darker tones and more human substance, now preferring that structure over old-fashioned isolated, self-contained episodes in which everything resets back to normal at the end of the hour.
If it did appeal, you won't be disappointed, because whatever happens in this episode is not just forgotten in the next, but it has a lasting effect. That integral continuity is one of the things that makes this a great series and this episode a spectacular start.
This 2-part intro mini-series was excellent. The main plot was highly intriguing and engaging and the sub-plots were great, giving depth to all the characters, tightening the plot development and generally making things grittier and more credible. Quite complex, intelligent and emotional.
Great action scenes and special effects rounded off an excellent mini-series
This, the series proper, continues in the same vein. While the mini-series was scene-setting we now have episode-long plots while still moving the main plot forward. This all hangs together extremely well. This episode's plot is a very interesting one too.
It's science fiction at its best. Thought provoking. Well written. Well acted. Unafraid to tackle controversial topics head on.
And when you think you know what's going to happen next -- Duck! Because the new Battlestar Galactica will upset all your expectations and expose you to new ways of looking at television, science fiction and life.
For the thinking person this show should be at the top of your "must see" list.
Edward James Olmos (William Adama) and Mary McDonnell (Laura Roslyn) are fantastic. Their on screen chemistry is amazing and their abilities to communicate non-verbally unmatched. The nuances of their scenes together are enough to propel this show to the top 10 of all time.
James Callis (Gaius Baltar) is wonderful as well. His mixture of brilliance, insanity, comic relief, and religious zealotry brings a whole new meaning to the phrase "evil genius."
Watch this show!
It's the best show on TV.
And by the way, the show won a Peabody Award. These are given to "outstanding works exhibiting excellence, distinguished achievement, and meritorious service by radio and television networks, stations, cable television organizations, producing organizations, and individuals."
Did you know
- TriviaDuring a DragonCon interview, Jamie Bamber revealed that Edward James Olmos really did stay awake with very little sleep to no sleep for the entire shooting week of the episode.
- GoofsRight after the Olympic Carrier has been declared missing, in the very next shot of Colonial One, you can see the Olympic Carrier behind it.
- Quotes
Petty Officer 2nd Dualla: [to Adama] Comm traffic two from the President.
Commander William Adama: [to Tigh] Is this my ten minutes or is this yours?
Col. Saul Tigh: Yours. I took ten last time.
Commander William Adama: All right, I'll see you guys in combat.
[walks off]
Petty Officer 2nd Dualla: I believe it was your ten minutes, sir.
Col. Saul Tigh: The old man's so tired he can't remember, then it's his turn.
- ConnectionsFeatured in WatchMojo: Top 10 Worst Things TV Heroes Have Done (2019)
- SoundtracksMain Title Theme
Written by Richard Gibbs
Details
- Runtime43 minutes
- Color
- Aspect ratio
- 1.78 : 1