IMDb RATING
5.5/10
8.6K
YOUR RATING
A top Hollywood talent agent's cushy existence is threatened when he discovers that his wife is cheating on him and that a reporter has swiped his journal to bring him down.A top Hollywood talent agent's cushy existence is threatened when he discovers that his wife is cheating on him and that a reporter has swiped his journal to bring him down.A top Hollywood talent agent's cushy existence is threatened when he discovers that his wife is cheating on him and that a reporter has swiped his journal to bring him down.
Sam Ball
- Jimmy Dooley
- (as Samuel Ball)
- Director
- Writer
- All cast & crew
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Featured reviews
Stress and Success: I believe that "Man About Town" gets to the soul of work-life balance in a surprising way. A head review on IMDb compares it to American Beauty -- I think this makes it too heavy and the themes too weighty -- it is Jersey Girl with grown-ups - has farce, charm, and truly poignant scenes, as well as a man who as his life goes down the toilet makes his soul play and work for him.
Is it about the material waste vs. romance? : well, no not really; a modern parable of values; a little; an Italian drama with American values played out like a french comedy romance: definitely.
There is a strong cast: A pythonesque cameo breaks up the story into segments. Howard Hesseman as the father is a better role than expected: and he delivers a class performance. A face I hadn't noticed before, Damien Wayans, (well according to IMDb his previous credits include "cousin carrying plastic bag" in Don't be a Menace to South Central while Drinking Your Juice in the Hood, 'nuff said...) here he handles the foil of Ben Affleck's necessarily flack-like performance with real aplomb as the put-upon PA. He has behind the fluff a serious look that would lend well to comedy and/or drama. Bet we'll see more of him.
The treatment lends to being real handled with verve and vigor: covering the gamut from farce to bathos - and for my money hit a surprising number of home runs. Ben Affleck - a man driven to the point of desperation, and reconnection gives a deceptively light performance: I would have to say they are some awesome skills going into this - sometime he makes it look too easy, too, what's the word, smiley ?, but it is nicely played. It is his most mature role to date and he handles this tale of a man discovering his true values and maturity with a measured casualness.
On filming: I found the approach to filming itself more complex than I expected the lighting and sound are both clever and discrete; and it is well lit. Obviously style and architecture and the LA dream are nicely displayed: great design. The office really looks right, down to the door handles.
The editing makes good sense and keeps the pace in a natural story that jumps pace and genre : and there are some shots with lifts that are unique (!) and worth checking out for that reason alone.
It is funny particularly good on the visual jokes, but not overly crude, but It also moved me to tears four times - no mean feat - and my wife even more.
Mike Binder, who both wrote and directed this, is getting really close to having a real hit - I sense a director ready to take on a big star, and big themes and fly with them.
Overall, I enjoyed this tremendously and would say: more like it please. It is kind of familiar territory and many critics will point to it as too mixed up to be clear: but I would argue that the theme of redemption is clearer than the lax comic relief that occasionally surfaces -- and the silliness is light relief and flows out of the plot.
This film about a film executive who caught the success train early and now feels the baggage carriage rocketing up fast could itself be difficult to categorize as comedy romance drama etc; and that may be a weakness in marketing, but it is a strength in the telling: I found it a very rounded experience. Who wouldn't want to find films that touch the soul and here we have.
Worth the rental (And a release - This should be a release with real marketing values - right?) -- yup and how.
Is it about the material waste vs. romance? : well, no not really; a modern parable of values; a little; an Italian drama with American values played out like a french comedy romance: definitely.
There is a strong cast: A pythonesque cameo breaks up the story into segments. Howard Hesseman as the father is a better role than expected: and he delivers a class performance. A face I hadn't noticed before, Damien Wayans, (well according to IMDb his previous credits include "cousin carrying plastic bag" in Don't be a Menace to South Central while Drinking Your Juice in the Hood, 'nuff said...) here he handles the foil of Ben Affleck's necessarily flack-like performance with real aplomb as the put-upon PA. He has behind the fluff a serious look that would lend well to comedy and/or drama. Bet we'll see more of him.
The treatment lends to being real handled with verve and vigor: covering the gamut from farce to bathos - and for my money hit a surprising number of home runs. Ben Affleck - a man driven to the point of desperation, and reconnection gives a deceptively light performance: I would have to say they are some awesome skills going into this - sometime he makes it look too easy, too, what's the word, smiley ?, but it is nicely played. It is his most mature role to date and he handles this tale of a man discovering his true values and maturity with a measured casualness.
On filming: I found the approach to filming itself more complex than I expected the lighting and sound are both clever and discrete; and it is well lit. Obviously style and architecture and the LA dream are nicely displayed: great design. The office really looks right, down to the door handles.
The editing makes good sense and keeps the pace in a natural story that jumps pace and genre : and there are some shots with lifts that are unique (!) and worth checking out for that reason alone.
It is funny particularly good on the visual jokes, but not overly crude, but It also moved me to tears four times - no mean feat - and my wife even more.
Mike Binder, who both wrote and directed this, is getting really close to having a real hit - I sense a director ready to take on a big star, and big themes and fly with them.
Overall, I enjoyed this tremendously and would say: more like it please. It is kind of familiar territory and many critics will point to it as too mixed up to be clear: but I would argue that the theme of redemption is clearer than the lax comic relief that occasionally surfaces -- and the silliness is light relief and flows out of the plot.
This film about a film executive who caught the success train early and now feels the baggage carriage rocketing up fast could itself be difficult to categorize as comedy romance drama etc; and that may be a weakness in marketing, but it is a strength in the telling: I found it a very rounded experience. Who wouldn't want to find films that touch the soul and here we have.
Worth the rental (And a release - This should be a release with real marketing values - right?) -- yup and how.
