In Victorian England, young thief Sue participates in a scam to defraud a rich heiress by becoming her maid. Things take an unexpected turn and Sue's plan goes horribly wrong.In Victorian England, young thief Sue participates in a scam to defraud a rich heiress by becoming her maid. Things take an unexpected turn and Sue's plan goes horribly wrong.In Victorian England, young thief Sue participates in a scam to defraud a rich heiress by becoming her maid. Things take an unexpected turn and Sue's plan goes horribly wrong.
- Nominated for 1 BAFTA Award
- 3 nominations total
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10ceejay99
This movie was incredible!!!! I did not know the back story on it so I needed to let it unfold before me on DVD. It had many twists and turns but still kept the story fresh and exciting. The acting by Elaine Cassidy was in a word Brilliant as well as Sally Hawkins. The storyline is rich with plausible occurrences as well as fresh ideas from the present.
There is truly something about Ms. Cassidy's eyes that leaves "a mark." This movie is a refreshing look on the way in which we look at the 'victorian times' and how we view that society. A very worthwhile watch.
There is truly something about Ms. Cassidy's eyes that leaves "a mark." This movie is a refreshing look on the way in which we look at the 'victorian times' and how we view that society. A very worthwhile watch.
I love Sarah Waters's Fingersmith, and was worried about the TV adaptation as I'd been disappointed by the BBC's version of Tipping the Velvet (which although beautiful to look at was let down by Keeley Hawes not being able to sing, and Rachael Stirling not being able to act). Fingersmith is a very tightly plotted novel with breath taking twists and turns and I wondered if this could be done justice to in just 3 hours.
I needn't have worried. The adaptation was excellent, very little cut out, and went along at a cracking pace (although I did wonder whether if you hadn't read the book, would you miss things?). It had the look and feel of a BBC classic costume drama and i kept having to remind myself that this is a contemporary book.
The acting was stellar. Sally Hawkins acting her heart out as Sue Trinder, and Elaine Cassidy, a slow burner, who by the end of the story was incandescent as Maud Lilley. The love, the passion, the realisation of the acts of betrayal both would have to perform, were written on their faces. It was a joy to watch.
I hope Rachael Stirling was watching: that's how you play a Sarah Waters character!
I needn't have worried. The adaptation was excellent, very little cut out, and went along at a cracking pace (although I did wonder whether if you hadn't read the book, would you miss things?). It had the look and feel of a BBC classic costume drama and i kept having to remind myself that this is a contemporary book.
The acting was stellar. Sally Hawkins acting her heart out as Sue Trinder, and Elaine Cassidy, a slow burner, who by the end of the story was incandescent as Maud Lilley. The love, the passion, the realisation of the acts of betrayal both would have to perform, were written on their faces. It was a joy to watch.
I hope Rachael Stirling was watching: that's how you play a Sarah Waters character!
10teenyclb
Having read the book prior to watching this adaptation you would think that it would have lost some of its thrill. However, the story is so clever I could never tire of it.
Sally and Elaine really put their hearts into their roles and brought out so much of the characters. I fell in love with the story and the women all over again.
Beautiful to watch thanks to direction, settings and costumery. Despite the plot speed of television, I don't feel that anything important was lost in transit. It had me on the edge of my seat throughout with lots of wonderful stomach-trembling moments. Enjoyed it thoroughly. This is the kind of television I have been waiting for.
Sally and Elaine really put their hearts into their roles and brought out so much of the characters. I fell in love with the story and the women all over again.
Beautiful to watch thanks to direction, settings and costumery. Despite the plot speed of television, I don't feel that anything important was lost in transit. It had me on the edge of my seat throughout with lots of wonderful stomach-trembling moments. Enjoyed it thoroughly. This is the kind of television I have been waiting for.
I never dreamed when I started watching this DVD that I would be totally mesmerized by it within minutes. The story was completely absorbing and entertaining. The acting was superb. The biggest surprise of all was how I would be so completely enchanted by the love these two young women radiated across the screen. Their initial physical encounter for me was by far the most tender, romantic, delightful, vicariously enthralling love scenes I have ever witnessed on film. I literally stopped breathing. I could not believe the chemistry between the two actresses. With no nudity or graphic sex, they conveyed more passion and titillation than any American production could ever hope to evince. Bravo to the author, the screenwriter, the director and the cast.
I'm usually disappointed by what the media dubs "lesbian" movies these days: murderous bisexuals; psychotic murderous lesbians; women who experiment with other women, but end up with men at the end; ridiculously good-looking women who only get w/ each other to turn men on, etc.
Thankfully, FINGERSMITH is on a very high pedestal above this garbage. It is a credible love story acted MARVELOUSLY by every cast member, down to the least of the supporting actors. Aside from having a very engaging central conflict, the romance between the heroines is well developed and believable thanks to Cassidy and Hawkins.
I have also seen TIPPING THE VELVET, but FINGERSMITH is far superior to the former, both in character/conflict development and the quality of the acting.
FINGERSMITH is both satisfying and enjoyable to watch, offering lesbians everywhere a great follow-up act to BOUND.
Thankfully, FINGERSMITH is on a very high pedestal above this garbage. It is a credible love story acted MARVELOUSLY by every cast member, down to the least of the supporting actors. Aside from having a very engaging central conflict, the romance between the heroines is well developed and believable thanks to Cassidy and Hawkins.
I have also seen TIPPING THE VELVET, but FINGERSMITH is far superior to the former, both in character/conflict development and the quality of the acting.
FINGERSMITH is both satisfying and enjoyable to watch, offering lesbians everywhere a great follow-up act to BOUND.
Did you know
- TriviaGuillermo del Toro wanted to work with Sally Hawkins after he saw her in this. He went on to write La Forme de l'eau (2017) with her in mind.
- Quotes
[Last lines of the movie]
Sue Trinder: [picking up a page of a manuscript that has fallen on the floor] What's it say?
Maud Lilly: They're full of words saying... how I want you. How I love you.
- Alternate versionsAlthough originally shown as three 60-minute episodes, it was released on DVD as two 90-minute episodes with the cast lists in the end credits of each new episode adjusted to include only the cast who were in the new episode.
- ConnectionsFeatured in The South Bank Show: Sarah Waters (2008)
- How many seasons does Fingersmith have?Powered by Alexa
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