Suitable Flesh

Suitable Flesh (2023), directed by Joe Lynch, ventured into the realms of horror and mystery thriller but ended up delivering a confusing and uninspiring narrative. The movie, drawn from H. P. Lovecraft's short story "The Thing on the Doorstep," fails to capture the eerie essence of Lovecraftian horror.

The plot unfolds around a psychiatrist who becomes obsessed with one of her young patients, later discovering that he's linked to an ancient curse. Despite the intriguing premise, the storyline descends into a muddled mess as it progresses.

A major downside was the acting, which was woefully inadequate from the entire cast, including Heather Graham and Judah Lewis. The performances lacked depth and authenticity, rendering the characters unrelatable and the plot more confusing.

The inclusion of four unnecessary sex scenes added nothing to the plot and felt like a desperate attempt to add some flair to an otherwise dull narrative. These scenes were distasteful and detracted from the already scant storyline.

The gore, which could have been a redeeming factor, was neither shocking nor well-executed. The scenes intended to be horrifying were rather bland, failing to evoke the desired reactions from the audience.

The runtime of 1h 40m felt much longer due to the lack of engaging content and coherent storytelling. The film's attempt to be "campy and creepy" was poorly executed, as noted by Rotten Tomatoes.

Overall, "Suitable Flesh" is a disappointing venture into horror that fails to entertain or scare, garnering a generous 4 stars for the occasional decent cinematography and a few well-done special effects. The movie is a forgettable addition to the 2023 horror genre, lacking the spine-chilling essence that horror enthusiasts crave.

Unlike the majority of retro-Horror that comes out this does not rely too much on nostalgia, on archetypes, clichés and set pieces that viewers find comfort in. It actually tells a story of demonic possession/body switching competently, effectively and with just the right tone: not ironic or meta, but also not taking itself too seriously. It's a B-movie that just works, with everybody doing as good a job as can be excepted within the constraints of the genre and budget. There's some suspense in how exactly it is going to get to the unhappy end, and fun it the telling. No real wrong steps, and a hell of a lot to enjoy.

A great and entertaining adaptation of HP Lovecraft as only Dennis Paoli could write. I'm glad Joe Lynch didn't change Paoli's already well-known absurd pace to fit the current horror sluggishness. "Suitable Flesh" starts off frenetic and, accustomed to the format of streaming movies, I expected it to slow down after 30 minutes and subsequently lose direction. That didn't happen.

What begins with a call for help quickly reveals itself to be a trap for a real curse. A possession in several aspects, with an emphasis, of course, on the carnal. Judas Lewis has the physical attributes necessary to make Heather Graham's seduction plausible and his character enters a never-ending sexual nightmare, until it intensifies and expands to the point of completely losing its meaning - like real nightmares.

I may have missed a bit more "flesh" given the nature of this story, but I wouldn't have been embarrassed by a bit more heat on screen and a bit more ingenuity in the cinematography and delirium effects. Despite that, the soundtrack is great, the direction is nimble and it easily brings to mind Brian Yuzna, Stuart Gordon, Sam Raimi and Wes Craven, and the entire cast plays their roles well, with special mention for Barbara Crampton in the final act.

I really enjoyed this. It felt consciously crafted to honour the style and work of both H. P. Lovecraft and Stuart Gordon. It conveys a purposeful lack of factual reality in service of creating a special story-world tone that was commonly found in the 80s/90s Lovecraftian horror. At times it becomes a campy melodrama which adds to its fun, while at other times walking a fine line between emotional truth and absurdity. I get the feeling that modern audiences may not like this due to the association with H. P. Lovecraft and/or the lack of medical or emotional realism, but for me, that is exactly the point. I grew up on horror movies just like this - fun, campy, fleshy, sexy, they didn't take themselves or life too seriously while still conveying a message worth exploring. They weren't afraid to take some risks, and they didn't expect to win any oscars. These types of films have so much value. They offer us a glimpse into the depravity of our deepest desires and a shedding of the internalised scripts of social civility and explore the craziness that lives in all of us, challenging us beyond the comforts of our social conditioning and into our primal nature. Plus I'm a big fan of Barbara Crampton so this film very easily won me over.

Didn't completely do it for me but on the bright side Judah Lewis reeeally did the most (perhaps served a little Chuck Bass?), and it had some lines that made me cackle: "Demon octopus.. awesome 😒" "Then I must've really wanted to F my old man" 🤣

Was definitely intentionally campy, 80's, soap opera-y, so don't go into it expecting a straight-forward or serious horror movie. I think it's important for critics to remember that horror is one of the only genres where people can get weird with it. It may not be your thing, and it may not be Oscar worthy, but just be glad the creativity is alive and happening.

For fans of Malignant, Tales from the Crypt.