L.I.E. Long Island Expressway

Big John is a 50 something ex US marine who lives with Scott, a youth of about 18 in a smart suburban villa somewhere in Oregon. He holds parties for middle aged folk at home and is nagged by his aged mum to look after his health. He was in love with girl when he was young but never married citing the reason that all women are 'maneaters'. Although Scott has his own room they sometimes sleep together and in his private moments Big John looks at internet pictures of young teen-aged boys.

Big John isn't strictly a pedophile as no prepubescent children are involved in his life but he certainly appears to be a pederast. He cruises the local pick up zone where teen-aged male prostitutes ply their trade offering blow jobs behind a road sign for a few bucks. And there he meets 16 year old Gary, a good looking local tearaway and hustler who also burgles houses with his school mates for extra cash.

Gary isn't necessarily gay but he uses his looks and charm to best advantage. Accordingly he is the object of adoration by 15 year old Howard, a gay school mate, who dreams of running off with Gary to a romantic life together in California.

But their plans and dreams must change when they decide to rob Big John of his prized antique revolvers - and the ex marine quickly discovers their guilt.

The subsequent drama is beautifully intense without being heavy. And most of all it raises essential questions about the true nature of pederasts and the boys they befriend. Who is exploiting who? Who is the real victim of this sadly common circumstance? Are pederasts always evil? What exactly are the real motives of Big John, Gary, Scott and Howard? And who is the villain? The film ends very suddenly with an emotional shock. And it is our personal feelings towards the characters after that shock which seems to be the whole point of the movie. Well recommended for all - and particularly for parents of teen-aged boys with crushes on other boys.

Over the past few years I've been making an effort to watch a number of movies released in the 21st century that I hadn't seen in all these years. Among these were "Hustle and Flow" and "Blue Jasmine". "L. I. E." is the latest.

Released when Brian Cox was known for occasional supporting roles and Paul Dano was pretty much unknown, Michael Cuesta's movie depicts a topic that movies are usually loath to cover: a relationship between a teenage boy and an older man. The very idea sounds questionable - especially after all the revelations from MeToo - but the movie shows that it's basically the healthiest relationship that either person has had. Mind you, the boy isn't immediately comfortable with it, but he doesn't see much else to do, considering how pitiful everything around him is.

I wouldn't go so far as to call the movie a masterpiece, but it deserves credit for being forthright in dealing with its subject matter and not reducing the characters to cliches. I recommend it. I don't know if it's available on any streaming service, so you might have to check a neighborhood video store.

As a sexuality educator I was impressed by the straightforward, nonjudgmental nature of a rather difficult topic. I vacillated between giving this film an 8 or a 9 and decided on 9 because we need more films like this. This topic requires understanding, not acceptance mind you, but real honest understanding. The very fact that it was given an nc-17 rating is part of the problem with our society. There was about as much sex as I've seen in R or even PG-13 movies, the rating was obviously ONLY because of the uncomfortable subject matter. How can society solve a problem that it clearly does not even want to talk about, let alone understand?

I think that's the adjectivian phrase that i'm looking for to describe my reaction to this film. From the opening film scene to the abrupt end my eyes were like saucers as my head often shook side to side as if to say no. As a shrink who deals with children, this is an excellent examination of how many times there are no easy solutions and good kids can easily find themselves in bad straits. This is the best movie that I have seen in the past 3 years, which is quite a compliment since I attend movies regularly. I've warned fellow movie buffs of the strong content while suggesting that they look beyond that to examine what they think about the films commentary on teens developing their identities as they seek to enter into adulthood.

Fifteen-year-old Paul Franklin Dano (as Howard "Howie" Blitzer) lives in a cool suburban house, in a nice community near New York's "L.I.E." (Long Island Expressway). He's recently lost his mother to an Expressway crash, and doesn't seem to be dealing with the loss well. Neither is distant father Bruce Altman (as Marty), in trouble with the law for white-collar crimes. Young Mr. Dano is attracted to sexy Billy Kay (as Gary Terrio), but Mr. Kay is reluctant to start a relationship with his inexperienced pal.

Instead, Dano joins Kay in house burglaries, with incestuous James Costa (as Kevin Cole) and hetero stud Tony Michael Donnelly (as Brian). One of the homes they hit belongs to boy-trolling ex-Marine Brian Cox (as "Big John" Harrigan). Apparently, Mr. Cox is having trouble maintaining interest in aging boy-toy Walter Masterson (as Scotty). After Kay books for California alone, and Dano's father is arrested, he finds not only the sexual stimulation missing from Kay, but also a father figure, with the older Cox.

Due to the subject matter, this was obviously a controversial film. It contains what they call "strong language," but nothing offensive is explicitly shown. It's a tribute to director Michael Cuesta that such a fuss seems to have been made - at one point, the film was labeled NC-17 - because, Mr. Cuesta tells the story with implicit effectiveness. Editing and cross-cutting are used well. Cuesta and his cast deservedly won awards for their work. Still, nobody's perfect, and only an idiot would visibly trick behind that sign.

"Welcome to Long Island" Dano begins the "L.I.E." story by saying, "You got the lanes going east, you got the lanes going west. You also got the lanes going straight to hell." The ending, with Mr. Masterson, is an old story, but unexpectedly uplifting in this context (only).

******** L.I.E. (1/20/01) Michael Cuesta ~ Paul Dano, Brian Cox, Billy Kay, Walter Masterson