Spiral

The best thing about this movie is that despite how much you THINK you've seen this story before, no elements of the tale overstay their welcome.

It's like when a band you really like comes out with an EP. You enjoy it for what happens within the boundaries it's length.

What works best is the acting, particularly that of Joel David Moore, who simply seems to be enjoying himself while finding depth in this character him & Adam Green more than likely collaborated on. Amber Tamblyn was also not annoying to me in this. Sounds back-handed, I know, she's talented, but just ain't my style most of the time.

Also, the choices of music in the film add to it's uniqueness.

Please, do enjoy "Spiral."

Spiral is a well-acted, intense thriller about a lonely, delusional young man trying to overcome his powerful inner demons. In the starring role of Mason, Joel Moore effectively plays a telephone salesperson whose feelings of anxiety and confusion are intertwined with disturbing flashbacks of his former girlfriend. Mason cringes from most of society. His boss (played by Zachary Levi), an arrogant womanizer who knows the circumstances of Mason's tragic past, is his only friend. Gradually, however, Mason builds a relationship with a young female co-worker (played by Amber Tamblyn) who brings out his confidence by encouraging his artistic talents. Yet, Mason's feelings of dread and paranoia are never far away. In fact, deciphering whether Mason's reality is synonymous with truth kept me spellbound throughout the film. The camera work in Spiral is especially outstanding. Sudden, vivid images from Mason's memories take the viewer to his level of turmoil and terror. In addition, shooting this movie in the great city of Portland, Oregon was an excellent choice. The gloominess of the rainy winters fit perfectly with the murky shadows of Mason's mind. The end of the movie has some great twists and surprises for the audience to relish. When all is said and done, Spiral is a wonderfully dark and intense film that holds up to any of today's big-studio thrillers.

Do you like art and jazz mixed with depression and anxiety, office politics and murder? If so you may like this film. Amber Tamblyn is adorable. What does she see in Mason anyway? Artfully shot. Too much Jazz playing throughout the film (annoying). Interesting twist at the end. I dug this out of my DVD collection.

Call center worker by day, sensitive painter by night, Mason (Joel David Moore) is not all there. He has had emotional breakdowns many times in recent years... but now he has met Amber (Amber Tamblyn) and things seem to be looking up. Can he hold himself together?

Moore breaks out here. As both director and star, he strays away from the silly, nerdy, dorky guy roles we know him from. Here he is edgier, manic, violent at times... he strays into acting territory that should earn him attention from bigger names, maybe put him on a path towards Oscar.

Amber Tamblyn is a beautiful model, and perfect for the artwork featured here. The script is intelligent, with great insight into art, the idea of contrast and the construction of jazz music being harmony from discord. I'm sure there are deeper messages than I was able to pick up, but the writer gave this psychological thriller a smart wit and makes it a cut above the rest.

What is Adam Green's role in this film? He is listed as co-director, but this is clearly Moore's baby. I suspect Green was more of a support for Moore, helping him with technical stuff and boosting recognition for this one in the horror community... but I shouldn't assume.

As of this review, the film has been out three years with little buzz. Let me make some buzz right now: this is a film that you will love if you like thinking, mindbending films... some parts are deliciously ambiguous.

Now this is really a movie for anybody, who is not only focused on getting a gripping story when going to the movies. Everyone who can get the kicks out of nicely staged and directed pictures, visual effects, lighting and the whole scenery will be pleased to see this one!

I got interested in the movie because of its director, Adam Green. Unlike many other users here i saw HATCHET on the 2006 Fantasy-Film-Fest in Germany and loved it! So i looked through IMDb from time to time, to see what he would do next.

First of all i have to warn all the "Horror/Gore/Splatter/whatever"-Fans. This movie has absolutely nothing in common with HATCHET except for its director and leading actor! Second: Don' t watch the trailer! It is a real spoiler, and it lets the viewer assume that SPIRAL would be a psycho-thriller, with a really dark atmosphere all the time and shock-moments every five minutes or so. It isn't - but that is what's best about it.

Other users compared it with Hitchcock and i have to say, that this reference also came to my mind when i watched the film. It's a mixture of a really gripping relationship (love-story???) and a character study that every now an then has its dark undertones. Only at the end there are real classical and modern thriller elements. The plot and the whole atmosphere really reminds me of my favorite Hitchcock movies like "Vertigo" oder "Marnie".

Of course you can see, that Adam Green is still trying to find his unique style, that the actors do their best but are not yet at the peak of their acting abilities and that this is an indie-film with a small budget. But after all i would say, that this is without doubt one of the best movies i have seen the last months!