Corporate

I saw this movie after many people recommended it, and because it had Rajat Kapoor in it. But, I was quite disappointed!

Actually, it was a desperate attempt to be different, which, according to me, fell rather flat. It was an old story, packaged into an allegedly 'real' corporate world. Simply put, two rival industrialists fight to gain the upper hand in the big (read HUGE), bad (read ROTTEN BEYOND PUTRID) world of business. Everyone has elastic morals, except the ones who lose out at the end. That's it!

In a nutshell: the nice guys stuck to their ideals, but ended up getting screwed. Correct me if I am wrong, but hasn't this been repeated umpteen times already? Was not 'Jaane bhi do Yaaron' a similar tale, but faaaaaaaaaaaar better directed, acted, edited, funnier and an absolute classic? The difference is that we are now in an age where a tragedy is considered good cinema, as long as it is 'realistic'. I won't ask why, but that is how things have come to pass...

The acting was decent - Rajat was great, Raj Babbar was very good, Kay Kay Menon was good, but could have been excellent if he had stayed away from stereotypical expressions, Lilette was, as always, immaculate. But the revelation to me was Harsh Chhaya - he was outstanding in underplaying his emotions! Great job!

Finally, Bipasha Basu... what can one say! I had not seen her in any other movie thus far (thank my lucky stars!). Many told me she was good in this movie. GOOD???? Good God is more like it!!! She had a single expression throughout - whether she was smiling, laughing, crying, scheming, copulating (figuratively and literally) and collapsing. Atrocious!

Also, there are certain actors who were given roles in the movie, and the director simply did not know what to do with them. For example, Lilette Dubey's character suddenly showed a new side, and that was the end of her role! Wtf!

All in all, watch this movie if you were in the same predicament as me - nothing interesting in Blockbuster, you have nothing else to accompany your Sunday evening beer and are in a slightly masochistic mood...

After watching director Madhur Bhandharkar's Chandni Bar and Page 3, this was definitely a highly anticipated film by critics and fans alike. This time he was getting his hands dirty in the big bad world of corporate after tackling the dark world of bar dancers and celebrity-hood. The fact that this is the third installment of his trilogy, I was sure he will be dealing into the realistic topic of corporate firms and yet there was very little to predict or expect. The movie starts off on a nice solemn note as we are introduced into the rivalry of the 2 big enterprises. Do not expect any big twist or turns in the story, but the story just moves Madhur way. Performances by Bipasha and Kay Kay are on top note. Bipasha is impressive as hard-worker who will do anything to get her work done, and Kay Kay is very realistic. Short comedy and jokes scenes in between do not work. If he was trying to pull a Ram Gopal Varma, Madhur still needs to master the skill of developing character roles, however his effort is well appreciated and managed to keep me glued on my seat, regardless of the low quality VCD. Relating to the first 2 films, this film to does not end on a happy note... well just goes to say life goes on!!

After the exposé on Mumbai's "Page 3" society in a film of the same name,this one veers into the world of business barons and boardroom battles. The movie is based on the philosophy that in business, the ultimate goal is profit. And it does not matter if ethics are completely bypassed to achieve it. People who've seen Page 3 will identify Bhandarkar's signature style, especially the boldness with which he blows the cover off the perverse lifestyles of the rich and powerful. Sleaze is of course there in ample helpings. There are also the "aside" acts involving the lower wrung characters where they make fun of their bosses, as in Page 3.

Well its again a great work by Madhurji. As usual he had a good gripe through out the story and something with which you easily get related. One thing which is very important in Madhurji's film is the dialogue of the minor character. One in the day to day life ignores there under standing, which is not correct. After all is human being and all have temptation whether it is for money or for fame. Well the performance was a group work, and all did a good work. One thing which I don't know true or not but a feeling came to me that when we want to achieve some things by wrong mean we do not succeed in our life but we see other in that way are having a good life with all the pleasure. Well this is something which I have also seen happening with a common man. This concept I think has been captured very nicely in the whole picture. One song which was going on in the Delhi Bar was really a nice back ground song but we don't get it in the audio cassette and rarely some one heard it carefully, but it was a great match...sainya anadi mohe thanda pilay re .....

I found this movie to very entertaining. It could have been directed in the Ram Gopal Varma manner with nothing to disrupt the flow of the plot. Too bad that Bollywood fans only really reward masala movies. It dissuades people with good stories from relying solely on them. This was a serious role for Bipasha so they couldn't have doing her usual naach routine. But the main thread of the story, of the trench warfare between large corporations was gripping and well-presented. I think the fallout where assistants took the fall for policies they fought is quite realistic. Only in Japan do you ever seem to see the persons ultimately responsible taking their responsibility. Elsewhere the rationale seems to be "I don't have to, therefore I won't". The script didn't cop out on that point which earned it some respect.

I think this is the first meaty role I've ever seen Rajat Kapoor do, and he did it well. Bipasha's role was atypical, and she fit into it way better than I had any right to expect. Same with Kay Kay. I've worked for many decades in corporations, and the whole thing rang true to me.

I give it four out of five stars.