My Suicide

I can only agree with the other comments. MY SUICIDE is a true find, and will hopefully make its way into international cinemas. Despite the fine cast, including established thesps like Joe Mantegna, Mariel Hemingway and David Carradine, it is a true independent film with a small budget, but skillfully done, and spiced with such a sharp sense of humour, a lot of energy, heart and food for thought. It doesn't play dumb for the audience, but stays easily accessible throughout without ever becoming trivial. Main actor / co-writer / co-editor / producer Gabriel Sunday (here wrongfully credited with the role Holden, rather than Archie) shows so much talent that you can almost turn envious. There'll be more to see of him in the future for sure! The wicked editing and compositing, the multi-format footage, and the congenial animation add-ons never feel contrived, but spice the film with a young look that will hit the youthful viewers especially. You can watch MY SUICIDE just for entertainment (even after the laughable scenes get replaced by the more serious themes), you can watch it for pointers and understanding - your own troubles, your friends' or your kid's. But you should watch it nonetheless! Just hope you'll get the chance. Fingers crossed this film will get the publicity it deserves!

This film is about a boy who suffers from the fantasy unique to our age: the belief that one's entire life is a movie. The Truman Show is a good example of this: the notion that one's entire life is so perfect, so banal, repetitious and ordinary, that it must be scripted-- it cannot possibly be real. So this boy, Archie, records as much of his life as he possibly can on video, and edits it together in his room.

The problem is, no matter how much of his life he makes into a movie, it still feels meaningless. So he announces in his high school film class that he will make a movie in which he kills himself. That will be the plot and the grand finale.

His entire neighborhood starts gossiping about him, and his life changes enormously. This is when his real movie-making starts. Suicide is always lurking near him, and the entire movie is a play on various questions of suicide: when we kill ourselves, what are we doing? Is every death a 'suicide' because of the necessarily unsafe ways we live our lives? Is suicide an act of freedom and defiance, or of conformity and weakness-- or neither?

Some great cameos from unexpected actors add to the film a lot.

This is one of those rare films that covers the entire emotional spectrum, and does so effortlessly. It is as hilarious as it is tragic, as fragmented as it is thorough. If it receives the distribution it deserves, it will be a hit.

I really enjoyed this touching, low budget indie. The film has a very unique style that I enjoyed, with the way it switches between it's daydream like animation and normal. Crazy, experimental, and inventive, but that's what makes it so interesting and special. It's different than anything I have seen and I found the visuals to be captivating. Maybe slightly dated, but that didn't detract at all for me. If anything, it gave me an early 2000's nostalgic feel.

It was surprisingly intelligent and insightful. Lots of tonal shifts, but it covers the whole emotional spectrum seamlessly. Heartwarming and heartwrenching at the same time and a sharp, witty sense of humor that captures the heart of the character and teenage angst well. It leaves you with lots of food for thought. It has some intriguing philosophy that leaves you with some fantastic quotes and monologues about its deep themes. It's relatable, though not meant in an edgy way. It brings up for discussion some of the darker thoughts that creep into everyone's mind sometimes.

Archies' character felt tangible, and there were well done portrayals of human anguish all around. I also really liked the movie's soundtrack. Although I realize this movie isn't perfect and I could understand if some thought it was flawed or cliched, for now it holds a sweet spot with me.

8.8/10

The first 20 minutes or so I found my self rolling my eyes and irritated with the main character. But I think I was supposed to. This movie was over the top at times, but it still had something important to say. By the end, I felt very much invested in this character and why he does what he does. It certainly isn't perfect but I'm happy I stuck it out to see the message.

Why are "teen movies" synonymous with campy, cheesecake, potty humor flicks that numb your brain into senselessness? Don't get me wrong, I loved "Porky's" as much as any hormone-drenched youth. But here, it's a real treat to see a "teen flick" with some real guts.

I hope my first paragraph didn't scare you off, because it would've scared me off if I'd been told that this film is about teen issues. Been there, done that, never wanna go back. My entire life was "The Breakfast Club" only I never got the girl :( But "Archie's Final Project" is done in such a creative, provocative way that you'll find yourself glued to the screen from the first 5 minutes.

Archie introduces the film by announcing he's going to kill himself by the end. This simple trick establishes a feeling of suspense that never lets up, even during the lighter, comedic moments. Note: do NOT miss the deleted scene on the DVD featuring the hilarious Harry Shearer (The Simpsons, Spinal Tap, etc) as the new-age healer. Perhaps they cut it because it was TOO funny.

As the title suggests, "Archie's Final Project" is his project for a high school video class. With that premise it can get away with a lot of quirky, over-stylized, A.D.D. type effects as only a teenage amateur film student could do. But in it you'll find a degree of poetry, depth and authenticity that only a teenage amateur film student could do. Stylistically, it's daring enough to do things that most directors would be afraid to try. But it's not just empty style. The themes are very deep, and (largely thanks to David Carradine playing the magnetic & enigmatic cult poet) it injects some profound philosophy in the midst of the spectacle.

Like I said, it's very authentic. This is largely due to an excellent performance by Gabriel Sunday as the loner kid whom nobody really knows about. Basically the whole film is a string of his monologues, but they never get boring. A nice touch was the way he constantly slips into doing impressions of classic films, including but not limited to: The Deer Hunter, The Matrix, Cool Hand Luke, Apocalypse Now, and half a dozen others I didn't recognize.

In all, this film makes me think of how Catcher in the Rye would've been if set in modern times with HD cameras and multimedia editing software. It's literature on the big screen. Absolutely brilliant.