Two war correspondents are escorted to a recently bombed town. The apparent perpetrators are about to be executed in front of a baying mob of survivors. One journalist doubts the guilt of th... Read allTwo war correspondents are escorted to a recently bombed town. The apparent perpetrators are about to be executed in front of a baying mob of survivors. One journalist doubts the guilt of the adolescent prisoners; the other believes they are not there to take sides but to take pi... Read allTwo war correspondents are escorted to a recently bombed town. The apparent perpetrators are about to be executed in front of a baying mob of survivors. One journalist doubts the guilt of the adolescent prisoners; the other believes they are not there to take sides but to take pictures...
- Awards
- 1 win & 1 nomination total
Photos
- Prisoner Salem
- (as Louis Alsamari)
- Militia
- (as Uriel Emil Pollack)
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Featured reviews
The premise makes it sound better than it really is, because the degree of unknowns within the plot and other weak aspects undermine the value that the film has in other areas. The plot is as simple as I have said above and it was a problem for me that it didn't go any deeper than that. Without a location or an understanding of the conflict it does very much come down to how well the film looks at the idea of journalism and how difficult it is to stay neutral. It does this reasonable well but I thought it could have done it a lot better such as it is there isn't any real debate or thought about the subject, both characters seem to have made their mind up and if Jake is caught on the throws of a dilemma then the audience are not privy to it.
The cast don't have a great deal to do. Cox is always going to be worth watching and his presence is a blessing here but he doesn't have much to do with a one-note performance. Owen has a more interesting character to work with (potentially) but the material doesn't help him and his performance is unconvincing. The support cast are all realistic and natural and help set the feel of the place. Wyatt's direction is very good though and he does well to build tension although it is also his fault that the material is weak as he also wrote.
Overall an OK short film but one that lacks the debate and thought that I'd hoped it would have. It is tense and reasonably interesting with good direction but it was the lack of substance that put me off and left me unlikely to return to it for a second run.
Looking it up online, "Get the Picture" is described as "a ten minute pilot for the feature "Fourth Wall", written and directed by Rupert Wyatt. Lets hope the wonderful Cox is a part of it - if this is a pilot, I think we can hope for great things in the feature. Cox has recently graced many American movies - Bourne Identity & Bourne Supremacy, Troy, 25th Hour - it would be great to see him in a gritty new British film.
I don't want to give the impression that GET THE PICTURE is awful - It's not , it does contain scenes with great tension , but it is like very many short movies lacking any type of context and feels more like a segment of a feature length film . It is well directed and look forward to seeing more of Mr Wyatt's work in the future as long as he gets someone to write him a hundred page script
Details
- Runtime
- 9m
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1