IMDb RATING
6.3/10
47K
YOUR RATING
In a mythical land, a man and a young boy investigate a series of unusual occurrences.In a mythical land, a man and a young boy investigate a series of unusual occurrences.In a mythical land, a man and a young boy investigate a series of unusual occurrences.
- Awards
- 3 nominations total
Timothy Dalton
- Sparrowhawk
- (English version)
- (voice)
Willem Dafoe
- Cob
- (English version)
- (voice)
Mariska Hargitay
- Tenar
- (English version)
- (voice)
Jun'ichi Okada
- Arren
- (voice)
Aoi Teshima
- Theru
- (voice)
Bunta Sugawara
- Haitaka
- (voice)
Yûko Tanaka
- Cob
- (voice)
Teruyuki Kagawa
- Hare
- (voice)
Jun Fubuki
- Tenar
- (voice)
Takashi Naitô
- Hazia Dealer
- (voice)
Mitsuko Baishô
- The Mistress
- (voice)
Yui Natsukawa
- The Queen
- (voice)
Kaoru Kobayashi
- The King
- (voice)
Matt Levin
- Arren
- (English version)
- (voice)
Cheech Marin
- Hare
- (English version)
- (voice)
Blaire Restaneo
- Therru
- (English version)
- (voice)
Jeff Bennett
- Additional Voices
- (English version)
- (voice)
Susanne Blakeslee
- The Queen
- (English version)
- (voice)
- (as Suzanne Blakeslee)
Featured reviews
I've just come back from seeing this movie in the cinema. Being a devoted Studio Ghibli fan, going to see one of their movies on the big screen was an exciting event for which I had high expectations (I avoided reading any reviews). I am sorry to say that these were not met.
Having never read any of the books this film is based on, a lot of it didn't make any sense. Most of the concepts and character motivations are not given adequate exposition and a lot of things that you think will be resolved and explained as the movie goes on are never expanded upon (or indeed, resolved). Without giving anything away, the main character commits an outrageous action (especially for Ghibli heroes) at the start of the film, but the motivation for said action is not adequately expanded upon and he never really redeems himself (which makes it very difficult to engage with him for the rest of the film). It nearly felt like I was being punished for not being familiar with the source material.
The middle section is very slow moving, in fact nearly all of the action is to be seen at the beginning and towards the finale. Coupled with the lack of exposition on what's actually going on, it seemed like the film was just treading water, waiting for something interesting to happen (and in a 130 minute film, that's a bad thing!).
The ending, while being emotionally rousing and a spectacular set-piece, doesn't really make a lot of sense, as nearly all of the film focuses on a different protagonist than the one that eventually ends up saving the day.
Technically this film is not a patch on Spirited away, Howl's moving castle or Princess Mononoke, in fact the animation is more reminiscent of earlier Studio Ghibli films, such as Nausicaa (however these had wonderful stories to make them instant classics). The only thing that distinguishes it are the lighting effects, which are often superlative.
The music is great and very atmospheric.
Overall I'd have to say that it's worth watching when it comes out on TV, but not good enough to warrant making a trip to one of few cinemas showing it in the UK, or buying it full price on DVD, and this is something that I never thought I'd hear myself say as a die-hard (and now very disappointed) Studio Ghibli fan.
One final thing, this film has no sense of humour. The movie takes itself overwhelmingly serious with none of the "larger than life" magic that people have come to associate with Studio Ghibli.
Having never read any of the books this film is based on, a lot of it didn't make any sense. Most of the concepts and character motivations are not given adequate exposition and a lot of things that you think will be resolved and explained as the movie goes on are never expanded upon (or indeed, resolved). Without giving anything away, the main character commits an outrageous action (especially for Ghibli heroes) at the start of the film, but the motivation for said action is not adequately expanded upon and he never really redeems himself (which makes it very difficult to engage with him for the rest of the film). It nearly felt like I was being punished for not being familiar with the source material.
The middle section is very slow moving, in fact nearly all of the action is to be seen at the beginning and towards the finale. Coupled with the lack of exposition on what's actually going on, it seemed like the film was just treading water, waiting for something interesting to happen (and in a 130 minute film, that's a bad thing!).
The ending, while being emotionally rousing and a spectacular set-piece, doesn't really make a lot of sense, as nearly all of the film focuses on a different protagonist than the one that eventually ends up saving the day.
Technically this film is not a patch on Spirited away, Howl's moving castle or Princess Mononoke, in fact the animation is more reminiscent of earlier Studio Ghibli films, such as Nausicaa (however these had wonderful stories to make them instant classics). The only thing that distinguishes it are the lighting effects, which are often superlative.
The music is great and very atmospheric.
Overall I'd have to say that it's worth watching when it comes out on TV, but not good enough to warrant making a trip to one of few cinemas showing it in the UK, or buying it full price on DVD, and this is something that I never thought I'd hear myself say as a die-hard (and now very disappointed) Studio Ghibli fan.
One final thing, this film has no sense of humour. The movie takes itself overwhelmingly serious with none of the "larger than life" magic that people have come to associate with Studio Ghibli.
