An American official realizes that his young son may literally be the Devil incarnate.An American official realizes that his young son may literally be the Devil incarnate.An American official realizes that his young son may literally be the Devil incarnate.
- Awards
- 1 win & 7 nominations total
Predrag Bjelac
- Vatican Observatory Priest
- (as Pedja Bjelac)
Tomas Wooler
- Damien - 2 Years Old
- (as Tomas Wooller)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This remake fundamentally centres on the rebirth of the anti-Christ, it's a creepy story where occurs gruesome deaths concerning Satan's son. American diplomat's family (Liev Schreiber, Julia Stiles in the roles previously starred by Gregory Peck and Lee Remick) adopts a baby ,he's named Damien and has the devil mark : 666 . One time grown-up , young boy possessed with mysterious demonic powers causing wreak havoc and bizarre killings wherever he goes . The parents hire a nanny (Mia Farrow in the role of Billie Whitelaw) schemes that delightful child anti-Christ can have him carry out all her evil plans . The little boy seems to be around when inexplicable deaths happen including rid of several interfering adults with the aim for world domination . Damien is poised for ruling devil over earth . Meanwhile the father is warned by a priest named Brennan (Pete Postlethwaite in the role of Patrick Thoughton) and a photographer (David Thewlis in the role of David Warner).
After the Exorcist , Richard Donner's Omen was one of the most famous films of all time and the major possession movie of the 70s and created an authentic sensation , originating even various sequels: Damien: Omen 2 , The final conflict and Omen 4 . The inevitable comparison between Liev Schreiber and Gregory Peck reveals that Liev is just too cool for this role in spite of Peck is an immortal star . The chief excitement lies in seeing what new and amazing victim can be dreamt by the believable FX technicians . Meantime Damien seems to dispatch new bizarre killing every few minutes of the movie . Atmospheric score by Marco Beltrani,however I miss impressive score by Jerry Goldsmith , deservedly winner one Academy Award . It's all frightening amusing , if predictable but we have seen the previous classic movie but also its predictability is redeemed in part by the charismatic performance of excellent protagonists and all around . Although redundant to original film is a fitting description of the director John Moore ; however , being sometimes a shot-for-shot recreation but it doesn't insult the viewer's intelligence . The studio originally wanted the film to receive a PG-13 rating but John Moore insisted on an R-rating, suggesting people would "smell a cop-out" if a remake of original Omen was to receive a family friendly certificate .
After the Exorcist , Richard Donner's Omen was one of the most famous films of all time and the major possession movie of the 70s and created an authentic sensation , originating even various sequels: Damien: Omen 2 , The final conflict and Omen 4 . The inevitable comparison between Liev Schreiber and Gregory Peck reveals that Liev is just too cool for this role in spite of Peck is an immortal star . The chief excitement lies in seeing what new and amazing victim can be dreamt by the believable FX technicians . Meantime Damien seems to dispatch new bizarre killing every few minutes of the movie . Atmospheric score by Marco Beltrani,however I miss impressive score by Jerry Goldsmith , deservedly winner one Academy Award . It's all frightening amusing , if predictable but we have seen the previous classic movie but also its predictability is redeemed in part by the charismatic performance of excellent protagonists and all around . Although redundant to original film is a fitting description of the director John Moore ; however , being sometimes a shot-for-shot recreation but it doesn't insult the viewer's intelligence . The studio originally wanted the film to receive a PG-13 rating but John Moore insisted on an R-rating, suggesting people would "smell a cop-out" if a remake of original Omen was to receive a family friendly certificate .
I really liked the original Omen. It didn't need to be re-made. There is nothing that modern film-making has brought to this film to make it stand out against the original. It's not as scary, not as honest or raw. The original film is genuinely disturbing -- from the dogs, to the nanny, to Damien... this modern remake just isn't as convincing. It has it's moments, and isn't that terrible, but there's an annoying distance, or separation between the subject matter and the film. It's too clean, too polished... it just isn't evil enough.
The music is not as good, the deaths are not as disturbing. But should we judge this film on its own merits? No, because it's a carbon copy remake. There is very little new material worth mentioning.
The only positive thing to say is that for anyone who hasn't seen the original, it's worth a look -- on DVD. But even then I'd recommend the original.
The music is not as good, the deaths are not as disturbing. But should we judge this film on its own merits? No, because it's a carbon copy remake. There is very little new material worth mentioning.
The only positive thing to say is that for anyone who hasn't seen the original, it's worth a look -- on DVD. But even then I'd recommend the original.
What happens when the son of the devil is raised by an American politician and his young wife? Exactly what you'd expect: all hell breaks loose!
While I haven't seen the original Omen in a while, I remember a few key scenes clearly and I remember I liked it. This alone is enough to make me wonder why they remade it (why remake good movies when there are so many bad films to fix?). But they did good, keeping many scenes identical but making the story very 2006 appropriate.
My favorite thing about the film was the adaptation of the plot to fit around 9/11, and the space shuttle disaster, which were obviously missing from the original. This does seem to imply that American tragedies are more important than non-American ones, though. Many people really feel the apocalypse is coming, so this was an appropriate choice. I also like the move from English characters to Americans (though this really doesn't matter).
