Los Angeles: Alerte maximum

Right At Your Door taps into the current climate of fear caused by international terrorism, with a tale of a 'dirty' bomb attack on downtown Los Angeles that results in a cloud of toxic dust engulfing nearby residential areas.

Focusing on a married couple caught up in the disaster, the film seeks to wring tension from a rather inspired and decidedly awkward situation which sees husband Brad (Rory Cochrane) safely sealed inside his house (as instructed by the authorities), when his contaminated (and now potentially deadly) wife Lexi (Mary McCormack) turns up outside, demanding to be let in.

Such an intense situation requires class-A dialogue, top notch acting, and flawless plotting from start to finish in order to succeed, and, at first, it seems as though Right At Your Door might have what it takes: the promising opening, in which Brad gradually realises what is happening and then desperately attempts to locate his wife in all of the confusion, is well realised.

Unfortunately, as the film progresses and the action becomes concentrated on the dilemma faced by the terrified Brad and Lexi, too many mundane scenes of chit-chat, the inclusion of a couple of pointless characters, and some very ill-considered moments that really take some swallowing, ultimately mean that the movie fails to maintain its tension.

Towards the end, obviously sensing that his script desperately needs a boot up the rear, writer/director Chris Gorak tacks on a last minute 'shock' twist ending, but it is so far fetched that it is unable to save the film from being yet another example of a good idea let down by a poorly constructed script.

Watching Right at Your Door, the same week that PG&E created the 3 Million Resident Power Black Out of 2019 in Northern California, while multiple massive wildfires ironically coincided in Southern California, Los Angeles, creates a perfect back drop to watch this movie.

Overall, this movie crawls along at a slow pace centralized to the confines of mostly one location. It sets you up all along to give you one final mind screw.

By the end of this movie, you'll realize that we have absolutely no power as citizens within California in particular, and all of us better pray this never happens in reality.

The 9-11 experience has given new relevancy to movies about terrorist attacks. In Right at Your Door, writer and first-time director Chris Gorak shows the impact of a sudden attack in Los Angeles. Similar to Spielberg's War of the Worlds, Gorak chooses to focus exclusively on the impact of the events on one couple—Lexi, a professional woman who works downtown (Mary McCormack) and her husband Brad (Rory Cochrane), an out-of-work musician.

Right at Your Door adeptly explores the human implications of a scenario that seems all too plausible in today's world. At the onset of the attack there is fear, panic, despair, disorientation and poor judgment. However, as the reality of the situation settles in, a survival instinct emerges, a certain calculating rationality. And finally, Brad and Lexi must face the many moral conflicts that can plague us in times of limited resources, dangerous conditions and life and death decisions. Layered on all of this are further apprehensions and uncertainties that must be dissected: Who can you trust? What does the government know? Whose advice do you listen to? What do we tell our friends and family? It is these issues that make viewing Right at Your Door a powerful and troubling experience. We see a little bit of ourselves in these characters, and it is easy to wonder how we would react in the face of these tragic circumstances. This movie will come back to you in moments of quiet contemplation.

Gorak has made a very good movie, especially given his very limited budget and complete lack of directing experience (he been a production assistant on another movie, but has never directed anything before). I particularly like his decision not to provide any information about where the attacks came from. It's probably not all that realistic, as surely the media would be engage in non-stop speculation, but it served to focus the emotions on those things that really mattered to the characters.

Interesting tidbit from the Sundance Q&A: Some of the scenes of smoke rising over the skyline used actual footage from the bombing in Iraq.

In Los Angeles, Brad (Rory Cochrane) and his wife Lexi (Mary McCormack) live in the suburb and are in love for each other. Brad is an unemployed musician and Lexi is financially supporting the family. She wakes up in the morning and heads in her convertible to the highway to work downtown.

Brad listens to the news that dirty bombs have just blown up in Los Angeles in a terrorist attack and the authorities warning people seal off doors, windows and any opening and stay home. The desperate Brad does not respect the curfew and drives his car to downtown, but he does not succeed in crossing the police barriers. He returns home and the worker Alvaro (Tony Perez) of his next door neighbor requests protection to Brad. They seal themselves off in the house and listen to the radio about the danger of the unknown chemicals and the panic of the population with the hospitals overcrowded. Out of the blue, Lexi returns home covered of chemical ashes. Brad has to come up to a decision about the unexpected return: should he open or not their house?

"Right at Your Door" is a tense and scary low budget movie by Chris Gorak. The movie is like a theater play and is supported by the outstanding screenplay, magnificent direction and top-notch performances of Mary McCormack and Rory Cochrane. The twist in the end is absolutely unexpected and certainly makes the viewer think a lot about the attitude of Brad and how realistic this story is. My vote is seven.

Title (Brazil): "Toque de Recolher" ("Curfew")

I was pleasantly surprised. This is not the same as other toxic explosion movies such as Threads (1984), The Day After (1983) and the less memorable Testament (1983). This movie is harder to relate to and did not scare me in the same way. It focuses much more on a close relationship between a couple caught up in a fictional terrorist attack. It is much less about total destructive paranoia and more intimate. The movie is very well made. It looks very believable. The way that the movie has been made feels honest. The relationship is gripping from start to finish.