Better than I expected, a fantastic debut from Goro Miyazaki (son of Hayao Miyazaki) and a worthy addition to Ghibli's consistently brilliant catalog. It follows the prince Arren, as he runs from his kingdom and encounters a wizard named Ged. From here, he is drawn into a classic good versus evil battle. Goro Miyazaki's film bares a lot of similarities to his father's films, but lacks some of the whimsical nature that makes Hayao's movies so distinct. Tales from Earthsea is a more subdued film than films such as Spirited Away and Porco Rosso, and doesn't really hit the emotional or imaginative heights that Hayao Miyazaki's films do. But this isn't always a bad thing - It's simply Goro's style, and this element makes his film a more traditional, perhaps more sensible narrative. Goro has taken a somewhat conservative route with this film - visually and audibly it's classic Ghibli, full of lush environments and excellent animation. In terms of narrative, it carries classic Ghibli (particularly Miyazaki) hallmarks - epic battles of good and evil, cathartic journeys, and the hospitality and grace of ordinary people - but it also has more of a traditional narrative. Good and evil are, unlike many his father's films, clearly defined, and the events of the film lack the extravagance (and imagination) of Hayao's films. It's a wise move - rather than try to re-invent the wheel, Goro has made a wonderfully solid and cohesive film.
To simply compare Goro Miyazaki (and his film) to his father is unfair and sells a great movie short - he has obviously inherited a tremendous flair for storytelling, and with Ghibli's animation team behind him, has created a fantastic debut film. There's another Miyazaki in town - and i can't wait to see where he goes next.
To simply compare Goro Miyazaki (and his film) to his father is unfair and sells a great movie short - he has obviously inherited a tremendous flair for storytelling, and with Ghibli's animation team behind him, has created a fantastic debut film. There's another Miyazaki in town - and i can't wait to see where he goes next.
I am a huge fan of both Ursula Le Guin and Studio Ghibli but the story and the presentation just weren't all they needed to be. The fragments of story they excerpted from the novel lacked cohesiveness, so the characters' stories were truncated and lost. The art work was true to the beauty of Ghibli. I'm disappointed that I can only give this film a 6 (fair) out of 10. {Animated Fantasy}
Watching Tales from Earthsea, I felt like I had been dropped off in the middle of a book series with no real context as to what was going on. I enjoyed the beautiful animation and ended up finding interest in the story and characters, but at the end of the film I still felt like I was missing something. Studio Ghibli probably should have set this one up better.
Eh, let's just call Tales from Earthsea a case of growing pains for Goro Miyazaki.
It's not a bad movie. It's just unremarkable in every way. It doesn't have the creativity, emotional depth, or beauty of Spirited Away, the visual wonder of Howl's Moving Castle, the scope of adventure of Castle in the Sky, the lovable characters of Kiki's Delivery Service, or the sheer delight and fun of Ponyo.
If I had to choose a defining feature for Earthsea, I honestly don't know what it would be. The music is fine, but nothing extraordinary. The character designs and artwork are dangerously close to generic, the story lacks tension and feels almost inconsequential, and the writing is bland. Where's the heart? Where's the humor, the passion, or something that would draw me into the narrative?
I found myself not caring much about what was happening, and more concerned with how much time was left until the movie was over, than anything else. My expectations for Studio Ghibli are far too high to embrace a movie like this that barely scrapes above mediocrity, and from what I've heard from fans of the Earthsea literature, this isn't the adaptation they were hoping for, either.
It's not a bad movie. It's just unremarkable in every way. It doesn't have the creativity, emotional depth, or beauty of Spirited Away, the visual wonder of Howl's Moving Castle, the scope of adventure of Castle in the Sky, the lovable characters of Kiki's Delivery Service, or the sheer delight and fun of Ponyo.
If I had to choose a defining feature for Earthsea, I honestly don't know what it would be. The music is fine, but nothing extraordinary. The character designs and artwork are dangerously close to generic, the story lacks tension and feels almost inconsequential, and the writing is bland. Where's the heart? Where's the humor, the passion, or something that would draw me into the narrative?
I found myself not caring much about what was happening, and more concerned with how much time was left until the movie was over, than anything else. My expectations for Studio Ghibli are far too high to embrace a movie like this that barely scrapes above mediocrity, and from what I've heard from fans of the Earthsea literature, this isn't the adaptation they were hoping for, either.
Did you know
- TriviaHayao Miyazaki first wrote to author Ursula K. Le Guin about adapting her book into a film. LeGuin at the time was unfamiliar with Miyazaki's work, and associated animation to be similar to Disney animation, and turned the offer down. After she saw Mon voisin Totoro (1988), she loved it, and decided to allow the movie to be made.
- Quotes
Haitaka: Now listen to me, Aaren: No man nor any living thing in this world preserves their life forever. But only to men is it given to know that we must die, and that is a precious gift. This life that is both our torment and our treasure was never meant to endure for eternity. Life is a wave on the sea. Would you force the sea to grow still to save one wave? To save yourself?
- ConnectionsFeatured in New York, I Love You (2008)
- SoundtracksSong of Time
Lyrics by Akino Arai and Gorô Miyazaki and music by Akino Arai and Hisaaki Hogari
Performed by Aoi Teshima
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Cuentos de Terramar
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $48,658
- Opening weekend US & Canada
- $20,614
- Aug 15, 2010
- Gross worldwide
- $68,727,579
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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