The demons were spooky and the new Damien is one goony looking little boy, which is great. I don't mind a Damien that looks like Batboy from the Weekly World News. The other actors were also decent: Mia Farrow, best known to horror fans from that other Satanic child film, "Rosemary's Baby", was the perfect nanny and Liev Schreiber has that level of fame that makes him great for starring roles of this sort (not too big to overshadow the film, but big enough to fill the shoes). See "Phantoms" if you don't believe me. The actors did many of their owns stunts, with Liev Schreiber even cracking a rib.
My biggest concern was Julia Stiles. I said to myself, "Self, this chick is known for over-acting in Shakespearean romances and teen comedies... can she tone it down enough for a horror film?" A few moments had Stiles poking her melodramatic head up out of the ground, but overall she played it straight and I think she was commendable.
The kid who played Damien in the original returns here as a reporter, but don't throw out your copy of the original Omen. But don't go out of your way to avoid this one, either. It is a solid horror film with more than competent directing and acting behind it.
While I haven't seen the original Omen in a while, I remember a few key scenes clearly and I remember I liked it. This alone is enough to make me wonder why they remade it (why remake good movies when there are so many bad films to fix?). But they did good, keeping many scenes identical but making the story very 2006 appropriate.
My favorite thing about the film was the adaptation of the plot to fit around 9/11, and the space shuttle disaster, which were obviously missing from the original. This does seem to imply that American tragedies are more important than non-American ones, though. Many people really feel the apocalypse is coming, so this was an appropriate choice. I also like the move from English characters to Americans (though this really doesn't matter).
The demons were spooky and the new Damien is one goony looking little boy, which is great. I don't mind a Damien that looks like Batboy from the Weekly World News. The other actors were also decent: Mia Farrow, best known to horror fans from that other Satanic child film, "Rosemary's Baby", was the perfect nanny and Liev Schreiber has that level of fame that makes him great for starring roles of this sort (not too big to overshadow the film, but big enough to fill the shoes). See "Phantoms" if you don't believe me. The actors did many of their owns stunts, with Liev Schreiber even cracking a rib.
My biggest concern was Julia Stiles. I said to myself, "Self, this chick is known for over-acting in Shakespearean romances and teen comedies... can she tone it down enough for a horror film?" A few moments had Stiles poking her melodramatic head up out of the ground, but overall she played it straight and I think she was commendable.
The kid who played Damien in the original returns here as a reporter, but don't throw out your copy of the original Omen. But don't go out of your way to avoid this one, either. It is a solid horror film with more than competent directing and acting behind it.
In a nutshell, if you've never heard of the original or are unaware of the storyline, the average horror film lover will enjoy this flick. If however you saw/liked the original, you'll likely still enjoy it..but you'll know exactly what's coming next because it is very faithful to the original. In fact, in most scenes, it's a line-by-line remake, and many camera shots are virtually identical to the 1976 version. What has changed is that Damien's parents are younger, and it's been updated to reflect a contemporary world of today. Also, the screenwriter decided to throw in 9/11 and recent disasters as indicators that the Armageddon is on it's way via Damien Thorne. (SPOILERS FOLLOW) There are elements of "Final Destination", but the original Omen was in fact the first to play with this type of death scene(s), where things mysteriously happen to people through strange accidents,etc. Having said that, these scenes are a little different from the original (most of them anyway) and again, as a horror fan, you'll enjoy the fact that they don't pull any punches graphically.
Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up.
Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too).
So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.
Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up.
Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too).
So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.
This remake is like listening to a cover version of a Beatles song. You like it but really want to hear the original again. The original Omen is such a terrific film, convincing, beautifully cast and with a great, raw Brit Gothic feel to it. The remake is a slightly glossier affair which is enjoyable enough but doesn't really take the story in any new directions, although it hints that it will. Opening images of 9/11 and the Asian tsunami promise a new take on the tale, but with the exception of the very final scene, this doesn't really happen. The set pieces of the original were beautifully done - here they're well done but don't seem to last long enough; they don't feel 'special' enough. The cast is good but, again, it lacks the gravitas of the original. This ambassador is no Gregory Peck. Overall, this isn't a bad way to spend two hours in the cinema - it's a hundred times better and more cinematic than The Da Vinci Code for instance - but could have been a lot more than it is.
Did you know
- Trivia(at around 19 mins) Harvey Stephens, who portrayed Damien in La Malédiction (1976), appeared in this remake as the tabloid reporter who asks Robert Thorn (Liev Schreiber) if the deceased nanny "was on drugs".
- Goofs(at around 18 mins) When the nanny jumps off the balcony at Damien's birthday party, the distance to the ground and the rope are way too long - her head would rip off.
- Quotes
Father Brennan: When the Jews return to Zion, and a comet fills the sky, and the holy Roman Empire rises, then you and I must die. From the eternal sea he rises, creating armies on either shore, turning man against his brother, until man exists no more.
- Crazy creditsNames of crew in main title are animated, so some of their letters become crosses or "6".
- SoundtracksOld Comrades
Written by Andrew C. Pilmer (as Andrew Pilmer)
Original melody by Carl Teike (uncredited)
Courtesy of Associated Production Music, LLC.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- The Omen
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $54,607,383
- Opening weekend US & Canada
- $16,026,496
- Jun 11, 2006
- Gross worldwide
- $119,975,084
- Runtime1 hour 50 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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