Extremely self centered, uncomunicative movie agent (Ben Affleck) has it all, but then is on the verge of loosing it all; his job, his wife, his reputation and his health. Will Ben Affleck be able to rebound and become succesful again? That's the cliffhanger of this somewhat satirical story.
Certainly not one of Ben Affleck greatest pictures, but for the real Ben Affleck fan, this story can still be quite enjoyable, because there are lots of quirky, subtle, satirical jokes about egoism to be enjoyed. So the satirical jokes are fortunately quite good, but this movie wants to be a lighthearted romantic drama as well and that part isnt as well developped as it could have been.
This movie looses speed half way through, and becomes a bit boring, but it does make for a rather pleasant feel good funny ending. So be a little patient in the middle, you will be rewarded later on, although dont expect any greatness either.
Certainly not one of Ben Affleck greatest pictures, but for the real Ben Affleck fan, this story can still be quite enjoyable, because there are lots of quirky, subtle, satirical jokes about egoism to be enjoyed. So the satirical jokes are fortunately quite good, but this movie wants to be a lighthearted romantic drama as well and that part isnt as well developped as it could have been.
This movie looses speed half way through, and becomes a bit boring, but it does make for a rather pleasant feel good funny ending. So be a little patient in the middle, you will be rewarded later on, although dont expect any greatness either.
Jack (Ben Affleck) is a hotshot and thriving writers agent in Hollywood. He built his company from the bottom up and has a fine crew of folks working for him, too. Not only this, he lives in a gorgeous house in Malibu and is married to a beautiful lady, Nina (Rebecca Romjim). Also in the house is Jack's father (Howard Hesseman) who has had a stroke and is subject to bizarre behaviors. Surprisingly, Jack is not happy and signs up for a nighttime writing class taught by a stuffy Brit (John Cleese). There, he is told to start a journal, which will not only improve his writing but will give clues to his psychological needs and wants. Reluctantly, Jack does this. But, there are pitfalls ahead. A former classmate, who knows Jack is very famous, has sent ten screenplays written by his girlfriend (Bai Ling) for Jack's evaluation and has never gotten a reply. Now, this man is out for revenge. He breaks into Jack's house and beats up the agent, while taking the diary. Since the perp's gal works for a minor newspaper, the rag is about to print Jacks every secrets. Also, there is trouble between Jack and Nina, deep trouble. How will Jack work his way out of this crisis? Despite the fine, fine cast, which also includes Gina Gershon, Mike Binder, Kal Penn, Adam Goldberg, and Jerry O'Connell, in addition to the ones listed above, this film is a big flop and a big mess. Oh, there are a few funny scenes, like Jack and his crew faking karate stances across from the employees of a Chinese restaurant who are doing the real moves! Also, Ling is pretty funny as the evil lady of blackmail. Yet, the movie is, in this viewers opinion, totally pointless. Especially surprising is the ending, where romance burnt to a crisp might still rekindle. Affleck is one of my favorite actors and this is his worst film, worse than Gigli. Thank God he went on to true glory with Argo, State of Play, and many other fine flicks. As for this one, avoid it by a wide mile.
Sometimes the business world makes your love frozen. In a society where the prestige and the money seems to be more important than relationships, "trust" becomes just another word of the dictionary. Stress takes the control of your life; and without warning you stop living, to start acting in automatic pilot. And that is the case of Jack Giamoro (Ben Affleck) a well recognized and very successful executive in the Hollywood industry; who in his routine tries to find safety in isolating himself. His ammo ironically turns into his wickedness when everything starts falling apart, and he decides to write his personal diary. His life, his pain, his loneliness and secrets in paper, put him in danger when someone steals his written memories. A good romantic comedy, with the excellent performance of John "the actor" Cleese and the always beautiful Rebecca Romijn. It makes you laugh, it makes you fall in love, it makes you stop and look around. What's important in life? I say: A great choice for a date.
When the film was started I said another American Beauty type film coming. And because of this thought my expectations increased a lot. But Ben Affleck's acting capacity is limited so the movie never goes on. Also the story has some weak points and illogical parts. For example you stole something important and you will use it to blackmail someone. The first thing you will do to backup your source or at least you will not take your source with you when you're meeting with the person that you're blackmailing! But our writers don't think like this so there are a lot of stupid chasing scenes. I think your mood also very important for this film. I was very complicated and seeking something in me, before I went to cinema. Because of this in the film the 'course' scenes and the confessions covered by 'diary writing' scenes hit me directly. So I can't give bad votes to this film. I want to add one more thing, course teacher's acting was perfect. And Ling Bai. She's very different type. She don't like any girls that I know. I think this explains why I like her.
Conclusion, in this circumstances this is a movie for summer. Light scenario, beautiful girls (Rojmin, Ling Bai) and handsome guy.
Your choice to watch it :).
Conclusion, in this circumstances this is a movie for summer. Light scenario, beautiful girls (Rojmin, Ling Bai) and handsome guy.
Your choice to watch it :).
Did you know
- GoofsIn the part where Brynn Lilly is pretending to be Sharon Stone in Basic Instinct (1992), she is holding a cigarette. Each time the camera changes angles, the cigarette is long, then short, then long, several times.
- Quotes
Jack Giamoro: [Discussing Barbi's scripts] I read them on the shitter.
Barbi Ling: Excuse me?
Jack Giamoro: Well I was on the shitter, taking a shit, when I read your scripts. I just thought it was appropriate.
- ConnectionsFeatures Les monstres (1964)
- SoundtracksOur Lips Are Sealed
Written by Terrence Edward Hall / Jane Wiedlin
Performed by Fredo Viola
Courtesy of Aviola Studio
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Un Destino Compartido
- Filming locations
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- See more company credits at IMDbPro
Box office
- Gross worldwide
- $1,165,186
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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